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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He\\\'s A Man
Non classifié
1 358
Piano & claviers
Piano seul
463
Piano, Voix
261
Piano, Voix et Guitare
89
Piano Facile
68
Orgue
55
Instruments en Do
41
Accordéon
35
Piano Trio: piano, violon, violoncelle
23
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
12
1 Piano, 4 mains
9
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
2
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
95
Guitare notes et tablatures
28
Ukulele
10
Piano, Guitare (duo)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
5
Mandoline, Guitare (duo)
4
4 Guitares (Quatuor)
2
Basse electrique
2
Banjo
2
Ensemble de guitares
1
3 Guitares (trio)
1
Paroles et Accords
1
Dulcimer
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
354
Chorale 3 parties
51
Chorale TTBB
31
Chorale 2 parties
31
Chorale Unison
20
Chorale SSAA
17
Voix Alto, Piano
12
Voix duo
7
Voix duo, Piano
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix Soprano, Piano
5
Voix haute
5
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
160
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Clarinette et Piano
113
Saxophone Alto et Piano
98
Quintette de Saxophone: 5 saxophones
98
2 Saxophones (duo)
84
Hautbois, Piano (duo)
81
Quatuor de Saxophones: 4 saxophones
76
Saxophone Soprano et Piano
69
Saxophone Tenor et Piano
67
Ensemble de saxophones
49
Saxophone Baryton, Piano
48
2 Flûtes traversières (duo)
46
Clarinette
45
2 Clarinettes (duo)
43
Quatuor de Clarinettes: 4 clarinettes
39
Cor anglais, Piano
39
Flûte, Hautbois, Clarinette, Basson
37
Flûte, Violon, Piano
32
Ensemble de Clarinettes
32
Clarinette Basse, Piano
30
Quatuor de Flûtes : 4 flûtes
26
Hautbois (partie séparée)
24
Saxophone, Clarinette (duo)
24
Flûte traversière
23
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
19
Ensemble de Flûtes
16
3 Clarinettes (trio)
15
Quintette de Flûte : 5 flûtes
14
Flûte, Violon
14
Clarinette, Trompette (duo)
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flute (partie séparée)
11
3 Saxophones (trio)
11
Flûte, Saxophone (duo)
10
Saxophone (partie séparée)
10
Saxophone Alto
10
Flûte, Alto (duo)
9
Flûte et Guitare
9
Hautbois, Flûte
9
Flûte, Trompette (duo)
9
2 Flûte à bec (duo)
8
Clarinette et Alto
8
Saxophone Tenor
7
Hautbois, Clarinette (duo)
7
Flûte à bec Soprano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Piccolo, Piano
6
Clarinette, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Quatuor de Flûtes à bec
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Trio de Flûtes: 3 flûtes
3
3 Flûtes à bec (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Flûte, Alto et Piano
2
Flûte à Bec
2
Saxophone
2
Flûte, Violoncelle, Guitare
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Basse continue
1
Clarinette, Alto et Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Flûte irlandaise
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
108
Trombone et Piano
74
Euphonium, Piano (duo)
59
Cor et Piano
52
Trompette, Piano
46
Cor anglais, Piano
39
Trompette
32
Ensemble de Trombones
28
Quatuor de Cuivres
20
Trompette, Saxophone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trompettes
18
2 Trombones (duo)
16
Tuba et Piano
15
Quatuor de cuivres: 4 trombones
15
2 Trompettes (duo)
14
Trompette, Trombone (duo)
13
Cor
12
Ensemble de Cors
7
Trompette (partie séparée)
6
Trombone
6
Tuba
6
2 Cors (duo)
6
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
4
Tuba et Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
2 Euphoniums (duo)
3
4 Tubas
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
1
Ensemble de Tubas
1
Trombone et orchestre
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
Trombone (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
288
Violon et Piano
181
Violoncelle, Piano
123
Alto, Piano
109
Trio à Cordes: violon, alto, violoncelle
72
Violon
54
Violon, Violoncelle (duo)
35
Harpe
34
2 Violons (duo)
34
Violoncelle
33
2 Violoncelles (duo)
25
Violon, Alto (duo)
22
Violon, Guitare (duo)
21
2 Altos (duo)
19
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
13
Ensemble de Violons
12
4 Violoncelles
11
Ensemble d'Altos
11
Alto (partie séparée)
10
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
7
Contrebasse, Piano (duo)
7
Harpe, Flûte (duo)
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Flûte, Contrebasse (duo)
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
2 Contrebasses (duo)
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Basse continue
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
148
Orchestre à Cordes
134
Orchestre
106
Orchestre de chambre
80
Ensemble de cuivres
74
Ensemble Jazz
37
Cloches
17
Jazz combo
12
Ensemble de Percussions
7
Vibraphone
4
Orchestre, Violon
3
Batterie
2
Fanfare
2
2 Marimbas
1
Marimba
1
Percussion
1
+ 11 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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He\\\'s A Man
Hautbois, Piano (duo)
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
18.41 €
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Hautbois, Piano (duo)
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
Away In A Manger: for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arrange…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
22.96 €
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Hautbois, Piano (duo)
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549553 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Hautbois, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549531 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505769. Published by jmsgu3 (A0.549531). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Hautbois, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Oboe and Piano (Full Score and Parts)
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1178082 Composed by Johann Sebastia…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1178082 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Early Music,Religious,Renaissance,Sacred. Score and part. 8 pages. Sheet Music To Play Editions #778044. Published by Sheet Music To Play Editions (A0.1178082). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Oboe and Piano. Full Score and Individual Parts with Chords. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.27 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring - Oboe and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Oboe and Piano (Full Score)
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1222320 Composed by Johann Sebastia…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1222320 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Film/TV,Multicultural,Sacred,World. Score and part. 4 pages. Sheet Music To Play Editions #818585. Published by Sheet Music To Play Editions (A0.1222320). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Oboe and Piano. Full Score with Chords. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.59 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring - Oboe and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Oboe and Piano (Individual Parts)
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1222318 Composed by Johann Sebastia…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1222318 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Praise & Worship,Wedding. Score and part. 5 pages. Sheet Music To Play Editions #818583. Published by Sheet Music To Play Editions (A0.1222318). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Oboe and Piano. Individual Parts with Chords. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.59 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring - Oboe and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.791242 By Neil Diamond. By Bob Russ…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.791242 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771853. Published by Kevin P Holdgate (A0.791242). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.59 €
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Hautbois, Piano (duo)
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Variations on I have a bonnet for oboe and piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1449237 Composed by Traditional. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1449237 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 4 pages. David Warin Solomons #1029033. Published by David Warin Solomons (A0.1449237). Based on an Irish folksongI have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.My young man has gone to sea,but when he comes back he'll play for me.Tip to the heel and tip to the toeand that's the way the Polka goes.My young man is home from seahe's come back to marry meTip to the heel and tip to the toeand that's the way the Polka goes.I have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.The pdf file contains score and parts.
