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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Is this real...
Sheetmusicplus
Non classifié
1 135
Piano & claviers
Piano seul
671
Piano, Voix
260
Piano Facile
158
Piano, Voix et Guitare
114
Instruments en Do
45
Orgue
41
2 Pianos, 4 mains
16
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
13
Piano (partie séparée)
10
Accompagnement Piano
10
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Accordéon
1
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
109
Guitare
87
Ligne De Mélodie, (Paroles) et Accords
79
Basse electrique
26
Guitare (partie séparée)
24
Ukulele
19
2 Guitares (duo)
13
Banjo
9
Mandoline
8
4 Guitares (Quatuor)
7
Dulcimer
5
3 Guitares (trio)
4
Ensemble de guitares
3
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Paroles et Accords
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
408
Chorale 3 parties
150
Chorale TTBB
84
Chorale 2 parties
60
Chorale SSAA
56
Chorale Unison
24
Voix Soprano, Piano
10
Voix duo
10
Voix haute
8
Voix duo, Piano
6
Voix Alto, Piano
5
Voix Tenor
4
Chorale SSAATTBB
4
Voix moyenne, Piano
3
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor, Piano
2
Voix seule
1
Chorale SSAATB
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
109
Quatuor de Saxophones: 4 saxophones
109
Flûte traversière et Piano
76
Saxophone (partie séparée)
72
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
2 Saxophones (duo)
62
Saxophone Alto et Piano
55
Hautbois, Piano (duo)
49
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette et Piano
44
Quatuor de Flûtes : 4 flûtes
34
Clarinette
34
Saxophone Tenor et Piano
29
Flûte traversière
28
2 Flûtes traversières (duo)
28
Saxophone Alto
25
Ensemble de saxophones
22
Quintette de Saxophone: 5 saxophones
21
Hautbois (partie séparée)
20
Saxophone Soprano et Piano
20
Saxophone Baryton, Piano
18
2 Clarinettes (duo)
17
3 Clarinettes (trio)
17
Saxophone Tenor
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte, Clarinette (duo)
15
Flûte à bec Soprano
14
Flûte et Guitare
14
Clarinette Basse, Piano
13
Cor anglais, Piano
12
3 Saxophones (trio)
12
Clarinette (partie séparée)
11
Ensemble de Flûtes
11
Flute (partie séparée)
11
Ensemble de Clarinettes
11
Trio de Flûtes: 3 flûtes
10
Hautbois, Basson (duo)
9
Clarinette, Violon (duo)
9
Flûte, Violoncelle
8
Clarinette, Basson (duo)
7
Quintette de Flûte : 5 flûtes
6
Cor Anglais
6
Flûte, Alto (duo)
6
Clarinette, Guitare (duo)
6
2 Flûte à bec (duo)
6
Clarinette, Violoncelle (duo)
6
Flûte, Violon
6
Hautbois, Violoncelle
5
Flûte, Violon, Piano
4
Flûte, Clarinette et Basson
4
Clarinette, Trompette (duo)
4
Flûte à Bec
4
Saxophone, Clarinette (duo)
4
Flûte, Clarinette, Piano (trio)
4
Clarinette et Alto
3
Hautbois, Guitare (duo)
3
Flûte à bec Soprano, Piano
3
Flûte à bec Tenor
3
Clarinette, Trombone (duo)
3
Hautbois, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Hautbois (duo)
2
Ocarina
2
Hautbois, Flûte
2
Flute, harpe et violon
2
Flûte, Trompette (duo)
2
Flûte à bec Alto
2
Flûte, Hautbois, Basson
2
Flûte, Saxophone (duo)
2
Clarinette Basse
2
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes à bec
2
2 Saxophones, Piano
2
Flûte, Hautbois (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Piccolo, Piano
1
Hautbois, trombone (duo)
1
Flûte, Hautbois, Violon
1
Piccolo
1
Hautbois et Orchestre
1
3 Flûtes à bec (trio)
1
Flûte, Trombone (duo)
1
Saxophone et Harpe
1
Hautbois et alto (duo)
1
4 Hautbois
1
Saxophone
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble à vent
1
Clarinette, Tuba
1
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Tuba (duo)
1
