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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto for Oboe
Non classifié
378
Piano & claviers
Piano seul
51
Orgue
5
2 Pianos, 4 mains
4
Piano Facile
2
Piano Trio: piano, violon, violoncelle
1
Guitares
2 Guitares (duo)
2
Guitare
1
Voix
Chorale SATB
1
Vents
Hautbois, Piano (duo)
115
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Flûte, Hautbois, Clarinette, Basson
47
Hautbois
32
Hautbois (partie séparée)
32
2 Hautbois (duo)
15
Clarinette
14
Flûte traversière
9
Quatuor de Saxophones: 4 saxophones
9
5 Flûtes à bec
7
Flûte à Bec
6
Flûte traversière et Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Cor Anglais
6
Ensemble De Flûte à bec
5
2 Flûtes traversières (duo)
5
Quatuor de Flûtes à bec
5
2 Cors Anglais Et Pianoforte
5
Clarinette et Piano
5
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone
3
Saxophone Soprano et Piano
3
Saxophone Tenor
3
Saxophone Soprano
3
Saxophone Alto et Piano
3
Ensemble de Hautbois
2
3 Clarinettes (trio)
2
Quatuor de Flûtes : 4 flûtes
2
2 Saxophones (duo)
2
Hautbois et Orchestre
2
Flûte, Hautbois, Basson
2
Clarinette (partie séparée)
2
Hautbois, Violon, Piano
2
Saxophone Tenor et Piano
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Flûte traversière, Orchestre
1
Ensemble de saxophones
1
Hautbois, Clarinette (duo)
1
Hautbois, Harpe
1
2 Flûtes traversières, Piano
1
4 Hautbois
1
Cor anglais, Piano
1
Saxophone Baryton, Piano
1
Clarinette, Violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano
1
2 Clarinettes (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Hautbois
1
Saxophone (partie séparée)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Saxophones (trio)
1
Hautbois, Basson (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Cor
14
Trompette
13
Trompette (partie séparée)
10
Trombone
9
Cor Anglais
6
2 Cors Anglais Et Pianoforte
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone et Piano
3
Cor (partie séparée)
2
Cor et Piano
2
Cor anglais, Piano
1
Trompette, Piano
1
Euphonium
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba
1
Euphonium, Piano (duo)
1
+ 11 instrumentations
Retracter
Cordes
Violon
20
Quatuor à cordes: 2 violons, alto, violoncelle
12
Trio à Cordes: violon, alto, violoncelle
11
Violon et Piano
10
Violoncelle, Piano
7
Violoncelle
5
Contre Basse
3
Alto, Piano
2
Harpe, Violon, Violoncelle
2
Contrebasse, Piano (duo)
1
Alto seul
1
Violoncelle , Guitare (duo)
1
Harpe
1
2 Violons (duo)
1
Violoncelle, Orgue
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
96
Orchestre
49
Orchestre d'harmonie
42
Orchestre à Cordes
35
Piano et Orchestre
4
Ensemble de cuivres
4
Batterie
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Concerto for Oboe
Hautbois, Piano (duo)
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Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
Concerto for Oboe in Bb Major, Op. 9 No. 11
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe in Bb Major,
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.955165 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 41 pages. Cha...
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Oboe,Piano - Level 4 - SKU: A0.955165 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 41 pages. Chamber Ensemble of Minnesota, Inc. #6026089. Published by Chamber Ensemble of Minnesota, Inc. (A0.955165). Oboe solo part, Oboe + Piano Score and Piano Accompaniment of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75
Wolfgang Amadeus Mozart: Concerto in C major K314 for oboe & piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for oboe & piano of MEDIUM/HIGH skill level. Contents: K 314 / classical,concert
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for oboe & piano of MEDIUM/HIGH skill level. Contents: K 314 / classical,concert
$5.99
Handel: Largo from Xerxes for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score a...
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Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. ...
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Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score an...
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Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468314. Published by jmsgu3 (A0.549226). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Concerto for Oboe Arranged for Oboe and Piano Orchestral Reduction Score
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Hautbois, Piano (duo)
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AVANCÉ
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James Nathaniel Holland
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Concerto for Oboe Arranged for
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James Nathaniel Holland
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.730275 Composed by James Nathaniel Holland. Children,Contemporary,Halloween. Score and part. 94 pages. James Nathaniel Ho...
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Oboe,Piano - Level 5 - SKU: A0.730275 Composed by James Nathaniel Holland. Children,Contemporary,Halloween. Score and part. 94 pages. James Nathaniel Holland #1975419. Published by James Nathaniel Holland (A0.730275). Contemporary Concerto for Oboe and Orchestra by 21st Century Classical Music Composer James Nathaniel Holland (Total Duration 26:17 minutes) Offered here is the Orchestral Reduction for Piano and Individual Oboe Part included. This fun and exciting oboe concerto is a great addition to the oboe repertoire and the sparse contemporary concertos written for the instrument. Here are the movements of I. Cinderella II. A Russian Fairytale III. Gnomes As usual with Holland's music there is a bit of jazz, dash of fun and a touch of magic.