$5.00
4.6 €
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Hautbois, Piano (duo)
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Traditional
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David Warin Solomons
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Variations on I have a bonnet for oboe and piano
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David Warin Solomons
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SheetMusicPlus
Pachelbel's Canon in D - Oboe and Piano - Simple Version (Full Score and Parts)
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1178051 Composed by Johann Pachelbe…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1178051 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Early Music,Film/TV,Renaissance,Sacred. Score and part. 6 pages. Sheet Music To Play Editions #778012. Published by Sheet Music To Play Editions (A0.1178051). Pachelbel's Canon in D. Arrangement for Oboe and Piano in a simple version for beginners. With Full Score and Individual Parts. Enjoy it!Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.35 €
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Hautbois, Piano (duo)
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Oboe and Piano - Simple Version
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Sheet Music To Play Editions
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SheetMusicPlus
Pachelbel's Canon in D - Oboe and Piano - Simple Version (Individual Parts)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1222288 Composed by Johann Pachelbe…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1222288 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #818553. Published by Sheet Music To Play Editions (A0.1222288). Pachelbel's Canon in D. Arrangement for Oboe and Piano in a simple version for beginners. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.59 €
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Hautbois, Piano (duo)
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Oboe and Piano - Simple Version
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Sheet Music To Play Editions
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SheetMusicPlus
Pachelbel's Canon in D - Oboe and Piano - Simple Version (Full Score)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1222290 Composed by Johann Pachelbe…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1222290 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Early Music,Film/TV,Renaissance,Wedding. Score and part. 3 pages. Sheet Music To Play Editions #818555. Published by Sheet Music To Play Editions (A0.1222290). Pachelbel's Canon in D. Arrangement for Oboe and Piano in a simple version for beginners. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.59 €
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Hautbois, Piano (duo)
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Oboe and Piano - Simple Version
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Sheet Music To Play Editions
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SheetMusicPlus
Wichita Lineman
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1077846 By Glen Campbell. By Jimmy …
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1077846 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682029. Published by jmsgu3 (A0.1077846). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
138 €
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Hautbois, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Salut d'Amour (Love's Greeting) for Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.528471 Composed by Edward Elgar. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.528471 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6030043. Published by Diego Marani (A0.528471). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Oboe reflects faithfully the original for violin and can be also used as music for wedding events.
$6.99
6.43 €
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Hautbois, Piano (duo)
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Edward Elgar
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Diego Marani
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Salut d'Amour
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Diego Marani
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.63 €
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Hautbois, Piano (duo)
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Night In Tunisia
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.27 €
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Hautbois, Piano (duo)
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
22.96 €
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Hautbois, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssoh…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Hautbois, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.587594 Composed by Jeremiah Clarke.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.587594 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367412. Published by David McKeown (A0.587594). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Oboe and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
4.23 €
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Hautbois, Piano (duo)
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
To A Wild Rose - Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.736211 Composed by Edward MacDowell…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.736211 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. Andrew Middleton #6666889. Published by Andrew Middleton (A0.736211). To a Wild Rose is the first movement of Edward MacDowell's 1896 Woodland Sketches. It is said that the music is inspired by the wild roses that grew near his log cabin where he did most of his work. This arrangement for oboe and piano is ideal for the intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99
3.67 €
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Hautbois, Piano (duo)
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Edward MacDowell
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Andrew Middleton
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To A Wild Rose - Oboe and Piano
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Andrew Middleton
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SheetMusicPlus
Luther: Out of the Depths for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. A…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.96 €
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Hautbois, Piano (duo)
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Martin Luther
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James M
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Luther: Out of the Depths for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Hautbois, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gou…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Hautbois, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549359 Composed by Bach-Gounod. Arr…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490099. Published by jmsgu3 (A0.549359). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Hautbois, Piano (duo)
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Oboe & Piano
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jmsgu3
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SheetMusicPlus
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