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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Loi
Non classifié
3 662
Piano & claviers
Piano, Voix
608
Piano seul
337
Piano, Voix et Guitare
186
Instruments en Do
136
Piano Facile
78
Orgue
27
Accompagnement Piano
23
Piano (partie séparée)
16
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
11
Orgue, Piano (duo)
9
Accordéon
4
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Orgue, Voix
1
1 Piano, 6 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare
64
Guitare notes et tablatures
56
Guitare (partie séparée)
30
Ukulele
20
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
8
2 Guitares (duo)
8
4 Guitares (Quatuor)
8
Mandoline
6
Dulcimer
6
Ensemble de guitares
4
Mandoline, Piano (duo)
2
Piano, Guitare (duo)
2
Banjo
2
Paroles et Accords
2
2 Dulcimers (duo)
1
Dobro
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 477
Chorale 3 parties
314
Chorale TTBB
290
Chorale SSAA
148
Chorale 2 parties
113
Chorale Unison
99
Soli, choeur mixte et accompagnement
45
Chorale
31
Voix Soprano, Piano
16
Voix duo
13
Pack Instrumental pour Chorale
12
Voix haute
12
Voix Baryton, Piano
12
Voix duo, Piano
9
Chorale SSAATTBB
9
Voix moyenne, Piano
8
Voix Tenor
7
Voix seule
7
Chorale SSATB
6
Voix Tenor, Piano
6
Male Voice
5
Voix basse, Piano
5
Chorale SSATTB
4
Voix Alto, Piano
4
Chorale SSAB a cappella
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
+ 23 instrumentations
Retracter
Vents
Clarinette et Piano
152
Flûte traversière et Piano
146
Saxophone Alto et Piano
111
Saxophone (partie séparée)
110
Hautbois, Piano (duo)
108
Clarinette
86
Flûte traversière
69
Saxophone Tenor et Piano
68
Quatuor de Saxophones: 4 saxophones
57
2 Saxophones (duo)
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Quintette de Saxophone: 5 saxophones
43
Saxophone Soprano et Piano
43
3 Saxophones (trio)
42
Ensemble de saxophones
42
Hautbois
34
Saxophone Tenor
33
Hautbois (partie séparée)
32
Saxophone Baryton, Piano
32
Saxophone Alto
31
Quatuor de Clarinettes: 4 clarinettes
31
Flûte, Hautbois, Clarinette, Basson
31
2 Clarinettes (duo)
28
2 Flûtes traversières, Piano
25
2 Flûtes traversières (duo)
24
Ensemble de Clarinettes
23
Clarinette Basse, Piano
22
2 Flûte à bec (duo)
22
Quatuor de Flûtes : 4 flûtes
20
3 Clarinettes (trio)
20
Saxophone Baryton
19
Quintette de Flûte : 5 flûtes
19
Cor anglais, Piano
19
Quintette de Clarinettes: 5 clarinettes
18
Clarinette Basse
17
2 Hautbois (duo)
17
Ensemble de Flûtes
16
Flute (partie séparée)
14
Flûte à Bec, Piano
13
Trio de Flûtes: 3 flûtes
13
Clarinette (partie séparée)
12
Flûte, Clarinette (duo)
10
Flûte à Bec
8
Flûte à bec Soprano
7
Cor Anglais
6
Flûte et Guitare
6
Saxophone Soprano
6
2 Cors Anglais Et Pianoforte
5
Flûte à bec Alto
5
Harmonica
5
Saxophone
5
Hautbois, Basson (duo)
5
Quatuor de Flûtes à bec
5
Hautbois, Clarinette (duo)
4
Flûte à bec Tenor
4
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Flûte, Violon et Violoncelle
3
Flûte à bec Alto, Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violon, Piano
3
Flûte, Hautbois (duo)
3
Instruments en Mib
2
Flûte, Hautbois, Basson
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Piccolo
2
Clarinette, Tuba
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon
1
5 Flûtes à bec
1
Clarinette, Orchestre
1
Flûte, Trombone (duo)
1
Flûte traversière, Orchestre
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Hautbois, Harpe
1
Piccolo, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Trompette, Piano
133
Trombone et Piano
114
Cor et Piano
111
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Trombone (partie séparée)
89
Trompette
81
Trompette (partie séparée)
70
Cor
67
Tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Tuba et Piano
43
Trombone
42
Ensemble de Trompettes
41
Euphonium, Piano (duo)
28
2 Trombones (duo)
22
Ensemble de Trombones
22
2 Cors (duo)
19
Cor (partie séparée)
19
Cor anglais, Piano
19
Euphonium, Tuba (duo)