$10.95
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Antonio Vivaldi: Concerto in C major RV 447 instantly for oboe & piano
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Hautbois, Piano (duo)
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AVANCÉ
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Classique
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Antonio Vivaldi
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Virtualsheetmusic
Instantly downloadable sheet music by Antonio Vivaldi for oboe & piano of HIGH skill level. / classical,concert
Instantly downloadable sheet music by Antonio Vivaldi for oboe & piano of HIGH skill level. / classical,concert
$5.99
Franz Joseph Haydn: Concerto in C major for oboe & piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Joseph Haydn
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Virtualsheetmusic
Instantly downloadable sheet music by Franz Joseph Haydn for oboe & piano of MEDIUM/HIGH skill level. Contents: hob VIIg:c1, VIIg, c1 / classical,concert...
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Instantly downloadable sheet music by Franz Joseph Haydn for oboe & piano of MEDIUM/HIGH skill level. Contents: hob VIIg:c1, VIIg, c1 / classical,concert
$6.99
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Concerto for Oboe and Orchestra - piano reduction and part
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Philip Orem
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Concerto for Oboe and Orchestr
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Philip Orem
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.872596 Composed by Philip Orem. Contemporary. Score and part. 39 pages. Philip Orem #3512093. Published by Philip Orem (A...
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Oboe,Piano - Level 5 - SKU: A0.872596 Composed by Philip Orem. Contemporary. Score and part. 39 pages. Philip Orem #3512093. Published by Philip Orem (A0.872596). The piano reduction of my popular oboe concerto featured on the CD, Concerto, from Roven Records available on iTunes.This pastoral concerto is in three movements, the first as lazy as a summer day by a stream, the second quiet as a summer night watching the stars shimmer in the sky, the last a rollicking scamper through the summer holidays.Piano reduction and solo oboe part included.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$50.00
Richard Faith : Concerto for oboe and chamber orchestra, piano reduction and solo part
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Richard Faith
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Richard Faith : Concerto for o
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.533084 Composed by Richard Faith. 20th Century,Concert,Standards. Score and parts. 57...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.533084 Composed by Richard Faith. 20th Century,Concert,Standards. Score and parts. 57 pages. Musik Fabrik Music Publishing #482091. Published by Musik Fabrik Music Publishing (A0.533084). A three-movement concerto for oboe and orchestra in a pastoral style. The piano reduction is by the composer. The full score is available as a seperate item. The parts are on rental from the publisher. Instrumentation: 2 flutes (2nd doubles piccolo) english horn in F clarinet in Bb 2 bassoons 2 horns in F timpani percussion: orchestra bells, bass drum, tomtom, suspended cymbal, crash cymbal, triangle gong, celesta, small tambourine harp Strings.
$25.95
Opus 131a, Concerto for Oboe & Orchestra in Bb-do (Piano Score)
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Henry Pool
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Opus 131a, Concerto for Oboe &
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Viola Editions
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.976315 Composed by Henry Pool. 20th Century,Contemporary. Score and part. 63 pages. Viola Editions #3425879. Published by...
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Oboe,Piano - Level 5 - SKU: A0.976315 Composed by Henry Pool. 20th Century,Contemporary. Score and part. 63 pages. Viola Editions #3425879. Published by Viola Editions (A0.976315). This is the piano score of the beautiful Concert for Oboe and Orchestra. It has three movements and a cadenza in the end.
$15.75
Symphonic concerto for oboe, Opus 3
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Hautbois, Piano (duo)
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AVANCÉ
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Classique
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Louis Glass
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Walter F
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Symphonic concerto for oboe, O
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Albismusic
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1085859 Composed by Louis Glass. Arranged by Walter F. Zielke. Classical,Romantic Period. Score and part. 57 pages. Albis...
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Oboe,Piano - Level 5 - SKU: A0.1085859 Composed by Louis Glass. Arranged by Walter F. Zielke. Classical,Romantic Period. Score and part. 57 pages. Albismusic #690032. Published by Albismusic (A0.1085859). Pianoscore including solo oboe.
$17.95
Larghetto Affettuoso - Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Marcello, Alessandro
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Sam Franko
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Larghetto Affettuoso - Oboe an
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Music-Scores.com
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.721316 Composed by Marcello, Alessandro. Arranged by Sam Franko. Concert,Easter,Wedding. Score and part. 4 pages. Music-S...
