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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lost Time
Non classifié
104
Piano & claviers
Piano seul
154
Piano Facile
27
Piano, Voix
24
Piano, Voix et Guitare
9
Instruments en Do
6
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Guitare
10
Basse electrique
8
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
1
Banjo
1
Mandoline
1
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
+ 4 instrumentations
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Chorale SATB
66
Voix seule
16
Chorale 3 parties
8
Chorale TTBB
8
Voix duo
7
Voix duo, Piano
7
Chorale 2 parties
5
Chorale SSAA
5
Chorale Unison
2
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1
Chorale SSAATTBB
1
Voix haute
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
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Saxophone
48
Flûte traversière
19
Clarinette
17
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7
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6
Clarinette et Piano
5
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
4
2 Saxophones (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto et Piano
3
Saxophone Alto
3
Flûte traversière et Piano
3
Ensemble de Flûtes
2
2 Flûtes traversières (duo)
2
Clarinette, Guitare (duo)
2
Ensemble de Clarinettes
2
Saxophone Tenor et Piano
2
Cor anglais, Piano
1
Clarinette, Violoncelle (duo)
1
2 Hautbois (duo)
1
Quintette de Saxophone: 5 saxophones
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
2 Clarinettes (duo)
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
Saxophone Soprano et Piano
1
Saxophone Baryton, Piano
1
Ensemble de saxophones
1
Quatuor de Flûtes : 4 flûtes
1
+ 29 instrumentations
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Cuivres
Trompette
21
Trombone
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor et Piano
3
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Piano
1
2 Cors (duo)
1
Tuba et Piano
1
Tuba
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
13
Alto, Piano
11
Violon
6
Harpe
5
Violoncelle, Piano
3
Alto seul
3
Violoncelle
3
Violon (partie séparée)
2
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto et Harpe
1
Violon, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
41
Orchestre à Cordes
23
Ensemble Jazz
16
Orchestre
11
Batterie
8
Ensemble de cuivres
4
Orchestre de chambre
3
Cloches
2
Jazz combo
2
Ensemble de Percussions
1
Fanfare
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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DIDGERIDOO
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FORMATION MUSI…
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GUITARE LAP ST…
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MANDOLINE
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Vous avez sélectionné:
Lost Time
Hautbois, Piano (duo)
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A Time For Us (love Theme)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1231063 By Nino Rota. By Eddie Snyd…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1231063 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by André Alberto Santos. 20th Century,Film/TV,Pop,Wedding. Score and part. 3 pages. Soul - Musical Creations #826749. Published by Soul - Musical Creations (A0.1231063). Step into the world of romance and passion with A Time for Us by Nino Rota, from the Paramount Picture Romeo and Juliet. This iconic piece is a masterpiece of its time, and its haunting melody has the power to move anyone who hears it.With our PDF sheet music, you can easily learn and play this unforgettable piece in the comfort of your own home. The delicate interplay of melody and harmony in A Time for Us creates a truly emotional experience that will leave you breathless.As you play the notes and immerse yourself in the music, you'll feel as though you're transported to a different time and place, where love and heartbreak intertwine. This piece captures the essence of true love and its many complexities, and you'll find yourself lost in its beauty and intensity.Our carefully transcribed and edited PDF sheet music ensures that you're playing with accuracy and confidence, bringing to life the emotions that intended to convey. Whether you're an experienced musician or just starting out, this piece is accessible yet deeply rewarding to play.A Time for Us is a timeless classic that will never go out of style. So, whether you're looking to impress someone special or simply indulge in your love of music, download our PDF sheet music today and let the emotional journey begin.
$4.99
4.59 €
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Hautbois, Piano (duo)
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Nino Rota
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André Alberto Santos
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A Time For Us
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Soul - Musical Creations
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymo…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
24.8 €
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Hautbois, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549226 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468314. Published by jmsgu3 (A0.549226). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.32 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Silent Night for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548489 Composed by Gruber. Arranged…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548489 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387057. Published by jmsgu3 (A0.548489). Silent Night for Oboe & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.64 €
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Hautbois, Piano (duo)
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Gruber
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James M
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Silent Night for Oboe & Piano
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jmsgu3
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SheetMusicPlus
For Elise
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1028132 Composed by Arwyn Bailey. 2…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publishers Limited #3381141. Published by Galactic Publishers Limited (A0.1028132). For EliseA composition for Oboe and Piano written to mark the birth of the composers grand-daughter.The piece is a sweet piece of one movement lasting just under 3.30.it is a piece that students of the oboe will enjoy learning and playing. The standard for an oboist is around grade 5. The pianist needs to be competent and around grade 7 or upwards in standard. This is also a good piece for college students to work on together as a performance piece.This piece is reflective, and would serve well for a performance at a school concert, in a church, or as a meditative piece.The composition benefits from practice individually, with a coming together of players before the performance date and will give the performers the experience of practicing individually as well as together.Breath control is key for the oboist as after the introduction the oboe plays right through without break. The piece will challenge and teach the need for breath control to the performer whether they are seasoned or a student.The pianist will experiences wide stretches and may have to work out which notes can be lost due to the stretch involved and the notation of the chords without affecting the overall largesse of piano sound.Dynamics are also important and both players will need to work on getting this right as there are waves of dynamics in very spaces during the piece. Keeping time is also important as the players will play in counter rhythms including triplets against standard syncopted quaver beats, in short spaces, thereby creating a challenge for the perfomrers to listen to themsleves and count, rather than relying upon the other performer for the timing.The MP3 file, (that can be found here: http://thetimelord.blog/family) is NOT a true representation of the piece as it is a basic extract from the composition software and is too harsh a representation of the piece. It requires a performance to be recorded. Contact the composer if you are interested in creating a recording. A recording must not be undertaken without prior permission of the publisher and composer.ALL rights are held by Galactic Publishers Limited and the piece cannot be reproduced, recorded or re-arranged in any form without permission.
$1.99
1.83 €
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Hautbois, Piano (duo)
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Arwyn Bailey
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For Elise
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Galactic Publishers Limited
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SheetMusicPlus
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