17
Quatuor de cuivres: 4 trombones
14
Quatuor de cuivres: 4 cors
14
Quatuor de Cuivres
13
2 Trompettes (duo)
13
Tuba (partie séparée)
13
Trompette, Trombone (duo)
12
2 Euphoniums et 2 Tubas
10
2 Tubas (duo)
7
3 Trombones (trio)
7
Cor Anglais
6
Ensemble de Cors
6
4 Tubas
6
Trompette, Cor (duo)
5
2 Cors Anglais Et Pianoforte
5
Quatuor de cuivres: 4 trompettes
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone et orchestre
4
Trombone basse et Piano
3
Trombone, Cor (duo)
3
3 Trompettes (trio)
3
3 Cors (trio)
3
Cornet et orchestre
2
3 Tubas (trio)
2
Instruments en Sib
2
Trio de Cuivres
2
Trombone basse
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Euphonium
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
Tuba et Orgue
1
+ 48 instrumentations
Retracter
Cordes
Violon et Piano
159
Quatuor à cordes: 2 violons, alto, violoncelle
121
Violoncelle, Piano
116
Violon
93
Alto, Piano
93
Violoncelle
70
Trio à Cordes: violon, alto, violoncelle
44
2 Violons (duo)
44
Alto seul
41
Contrebasse, Piano (duo)
38
Violon, Violoncelle (duo)
34
Contre Basse
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Contrebasse (partie séparée)
26
2 Violoncelles (duo)
24
Violon (partie séparée)
18
Harpe
18
Trio à cordes: 3 violins
16
2 Altos (duo)
11
Violon, Alto (duo)
9
Violon, Guitare (duo)
8
Alto (partie séparée)
7
Harpe, Violon (duo)
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Ensemble d'Altos
4
Violoncelle (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
2
Alto et orchestre
2
Violoncelle, Orchestre
2
Harpe, Flûte (duo)
2
4 Violoncelles
2
Ensemble de Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
4 Contrebasses
1
2 Violoncelles, Piano
1
Harpe, Violoncelle (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
648
Ensemble Jazz
375
Orchestre
307
Orchestre de chambre
235
Orchestre à Cordes
175
Ensemble de cuivres
93
Cloches
61
Jazz combo
44
Marimba
43
Vibraphone
24
Fanfare
21
Ensemble de Percussions
19
Batterie (partie séparée)
16
Percussion (partie séparée)
10
Batterie
7
Xylophone, Piano
6
Ensemble d'École
5
Piano et Orchestre
3
Percussion
3
Instrumentation Flexible
2
Orchestre, Violon
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Hautbois, Piano (duo)
Partitions à imprimer
108 partitions trouvées
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101
Air Lointain
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Hautbois, Piano (duo)
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Classique
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Akimenko, Theodore
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Nick M Lacanski
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Air Lointain
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theupperstaff
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SheetMusicPlus
Oboe,Piano - SKU: A0.833970 Composed by Akimenko, Theodore. Arranged by Nick M Lacanski. Romantic Period. Score and part. 13 pages. Theupperstaff #44077...
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Oboe,Piano - SKU: A0.833970 Composed by Akimenko, Theodore. Arranged by Nick M Lacanski. Romantic Period. Score and part. 13 pages. Theupperstaff #440777. Published by theupperstaff (A0.833970).
$4.99
Sweet Hour of Prayer - For Treble Clef Soloist in C and Piano
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Hautbois, Piano (duo)
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FACILE
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Musique Sacrée
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Slappy Hines
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Marshall Sloan Hill
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Sweet Hour of Prayer - For Tre
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M. Sloan Hill
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1290776 By Slappy Hines. By Text by William W. Walford, Music by William B. Bradbury. Arranged by Marshall Sloan Hill. Ch...
