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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Had To Be You
Non classifié
529
Piano & claviers
Piano, Voix et Guitare
377
Piano seul
183
Piano, Voix
52
Piano Facile
21
Orgue
19
Instruments en Do
15
2 Pianos, 4 mains
7
1 Piano, 4 mains
4
Accompagnement Piano
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
12
Guitare (partie séparée)
4
Banjo
4
Ukulele
4
Ensemble de Ukulélés
3
Basse electrique
3
Dulcimer
2
Mandoline
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 3 parties
16
Chorale TTBB
12
Chorale 2 parties
11
Chorale Unison
4
Chorale SSAA
4
Voix duo
3
Voix Soprano, Piano
2
Voix Tenor
2
Voix Alto, Piano
1
Voix duo, Piano
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Voix haute
1
+ 10 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Ensemble de saxophones
41
Saxophone (partie séparée)
24
Quatuor de Saxophones: 4 saxophones
24
Ensemble de Clarinettes
21
2 Flûtes traversières (duo)
15
Clarinette
15
Clarinette et Piano
14
Hautbois (partie séparée)
12
Flûte traversière et Piano
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto et Piano
11
Quintette de Flûte : 5 flûtes
10
Ensemble de Flûtes
9
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Tenor et Piano
7
2 Saxophones (duo)
6
Hautbois, Piano (duo)
6
3 Clarinettes (trio)
4
Saxophone Alto
4
Saxophone, Clarinette (duo)
3
Flûte traversière
3
Cor anglais, Piano
2
Saxophone Tenor
2
3 Saxophones (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano
1
Flûte, Alto (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trombone (partie séparée)
17
Ensemble de Trombones
16
Trompette (partie séparée)
14
Quatuor de Cuivres
11
Ensemble de Trompettes
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
6
Trombone
6
Trombone et Piano
5
Trompette
5
Trompette, Piano
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
3
Ensemble de Cors
3
Tuba et Piano
3
Cor anglais, Piano
2
Trio de Cuivres
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Tuba
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Cor
2
2 Trombones (duo)
2
4 Tubas
1
Ensemble de Tubas
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
23
Harpe
16
Ensemble de Violons
10
2 Violons (duo)
10
Violoncelle, Piano
10
Ensemble d'Altos
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Violon
8
2 Violoncelles (duo)
7
Alto, Piano
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
7
2 Altos (duo)
5
Contre Basse
4
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Violoncelle, Orgue
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Fanfare
58
Ensemble Jazz
37
Orchestre
32
Orchestre à Cordes
27
Orchestre de chambre
23
Jazz combo
13
Ensemble de cuivres
11
Ensemble de Percussions
5
Batterie (partie séparée)
3
Cloches
3
Vibraphone
3
Batterie
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
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Vous avez sélectionné:
It Had To Be You
Hautbois, Piano (duo)
Partitions à imprimer
6 partitions trouvées
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1
It Had To Be You (Oboe and Piano)
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Hautbois, Piano (duo)
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FACILE
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Isham Jones
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Tyler Adams
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It Had To Be You
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Adams Arrangements
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1209328 Composed by Isham Jones. Arranged by Tyler Adams. Instructional,Jazz,Pop,Standards. Score and part. 12 pages. Ada...
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Oboe,Piano - Level 2 - SKU: A0.1209328 Composed by Isham Jones. Arranged by Tyler Adams. Instructional,Jazz,Pop,Standards. Score and part. 12 pages. Adams Arrangements #807444. Published by Adams Arrangements (A0.1209328). It Had To Be You warmly arranged for oboe and piano.
$2.99
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Luther: Out of the Depths for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Liebestraum No.3 - Oboe and Piano (Full Score and Parts)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Oboe and Pi
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1495393 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding...
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Oboe,Piano - Level 3 - SKU: A0.1495393 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 19 pages. Sheet Music To Play Editions #1071906. Published by Sheet Music To Play Editions (A0.1495393). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
The Scottish banana for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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David Warin Solomons
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The Scottish banana for oboe a
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David Warin Solomons
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1449239 Composed by David Warin Solomons. Comedy,Contemporary. Score and part. 4 pages. David Warin Solomons #1029036. Pu...
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Oboe,Piano - Level 3 - SKU: A0.1449239 Composed by David Warin Solomons. Comedy,Contemporary. Score and part. 4 pages. David Warin Solomons #1029036. Published by David Warin Solomons (A0.1449239). Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish bananaThe pdf file contains score and parts.
$5.50
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It Had To Be You