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Oboe,Piano - Level 3 - SKU: A0.721316 Composed by Marcello, Alessandro. Arranged by Sam Franko. Concert,Easter,Wedding. Score and part. 4 pages. Music-Scores.com #4326025. Published by Music-Scores.com (A0.721316). Larghetto Affettuoso: 2nd movement of Alessandro Marcello's Oboe Concerto. For Oboe and Piano.Duration 3 minutes.Prepared by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
Handel - Oboe Concerto in G minor HWV 287 for Oboe and Cembalo (or Piano)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Santino Cara
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Santino Cara
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Handel - Oboe Concerto in G mi
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Santino Cara
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.684993 By Santino Cara. By George Frideric Handel. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino C...
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Oboe,Piano - Level 3 - SKU: A0.684993 By Santino Cara. By George Frideric Handel. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino Cara #293713. Published by Santino Cara (A0.684993). Complete score and parts of the Oboe Concerto in G minor HWV 287 for Oboe and Cembalo (or Piano). Composed in Hamburg in 1703 by George Frideric Handel. Transcribed in Rome in 2018 by Santino Cara from Concerto Grosso No.10 for Oboe, Strings and Continuo. 4 Movements: 1. Grave. 2. Allegro non troppo, 3. Sarabande (Largo), 4. Allegro non molto. Single PDF file, with the complete score of the concerto and the separate part of the oboe.Other Oboe Concertos and Sonatas by various composers16 Oboe Concertos and Sonatas for Oboe and Cembalo or Piano - Book 1 - Scores and Part16 Oboe Concertos and Sonatas for Oboe and Cembalo or Piano - Book 2 - Scores and Part
$18.90
Adagio Sostenuto from "Piano Concerto No. 2" for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1221228 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic ...
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Oboe,Piano - Level 3 - SKU: A0.1221228 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #817560. Published by Diego Marani (A0.1221228). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for oboe with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Bach-Gounod: Ave Maria for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and par...
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Oboe,Piano - Level 2 - SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490099. Published by jmsgu3 (A0.549359). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Vivaldi - Oboe Concerto No.7 in B flat RV 464 Op.7 for Oboe and Cembalo or Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Oboe Concerto No.7 i
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.517676 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroq...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.517676 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 17 pages. Santino Cara #6412987. Published by Santino Cara (A0.517676). Complete score and part of the Oboe Concerto No.7 in B flat major RV 464 for Oboe and Cembalo (or Piano). Composed in 1717 by Antonio Vivaldi. Transcribed in Rome in 2002 by Santino Cara from 12 Concertos Op.7.
$15.30
Albinoni - Oboe Concerto No.12 in C major Op.7 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Santino Cara
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Santino Cara
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Albinoni - Oboe Concerto No.12
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Santino Cara
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1152003 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 19 pages. Santin...
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Oboe,Piano - Level 3 - SKU: A0.1152003 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 19 pages. Santino Cara #752210. Published by Santino Cara (A0.1152003). Complete score and part of the Concerto No.12 in C major Op.7 for Oboe and Piano. Composed between 1713 and 1715 by Tomaso Albinoni. Published in Amsterdam in 1715 by Estienne Roger. Transcribed in Rome in 2019 by Santino Cara from 12 Concertos Op.7. 3 Movements: 1. Allegro, 2. Adagio, 3. Allegro.
$18.40
Albinoni - Oboe Concerto No.6 in D major Op.7 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Albinoni - Oboe Concerto No.6
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Santino Cara
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1139539 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 19 pages. Santin...
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Oboe,Piano - Level 4 - SKU: A0.1139539 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 19 pages. Santino Cara #739820. Published by Santino Cara (A0.1139539). Complete score and parts of the Concerto No.6 in D major Op.7 for Oboe and Piano. Composed between 1713 and 1715 by Tomaso Albinoni. Published in Amsterdam in 1715 by Estienne Roger. Transcribed in Rome in 2019 by Santino Cara from 12 Concertos Op.7. 3 Movements: 1. Allegro, 2. Adagio, 3. Allegro.
$18.60
Albinoni - Oboe Concerto No.9 in F major Op.7 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Santino Cara
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Santino Cara
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Albinoni - Oboe Concerto No.9
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Santino Cara
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1145368 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 18 pages. Santin...
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Oboe,Piano - Level 3 - SKU: A0.1145368 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 18 pages. Santino Cara #745605. Published by Santino Cara (A0.1145368). Complete score and parts of the Concerto No.9 in F major Op.7 for Oboe and Piano. Composed between 1713 and 1715 by Tomaso Albinoni. Published in Amsterdam in 1715 by Estienne Roger. Transcribed in Rome in 2019 by Santino Cara from 12 Concertos Op.7. 3 Movements: 1. Allegro, 2. Adagio, 3. Allegro.
$18.60
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Concerto for Oboe
