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High Germany
Hautbois, Piano (duo)
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Luther: Out of the Depths for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Renaissance Hits for Oboe and Keyboard from Terpsichore (Praetorius)
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Hautbois, Piano (duo)
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FACILE
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Oboe and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1485586 Composed by Various. Arranged by Colin Kirkpatrick. Early Music,Renaissance. Score and part. 17 pages. Colin Kirk...
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Oboe,Piano - Level 2 - SKU: A0.1485586 Composed by Various. Arranged by Colin Kirkpatrick. Early Music,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1062647. Published by Colin Kirkpatrick Publications (A0.1485586). These are eleven of the most well-known dances of the Renaissance, (in five movements) selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the oboe player's repertoire. The notes of the oboe part have been kept well within the elementary range and the highest note is the B just above the treble staff.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced terp-SI-cory and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available.These arrangements for oboe and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. These delightful dances are sure to add a sparkle to any oboe recital.
$11.99
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