+ 93 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
83
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Trombone (partie séparée)
68
Trompette (partie séparée)
44
Trompette
34
Cor et Piano
33
Trompette, Piano
32
Trombone et Piano
29
Quatuor de Cuivres
23
Ensemble de Trombones
19
Trombone
17
Cor (partie séparée)
15
Euphonium, Piano (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Quatuor de cuivres: 4 trombones
13
Tuba et Piano
13
Trompette, Saxophone (duo)
12
Tuba (partie séparée)
12
Cor anglais, Piano
12
Cor
11
Tuba
10
Quatuor de cuivres: 4 cors
7
Cor Anglais
6
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
5
2 Trombones (duo)
4
Trio de Cuivres
4
2 Trompettes (duo)
4
Cor, Violoncelle (duo)
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
2
Trompette, Trombone (duo)
2
Euphonium
2
Ensemble de Trompettes
2
Trombone, Violon (duo)
1
2 Tubas (duo)
1
Trompette, Harpe
1
2 Trombones, Piano
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
323
Violon et Piano
79
Harpe
49
Violon, Violoncelle (duo)
46
Violon
45
Trio à Cordes: violon, alto, violoncelle
43
Alto, Piano
41
Violoncelle, Piano
39
Violoncelle
37
Trio à Cordes: 2 violons, violoncelle
32
2 Violons (duo)
22
Contrebasse (partie séparée)
21
Alto seul
19
2 Violoncelles (duo)
18
Violon (partie séparée)
17
Contrebasse, Piano (duo)
14
Violon, Alto (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto (partie séparée)
10
Violoncelle , Guitare (duo)
10
Violon, Guitare (duo)
6
2 Altos (duo)
6
Contre Basse
5
Harpe, Flûte (duo)
5
Alto, Violoncelle (duo)
5
Alto, Guitare (duo)
5
4 Violoncelles
5
Trio à Cordes: 2 violons, alto
4
Alto et Basson
4
Trio à Cordes: 3 violoncelles
4
Violoncelle (partie séparée)
4
Quatuor à cordes: 4 violons
3
2 Harpes (duo)
3
Harpe, Violon (duo)
3
Trio à cordes: 3 violins
2
Violon, Basson (duo)
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Tuba (duo)
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
Harpe et Piano
1
2 Violons, Piano
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
667
Ensemble Jazz
140
Orchestre
128
Orchestre à Cordes
119
Ensemble de cuivres
91
Fanfare
66
Cloches
51
Jazz combo
29
Orchestre de chambre
21
Batterie (partie séparée)
12
Ensemble de Percussions
11
Percussion (partie séparée)
7
Batterie
4
Xylophone, Piano
2
Marimba
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Vibraphone et Marimba
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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SheetMusicPlus
Partitions à imprimer
49 partitions trouvées
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1
26
WHAT CHILD IS THIS (Oboe & Piano)
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Traditional English Melody
#
Gary Lanier
#
WHAT CHILD IS THIS
#
The Lanier Company
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.616844 Composed by Traditional English Melody. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Score and part...
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Oboe,Piano - Level 3 - SKU: A0.616844 Composed by Traditional English Melody. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #3588597. Published by The Lanier Company (A0.616844). WHAT CHILD IS THIS (Oboe & Piano) is a beautiful Christmas Carol that has been arranged by world renowned Composer, Gary Lanier using a Traditional English Melody. This arrangement is an exciting addition to his enormous Christmas catalog. It is perfect for any Church or gathering where Christmas music is celebrated for the real reason for the season. A mp3 Piano Accompaniment is also available, listed as: WHAT CHILD IS THIS (Piano Accompaniment for Oboe).
