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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four on Six - Conductor Score
Non classifié
111
Piano & claviers
Piano seul
41
Piano Facile
11
Piano, Voix et Guitare
7
Orgue
5
Accordéon
2
Piano, Voix
2
1 Piano, 4 mains
2
Instruments en Do
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
2
Basse electrique
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
17
Vents
2 Saxophones (duo)
20
Flûte traversière et Piano
15
Clarinette et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quintette de Saxophone: 5 saxophones
11
Hautbois, Piano (duo)
10
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
9
Quatuor de Saxophones: 4 saxophones
8
3 Saxophones (trio)
7
Saxophone Alto et Piano
6
Saxophone, Clarinette (duo)
6
Saxophone Soprano et Piano
6
2 Flûte à bec (duo)
6
Saxophone Tenor et Piano
5
2 Hautbois (duo)
5
Clarinette, Harpe (duo)
5
Saxophone Baryton, Piano
4
Flûte, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette
3
Cor anglais, Piano
3
Flûte, Saxophone (duo)
2
Ensemble de Flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Harpe et Violoncelle
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon
2
Flûte, Hautbois, Clarinette, Basson
2
Ensemble de Clarinettes
2
Quatuor de Flûtes à bec
2
Clarinette Basse, Piano
2
Clarinette et Alto
2
Hautbois, Flûte
2
Piccolo, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Flûtes à bec (trio)
1
Instruments en Mib
1
Flûte, Alto (duo)
1
Flûte à bec Tenor
1
Ensemble de Hautbois
1
3 Clarinettes (trio)
1
Flûte, Trompette (duo)
1
Saxophone Tenor
1
Hautbois, Harpe
1
Flûte à bec Soprano, Piano
1
Clarinette, Basson (duo)
1
+ 48 instrumentations
Retracter
Cuivres
Trombone et Piano
18
2 Trombones (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor et Piano
6
Euphonium, Piano (duo)
5
2 Trompettes (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Cors (duo)
4
Ensemble de Trombones
4
Trompette
4
Trompette, Saxophone (duo)
4
Tuba et Orgue
3
Trompette, Trombone (duo)
3
Trompette, Piano
3
Cor anglais, Piano
3
2 Euphoniums (duo)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Ensemble de Cors
1
3 Tubas (trio)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
3 Cors (trio)
1
Instruments en Sib
1
Tuba et Piano
1
Cor
1
2 Euphoniums et 2 Tubas
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violon et Piano
12
Alto, Piano
8
Violoncelle, Piano
6
Harpe
6
Harpe, Flûte (duo)
5
2 Violoncelles (duo)
5
2 Altos (duo)
5
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Violon (duo)
3
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Violoncelle
2
Alto seul
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
Violon (partie séparée)
1
2 Violons (duo)
1
Contre Basse
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
18
Orchestre
10
Cloches
6
Ensemble de cuivres
5
Ensemble de Percussions
3
Ensemble Jazz
2
Orchestre de chambre
2
Orchestre à Cordes
2
Jazz combo
2
Batterie
1
Fanfare
1
Xylophone, Piano
1
+ 7 instrumentations
Retracter
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Four on Six - Conductor Score
Hautbois, Piano (duo)
Partitions à imprimer
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1
Morning Has Broken
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548742 By Cat Stevens. By Cat Steve…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548742 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415209. Published by jmsgu3 (A0.548742). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.13 €
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Hautbois, Piano (duo)
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Morning Has Broken
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548743 By Cat Stevens. By Cat Steve…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548743 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415211. Published by jmsgu3 (A0.548743). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.13 €
#
Hautbois, Piano (duo)
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Morning Has Broken
Hautbois, Piano (duo)
Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.742487 By Cat Stevens. By Cat Stevens. Arranged by Javier MartÃnez. Rock. Score and parts. 16 pages. Arte Nova Music Lab #4742231. Published by Arte Nova Music Lab (A0.742487). Morning Has Broken is a Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune, Bunessan[1] It is often sung in children's services and infuneral services.[2]English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chart in 1972,[3] and number four on the Canadian RPM Magazine charts.Taken from https://en.wikipedia.org/wiki/Morning_Has_Broken
$20.00
18.41 €
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Hautbois, Piano (duo)
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Cat Stevens
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Javier MartÃnez
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Morning Has Broken
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Arte Nova Music Lab
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SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe & Piano
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jmsgu3
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SheetMusicPlus
The Wedding Album, for Solo Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.587628 Composed by Various. Arrange…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.587628 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594695. Published by David McKeown (A0.587628). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Oboe with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.19 €
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Hautbois, Piano (duo)
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Various
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David McKeown
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The Wedding Album, for Solo Oboe and Piano
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David McKeown
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SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.32 €
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Hautbois, Piano (duo)
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Oboe & Piano
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jmsgu3
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Oboe and accompaniment
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.964369 Composed by Johann Sebastian…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.964369 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards. Score and part. 2 pages. Leyandder Trustworthy #6320691. Published by Leyandder Trustworthy (A0.964369). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Oboe along with a piano accompaniment that comes with the product.
$1.99
1.83 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Renaissance Hits for Oboe and Keyboard from Terpsichore (Praetorius)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1485586 Composed by Various. Arrang…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1485586 Composed by Various. Arranged by Colin Kirkpatrick. Early Music,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1062647. Published by Colin Kirkpatrick Publications (A0.1485586). These are eleven of the most well-known dances of the Renaissance, (in five movements) selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the oboe player's repertoire. The notes of the oboe part have been kept well within the elementary range and the highest note is the B just above the treble staff.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced terp-SI-cory and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available.These arrangements for oboe and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. These delightful dances are sure to add a sparkle to any oboe recital.
$11.99
11.03 €
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Hautbois, Piano (duo)
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Oboe and Keyboard from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân,, - oboe and piano by Jean-Thierry Boisseau
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: A0.533…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: A0.533214 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2059803. Published by Musik Fabrik Music Publishing (A0.533214). This is an arrangement of the famous Welsh lullaby. This work for oboe and piano is not at all a set of variations on a theme, because the oboe always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the oboist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.24 €
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Hautbois, Piano (duo)
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân,, - oboe and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ave Maria by Franz Schubert, for Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.587389 Composed by Camille Saint-Sa…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.587389 Composed by Camille Saint-Saens. Arranged by David McKeown. Romantic Period,Sacred,Spiritual,Standards,Wedding. Score and part. 5 pages. David McKeown #3222419. Published by David McKeown (A0.587389). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a solo for Oboe with Piano. The pdf file contains both the piano accompaniment and the separate solo part. The overall performance time is around four and a half minutes. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for the pianist’s finger coordination. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.23 €
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Hautbois, Piano (duo)
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Camille Saint-Saens
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David McKeown
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Ave Maria by Franz Schubert, for Oboe and Piano
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David McKeown
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SheetMusicPlus
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