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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contemplation I
Non classifié
38
Piano & claviers
Piano seul
85
Piano, Voix
27
Orgue
20
Instruments en Do
4
Piano, Voix et Guitare
3
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
1
Dulcimer
1
Voix
Chorale SATB
39
Chorale 2 parties
14
Voix duo, Piano
13
Chorale 3 parties
10
Chorale Unison
6
Chorale SSAA
2
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Chorale TTBB
1
Voix haute
1
+ 5 instrumentations
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Vents
Hautbois, Piano (duo)
6
Clarinette et Piano
6
Flûte traversière et Piano
5
Saxophone Alto et Piano
4
Saxophone Tenor et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte à Bec
2
Clarinette
1
3 Saxophones (trio)
1
Cor anglais, Piano
1
Ensemble de Clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Flute, harpe et violon
1
Ensemble de Flûtes
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
+ 11 instrumentations
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Cuivres
Trombone et Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor et Piano
3
Euphonium, Piano (duo)
3
Trompette
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Piano
1
Tuba et Piano
1
Quatuor de Cuivres
1
+ 5 instrumentations
Retracter
Cordes
Violon et Piano
9
Quatuor à cordes: 2 violons, alto, violoncelle
7
Alto, Piano
6
Violoncelle, Piano
3
Violon
2
Harpe
2
Alto et Harpe
1
Harpe, Voix
1
Alto seul
1
Violoncelle
1
+ 5 instrumentations
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Cloches
9
Orchestre
8
Orchestre à Cordes
6
Orchestre d'harmonie
5
Orchestre de chambre
3
Xylophone, Piano
2
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
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Vous avez sélectionné:
Contemplation I
Hautbois, Piano (duo)
Partitions à imprimer
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I have forsaken the world for oboe and piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.938503 Composed by Colin W Bayliss.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.938503 Composed by Colin W Bayliss. 20th Century,Contemporary. Score and part. 15 pages. Colin Bayliss #6286221. Published by Colin Bayliss (A0.938503). Three contemplations on poems of Friedrich Rückert
$10.00
9.22 €
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Hautbois, Piano (duo)
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Colin W Bayliss
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I have forsaken the world for oboe and piano
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Colin Bayliss
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SheetMusicPlus
Luther: Out of the Depths for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. A…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Hautbois, Piano (duo)
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Martin Luther
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James M
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Luther: Out of the Depths for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Gymnopedie No. 1
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1245342 Composed by Erik Satie. Arr…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1245342 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840221. Published by Samuel Sequeira (A0.1245342). Gymnopedie No. 1 - Erik Satie - Oboe/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Oboe and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the oboe takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the oboe enters, it carries the iconic melody, infusing it with its distinct and soulful tones. The oboe's warm and expressive qualities add an extra layer of emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the oboe and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the oboe's melodic lines and adding depth to the arrangement. The oboe, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the oboe and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for oboe and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
5.52 €
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Hautbois, Piano (duo)
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Season's Reprise
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859680 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 4 pages. Sydney Stevens, Water Music #3089199. Published by Sydney Stevens, Water Music (A0.859680). Contact: sydneystevenspianostudio@gmail.comSeason's Reprise (from Seasons Suite): Reflecting through the seasons, themes are revisited..Peaceful instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, David Nevue, Scott Cossu, Christine Brown, A la Windham HillFrom Album: Seasons Theme: Closing movement of Seasons Suite --Reflects the main themes of previous movements.Mood: Contemplative, graceful, meditative.Musical Traits: Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 1:35Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$4.50
4.15 €
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Hautbois, Piano (duo)
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Sydney Stevens
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Oboe. Full score &
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Season's Reprise
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Sydney Stevens, Water Music
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SheetMusicPlus
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