$6.99
What Child Is This? - for Oboe and Piano
#
Hautbois, Piano (duo)
#
AVANCÉ
#
Noël
#
Len Rhodes
#
Len Rhodes
#
What Child Is This? - for Oboe
#
Len Rhodes Music
#
SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.739938 By Len Rhodes. By Len Rhodes. Arranged by Len Rhodes. Christmas,Holiday,Renaissance,Sacred. Score and part. 7 page...
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Oboe,Piano - Level 5 - SKU: A0.739938 By Len Rhodes. By Len Rhodes. Arranged by Len Rhodes. Christmas,Holiday,Renaissance,Sacred. Score and part. 7 pages. Len Rhodes Music #3488643. Published by Len Rhodes Music (A0.739938). This wonderfully interpretive solo for oboe and piano contains some great jazz chords and interesting textures. Not difficult for the early advanced player - and, certainly, well worth the practice! This really is a great piece; fun to learn, and fun to perform! And...did King Henry VIII first pen this tune? Download contains separate part and score. Recently received: Thank you so much for your kindness in giving us this opportunity to virtually share your beautiful arrangement!
$5.99
This Nearly Was Mine from South Pacific
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Richard Rodgers
#
W
#
This Nearly Was Mine from Sout
#
Diamond S Music
#
SheetMusicPlus
Instrumental Duet,Piano Oboe,Piano - Level 4 - SKU: A0.790004 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and...
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Instrumental Duet,Piano Oboe,Piano - Level 4 - SKU: A0.790004 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533735. Published by Diamond S Music (A0.790004). THIS NEARLY WAS MINE from South Pacific. For OBOE AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949Â Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at:Â https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
Sacred Realms - Oboe & Piano
#
Hautbois, Piano (duo)
#
James Michael Stevens
#
James Michael Stevens
#
Sacred Realms - Oboe & Pia
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Oboe,Piano - SKU: A0.1063173 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding. Full Performance...
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Oboe,Piano - SKU: A0.1063173 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding. Full Performance. Duration 137. James M Stevens Music ASCAP #6460911. Published by James M Stevens Music ASCAP (A0.1063173). This is the oboe and piano demonstration performance of Stevens' Sacred Realms.
$1.99
Always Remember Us This Way
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Lady Gaga
#
Kevin P Holdgate
#
Brass
#
Always Remember Us This Way
#
Kevin P Holdgate
#
SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.791183 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germano...
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Oboe,Piano - Level 4 - SKU: A0.791183 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 4 pages. Kevin P Holdgate #5349689. Published by Kevin P Holdgate (A0.791183). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.
$4.99
The River Is Wide for Oboe
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Christian contemporain
#
Traditional
#
Lawrence H
#
The River Is Wide for Oboe
#
Lawrence H Underwood
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.968426 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score ...
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Oboe,Piano - Level 3 - SKU: A0.968426 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6564581. Published by Lawrence H Underwood (A0.968426). Arranged by veteran performer and music educator, Lawrence Underwood, as the seventh installment in his 2021 Hymn Song Collection series, this brand new setting of The River Is Wide is a study in movement - from flowing ballad through bounding 4/4, lilting 6/8 through a slow march finale - all the while highlighting the beautiful traditional melody at its heart. Suitable for use as special music in church or as a recital piece, this new arrangement will really make an impact!
$5.99
Sacred Realms - Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
James Michael Stevens
#
James Michael Stevens
#
Sacred Realms - Oboe & Piano
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Piano Solo, Oboe, oboe solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Ne...
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Piano Solo, Oboe, oboe solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Neo-Classical, Sacred, Wedding, New Age. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP
Written July 8, 2021, this is an original oboe and piano composition in a sacred and meditative style in the key of B flat major. There is a separate oboe part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard is available under "Sacred Realms Piano Track."
James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
An Avaloch Divertimento
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Brett L
#
An Avaloch Divertimento
#
Sonata Grendel Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Scor...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
Beethoven - Rondo Op.49 - Oboe, Clarinet, Bassoon & Piano Piano Quartet
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Oboe
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Oboe,Piano - Level 3 - SKU: A0.824094 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Sc...