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Oboe,Piano - Level 2 - SKU: A0.1290776 By Slappy Hines. By Text by William W. Walford, Music by William B. Bradbury. Arranged by Marshall Sloan Hill. Christian,Praise & Worship,Sacred,Spiritual. Score and part. 8 pages. M. Sloan Hill #881470. Published by M. Sloan Hill (A0.1290776). William Walford's beloved hymn of 1845, “Sweet Hour of Prayerâ€, here set for medium-easy Treble Clef instruments in C and piano.Set in 3/2 time signature with a smooth, flowing motion, the piano accompaniment is evocative of a clock's ticking, and the passing of time in prayer.
$12.97
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
La Donna è Mobile
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Opera
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Classique
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Giuseppe Verdi
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Rodrigo Faleiros
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La Donna è Mobile
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228021 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228021 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823823. Published by Rodrigo Faleiros (A0.1228021). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment, transposed for the key of Bb major, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Opera
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Classique
#
Giuseppe Verdi
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Rodrigo Faleiros
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La Donna è Mobile
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228007 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228007 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823820. Published by Rodrigo Faleiros (A0.1228007). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment, transposed for the key of C major, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Opera
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Classique
#
Giuseppe Verdi
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Rodrigo Faleiros
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La Donna è Mobile
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228023 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228023 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823826. Published by Rodrigo Faleiros (A0.1228023). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment, transposed for the key of A major, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Giuseppe Verdi
#
Rodrigo Faleiros
#
La Donna è Mobile
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228020 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228020 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823822. Published by Rodrigo Faleiros (A0.1228020). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment notated along with chords, transposed for the key of Bb major, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Giuseppe Verdi
#
Rodrigo Faleiros
#
La Donna è Mobile
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Rodrigo Faleiros
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228005 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228005 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823817. Published by Rodrigo Faleiros (A0.1228005). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Giuseppe Verdi
#
Rodrigo Faleiros
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La Donna è Mobile
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228004 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228004 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823816. Published by Rodrigo Faleiros (A0.1228004). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment notated along with chords, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Giuseppe Verdi
#
Rodrigo Faleiros
#
La Donna è Mobile
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Rodrigo Faleiros
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228006 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228006 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823819. Published by Rodrigo Faleiros (A0.1228006). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment notated along with chords, transposed for the key of C major, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
La Donna è Mobile
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Giuseppe Verdi
#
Rodrigo Faleiros
#
La Donna è Mobile
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Rodrigo Faleiros
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1228022 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.1228022 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #823825. Published by Rodrigo Faleiros (A0.1228022). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line adapted for solo oboe with piano accompaniment notated along with chords, transposed for the key of A major, allowing for greater focus on the soloist and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99
Sonata for Oboe and Piano (2014)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Alexander Kaloian
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Sonata for Oboe and Piano
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The Cloud Media Group
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.976050 Composed by Alexander Kaloian. Contemporary. Score and parts. 32 pages. The Cl...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.976050 Composed by Alexander Kaloian. Contemporary. Score and parts. 32 pages. The Cloud Media Group #37093. Published by The Cloud Media Group (A0.976050). Sonata for Oboe and Piano (2014) in Four Movements - I. Prelude Chanson - II. Fugue - III. Larghetto - IV. Chorale - dedication reads for Sharlotte DeVere - Kaloian composed the Sonata in 2014 over the course of four days - written for the Pittsburgh based Oboist as a tribute to over 30 years of friendship dating back to their years in the US Marine Corps with the Fleet Marine Force Pacific Band, Pearl Harbor, Hawaii.
$10.00
Grieg: Morning Mood from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549510 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Sco...
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Oboe,Piano - Level 3 - SKU: A0.549510 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3502271. Published by jmsgu3 (A0.549510). Super-famous, Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background: Edvard Grieg (1843 –1907) was a Norwegian composer and concert pianist. Most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg, moreover, used Norwegian folk music in his compositions. Therefore, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is essential to realize that he did this like Jean Sibelius in Finland and Bedřich Smetana in Bohemia. Legacy Grieg is mainly celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. There is also a museum located at his former home in Troldhaugen.  Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music to illustrate a play by Ibsen known as Peer Gynt. The space includes, in particular, the famous selection entitled In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel Peer Gynt. In one favorite episode, for example, Peer steals a bride at her wedding.
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standar...
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Oboe,Piano - Level 3 - SKU: A0.549531 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505769. Published by jmsgu3 (A0.549531). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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