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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Every Second
Non classifié
168
Piano & claviers
Piano seul
84
Piano Facile
25
Piano, Voix
18
1 Piano, 4 mains
12
Piano, Voix et Guitare
8
Accompagnement Piano
6
Instruments en Do
4
Orgue
3
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
8
Guitare (partie séparée)
6
Ukulele
4
Paroles et Accords
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale 2 parties
12
Chorale 3 parties
11
Chorale SSAA
9
Chorale Unison
7
Chorale TTBB
7
Voix Tenor
1
Voix Soprano, Piano
1
Voix duo
1
Voix Baryton, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
8
Clarinette et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière et Piano
7
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
4
2 Clarinettes (duo)
4
Clarinette
3
Saxophone Alto
3
Saxophone Alto et Piano
3
Flûte traversière
3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Soprano et Piano
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violon (duo)
2
Cor anglais, Piano
2
Saxophone Tenor
2
Clarinette, Harpe (duo)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
1
Flûte, Clarinette (duo)
1
Saxophone
1
Ensemble de Flûtes
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Saxophone et Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano, Piano
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
Clarinette (partie séparée)
1
Flûte, Saxophone (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Ensemble de Clarinettes
1
Hautbois, Clarinette (duo)
1
+ 44 instrumentations
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Cuivres
Trombone (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette (partie séparée)
9
Trompette
4
2 Trombones (duo)
4
Trombone
4
Trombone et Piano
3
Trompette, Piano
3
Cor (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
3
Tuba (partie séparée)
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
Cor
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Tuba et Piano
1
Tuba et Orgue
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Ensemble de Trombones
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon et Piano
11
Violoncelle, Piano
11
Alto, Piano
7
Violon
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
Violoncelle , Guitare (duo)
3
Violoncelle
3
Violon (partie séparée)
3
Harpe
3
2 Harpes (duo)
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
2
Contre Basse
2
Alto seul
2
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre à Cordes
16
Ensemble Jazz
14
Orchestre
13
Ensemble de cuivres
9
Orchestre de chambre
6
Cloches
5
Ensemble de Percussions
5
Batterie (partie séparée)
3
Jazz combo
2
Marimba, Piano (duo)
1
Batterie
1
Marimba
1
Xylophone
1
Fanfare
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Every Second
Hautbois, Piano (duo)
Partitions à imprimer
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The Ragtime Dance - Scott Joplin - OBOE SOLO with piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.901457 Composed by Scott Joplin. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.901457 Composed by Scott Joplin. Arranged by Robert Stevens. Ragtime,Standards. Score and part. 14 pages. SAXpress.com #6287599. Published by SAXpress.com (A0.901457). The Ragtime Dance (1906)Scott Joplin (1867/8 – 1917)Oboe Solo with pianoLength: 3.5 minutes (all repeats)Difficulty: Grade 3-4 (Moderate)This arrangement is is for oboe solo with piano accompaniment and is in the original key. What everyone always remembers about The Ragtime Dance is the moment when Joplin asks the performers to vigorously stomp the floor in rhythm! This is the stop-time feature mentioned in the subtitle.The Ragtime Dance oboe solo with piano, by Scott Joplin. Joplin wrote two works with the title The Ragtime Dance. The first, written in 1899 and published in 1902, is something like a ballet with songs and a speaking part for narrator. It was a failure on stage and is now forgotten. The second and much better known work is a piano rag based on some of the tunes in the stage show. This little piano rag is one of the genre’s most loved pieces and has been transcribed for many different ensembles. It has been used in many films, most notably in the 1973 movie The Sting.
$6.95
6.4 €
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Hautbois, Piano (duo)
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Scott Joplin
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Robert Stevens
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The Ragtime Dance - Scott Joplin - OBOE SOLO with piano
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SAXpress.com
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SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Away In A Manger: for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arrange…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
22.96 €
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Hautbois, Piano (duo)
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe & Piano
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jmsgu3
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SheetMusicPlus
I Love You Truly-oboe/piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.844636 Composed by Phil Beaman. 20t…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.844636 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414725. Published by Phil Beaman (A0.844636). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.51 €
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Hautbois, Piano (duo)
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Phil Beaman
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I Love You Truly-oboe/piano
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Phil Beaman
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SheetMusicPlus
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