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Small Ensemble Bassoon,Clarinet,Oboe,Piano - Level 3 - SKU: A0.824094 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722567. Published by TK (Tim) Murray (A0.824094). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Oboe, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Handel: Largo from Xerxes for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score a...
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Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
The Skye Boat Song (oboe and piano)
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Hautbois, Piano (duo)
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1364538 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and par...
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Oboe,Piano - Level 2 - SKU: A0.1364538 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #948830. Published by Colin Kirkpatrick Publications (A0.1364538). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The Skye Boat Song has its roots in a traditional Gaelic melody. In this arrangement for oboe and piano much of the piece is written in the low register.
$3.95
Oh Shenandoah (for oboe and piano)
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Hautbois, Piano (duo)
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FACILE
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the mid-1800s versions of the
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1311555 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Instructional,Multicultural,Patriotic,World...
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Oboe,Piano - Level 2 - SKU: A0.1311555 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Instructional,Multicultural,Patriotic,World. Score and part. 9 pages. Colin Kirkpatrick Publications #900562. Published by Colin Kirkpatrick Publications (A0.1311555). This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your oboe recital, or it would make an excellent encore piece. The lowest note is the C just under the treble staff and the highest note is the A just above the staff.  The duration is 03:55. As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origin among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the American clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your oboe repertoire today!
$6.99
Luther: Out of the Depths for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standar...
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Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505769. Published by jmsgu3 (A0.549531). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549510 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Sco...
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Oboe,Piano - Level 3 - SKU: A0.549510 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3502271. Published by jmsgu3 (A0.549510). Super-famous, Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background: Edvard Grieg (1843 –1907) was a Norwegian composer and concert pianist. Most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg, moreover, used Norwegian folk music in his compositions. Therefore, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is essential to realize that he did this like Jean Sibelius in Finland and Bedřich Smetana in Bohemia. Legacy Grieg is mainly celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. There is also a museum located at his former home in Troldhaugen.  Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music to illustrate a play by Ibsen known as Peer Gynt. The space includes, in particular, the famous selection entitled In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel Peer Gynt. In one favorite episode, for example, Peer steals a bride at her wedding.
$32.95
Make Me A Channel Of Your Peace (prayer Of St. Francis)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Sebastian Temple
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Judith L
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Make Me A Channel Of Your Peac
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Maggs
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.821344 Composed by Sebastian Temple. Arranged by Judith L. Maggs. Christian,Contemporary,Religious,Sacred. Score and part...
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Oboe,Piano - Level 3 - SKU: A0.821344 Composed by Sebastian Temple. Arranged by Judith L. Maggs. Christian,Contemporary,Religious,Sacred. Score and part. 10 pages. Maggs #6232417. Published by Maggs (A0.821344). As we deal with turmoil in our nation (US) and the world, I find myself going back to the words of St. Francis: Lord, make me a channel of your peace. This arrangement of Sebastian Temple’s setting of the Prayer of St. Francis speaks to me, and I hope can speak to you in a real way.The arrangement for oboe solo with piano is entirely in the key of G, and ranges from D4 to E6. It follows the form of Temple’s song: verse/verse/chorus/verse, with an added chorus/verse. Piano score and flute part are included.I have several other versions of this solo for other instruments, as well as a few duet versions, which you can find on my SMP publisher page: https://www.sheetmusicplus.com/publishers/maggs/3058
$8.99
Après un rêve (Fauré) for Oboe and Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1303416 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and par...
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Oboe,Piano - Level 2 - SKU: A0.1303416 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892990. Published by SCORE EDITIONS (A0.1303416). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Oboe and Piano by Harry Walker.
$5.99
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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AntonÃn Dvořák
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Clair de Lune (Debussy) for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1469427 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Pe...
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Oboe,Piano - Level 3 - SKU: A0.1469427 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047449. Published by SCORE EDITIONS (A0.1469427). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Oboe and Piano by Harry Walker.
$5.99
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