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--INSTRUMENTS--
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LUTE Opera Romantic
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249
Piano & claviers
Piano, Voix
7
Piano Facile
7
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5
Orgue
1
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1
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6
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3
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2
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1
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2
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1
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173
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126
2 Flûtes traversières (duo)
65
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63
Quatuor de Flûtes : 4 flûtes
52
Flûte traversière
52
Flûte, Clarinette (duo)
29
Flûte, Violon
17
Flûte, Trompette (duo)
16
Trio de Flûtes: 3 flûtes
14
Ensemble de Flûtes
13
Flûte et Guitare
13
Flûte, Hautbois (duo)
10
Quintette de Flûte : 5 flûtes
10
Hautbois, Piano (duo)
7
Hautbois, Flûte
6
2 Flûtes traversières, Piano
6
Saxophone Alto et Piano
6
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5
Flûte, Clarinette et Basson
5
Flûte, Violon, Piano
5
Flûte, Saxophone (duo)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette et Piano
2
Hautbois (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violoncelle
2
Clarinette
2
Flûte, Alto (duo)
2
Flûte, trombone et piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano
1
Piccolo, Piano
1
Flute (partie séparée)
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon et Violoncelle
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
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3
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3
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3
Cor
2
Tuba
2
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2
Trombone et Piano
2
Euphonium, Piano (duo)
1
Cor et Piano
1
Cor anglais, Piano
1
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Harpe, Flûte (duo)
8
Violon
4
Violon et Piano
4
Violoncelle
2
Violon, Guitare (duo)
2
Alto seul
2
2 Violoncelles (duo)
2
Alto, Piano
2
Violon, Alto (duo)
2
Violoncelle, Piano
2
2 Violons (duo)
1
Harpe
1
Trio à cordes: 3 violins
1
Flûte, Contrebasse (duo)
1
Violon, Violoncelle (duo)
1
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34
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
LUTE Opera Romantic
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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Nessun Dorma (Trio for Flute, Oboe and Piano)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Giacomo Puccini
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John A
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Nessun Dorma
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John A. Dempsey
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SheetMusicPlus
Flute,Oboe,Piano - Level 3 - SKU: A0.523733 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 1...
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Flute,Oboe,Piano - Level 3 - SKU: A0.523733 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 18 pages. John A. Dempsey #3864969. Published by John A. Dempsey (A0.523733). This complete version of Puccini's lavish, memorably melodic aria from the opera Turandot is arranged here as a trio for flute, oboe and piano. Â Full of epic emotion and sweeping drama, this romantic music is recommended for weddings, concerts and recitals; also appropriate for any number of public events and formal venues. 14 pages of music (that includes separate two-page parts for flute and oboe). Â Key: D major. Â Flute/Oboe Level: Intermediate. Â Piano Level: Advanced Intermediate
$11.99
Roses of the South - Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Opera
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Classique
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Andrew Middleton
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Roses of the South - Oboe &
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Andrew Middleton
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.735928 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5828851. Published...
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Oboe,Piano - Level 2 - SKU: A0.735928 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5828851. Published by Andrew Middleton (A0.735928). Composed in 1880, Roses of the South is a waltz that uses themes from Strauss's own opera, Das Spitzentuch der Konigin. This arrangement for oboe and piano is also available for flute, clarinet, saxophone and bassoon too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Song To The Moon (Rusalka)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Classique
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Antonin Dvorak
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Gail Ford
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Song To The Moon
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Gail Ford
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.798002 Composed by Antonin Dvorak. Arranged by Gail Ford. Opera,Romantic Period. Score and part. 11 pages. Gail Ford #488...
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Oboe,Piano - Level 3 - SKU: A0.798002 Composed by Antonin Dvorak. Arranged by Gail Ford. Opera,Romantic Period. Score and part. 11 pages. Gail Ford #4888869. Published by Gail Ford (A0.798002). This beautiful song lends itself well to instrumental arrangements - here for oboe and piano, with parts for flute or clarinet instead. It would make a beautiful encore, or a reflective piece of 'mood music'.
$5.99
Va pensiero from Nabucco. Oboe and piano
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Hautbois, Piano (duo)
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Giuseppe Verdi
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Ester Alessandrini
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Va pensiero from Nabucco. Oboe
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ester
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SheetMusicPlus
Oboe,Piano - SKU: A0.1064476 Composed by Giuseppe Verdi. Arranged by Ester Alessandrini. Concert,Holiday,Opera,Romantic Period,Standards. Accompaniment....
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Oboe,Piano - SKU: A0.1064476 Composed by Giuseppe Verdi. Arranged by Ester Alessandrini. Concert,Holiday,Opera,Romantic Period,Standards. Accompaniment. Duration 255. Ester #6700197. Published by ester (A0.1064476). Transcription of the famous aria for flute and piano duo in the first 3 years of study.
$3.00
Sullivan: The Lost Chord for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxi&egra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standa...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
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LUTE Opera Romantic 
