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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SYNTHETISEUR
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Method
Sheetmusicplus
Non classifié
855
Piano & claviers
Piano seul
1 203
Piano Facile
543
Piano, Voix et Guitare
70
Piano, Voix
43
Orgue
40
Accordéon
37
1 Piano, 4 mains
31
2 Pianos, 4 mains
14
Instruments en Do
13
1 Piano, 6 mains
6
Piano Trio: piano, violon, violoncelle
3
Clavier
2
Accompagnement Piano
2
Concertina
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Piano grosses notes
1
+ 14 instrumentations
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Guitares
Basse electrique
315
Guitare
211
Guitare notes et tablatures
156
Mandoline
22
Ukulele
21
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16
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7
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7
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4
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3
2 Guitares (duo)
2
3 Guitares (trio)
2
2 Mandolines (duo)
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
2 Ukuleles
1
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Chorale SATB
62
Voix seule
16
Chorale 3 parties
13
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12
Chorale TTBB
9
Chorale Unison
7
Voix duo
6
Voix Tenor, Piano
1
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Vents
Quatuor de Clarinettes: 4 clarinettes
54
Clarinette
37
Flûte traversière
35
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
19
Flûte irlandaise
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à bec Soprano
14
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13
3 Saxophones (trio)
13
Clarinette et Piano
12
Harmonica
12
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12
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Saxophone
9
Saxophone Alto et Piano
9
2 Flûte à bec (duo)
8
2 Flûtes traversières (duo)
8
2 Clarinettes (duo)
8
Saxophone Soprano et Piano
7
Trio de Flûtes: 3 flûtes
6
Hautbois (partie séparée)
6
Flûte à bec Alto
6
Flûte à Bec
5
Quatuor de Flûtes : 4 flûtes
5
Quintette de Flûte : 5 flûtes
4
Hautbois, Piano (duo)
4
Flûte, Clarinette (duo)
4
Saxophone Tenor
4
Hautbois
4
Saxophone Baryton, Piano
3
Saxophone Alto
3
Flûte à bec Soprano, Basse continue
3
Flûte de Pan
2
Ensemble de Hautbois
2
Ensemble De Flûte à bec
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
2
Clarinette Basse
2
2 Hautbois (duo)
2
Saxophone (partie séparée)
2
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2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
Quatuor de Flûtes à bec
2
Flûte traversière, Basse continue
1
Flûte à bec Soprano, Piano
1
4 Hautbois
1
Flûte et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
Ocarina
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
3 Clarinettes (trio)
1
Flûte à bec Tenor
1
+ 54 instrumentations
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Cuivres
Trompette
72
Trombone
51
2 Cors (duo)
17
Tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor
9
Trompette, Piano
7
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Cor (duo)
5
2 Trompettes (duo)
5
Bass Clef Instruments
5
2 Trombones (duo)
5
Trompette, violon (duo)
3
Euphonium
3
Cor et Piano
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
2
3 Tubas (trio)
2
Cor anglais, Piano
2
2 Tubas (duo)
2
Ensemble de Cors
2
3 Cors (trio)
2
Trombone basse
2
Euphonium, Tuba (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Instruments en Sib
2
Ensemble de Trombones
1
Tuba et Orgue
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Piano
1
Cornet A Pistons
1
Quatuor de cuivres: 4 cors
1
+ 31 instrumentations
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Cordes
Violon
105
Harpe
63
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46
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46
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37
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37
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24
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19
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15
Contre Basse
12
Alto, Piano
12
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11
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11
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11
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10
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9
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6
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5
Autoharp
5
Alto (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Voix
2
Trio à cordes: 3 altos
2
Violoncelle, Orchestre
2
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Harpe et mandoline
1
+ 32 instrumentations
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Orchestre & Percussions
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190
Orchestre à Cordes
48
Batterie
43
Orchestre
30
Cloches
22
Orchestre de chambre
9
Percussion
6
Caisse Claire
5
Fanfare
4
Conga
4
2 Xylophones
4
Vibraphone
4
Ensemble Jazz
4
Ensemble de cuivres
3
Marimba
3
Ensemble d'École
2
Jazz combo
2
Cajon
2
Orchestre, Violon
2
Piano et Orchestre
1
Timbales
1
Bongos
1
Bodhran
1
Instrumentation Flexible
1
Xylophone
1
Ensemble de Percussions
1
+ 21 instrumentations
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Autres
Formation musicale - Solfège
30
Théorie de la musique
27
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CORNET
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1
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Air on the G String by Bach for Oboe and Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1045593 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages...
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Oboe,Piano - Level 1 - SKU: A0.1045593 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650172. Published by Woods Only, Arrangements (A0.1045593). This easy arrangement for oboe and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
Am I A Soldier Of The Cross
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Thomas A
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Joseph Pugh
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Am I A Soldier Of The Cross
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Joseph Pugh
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.855085 Composed by Thomas A. Arne(1710-1778) Isaac Watts (1674-1748). ...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.855085 Composed by Thomas A. Arne(1710-1778) Isaac Watts (1674-1748). Arranged by Joseph Pugh. Christian,Classical,Concert,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6135115. Published by Joseph Pugh (A0.855085). Am I a Soldier of the Cross is one of many alterations and abandonments. The first printed version appeared in the Methodist Pocket Hymnbook of 1802. The text has gone through several alterations in the Methodist hymnals.-Hymnary.com Lyrics by the great Isaac Watts and the tune, Arlington by Thomas A. Arne. This classically styled arrangement by Joseph Pugh delivers a fresh spin on an old Hymn.
$6.99
Vocalise
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Hautbois, Piano (duo)
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AVANCÉ
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Bertold Hummel
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Vocalise
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Schott Music - Digital
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SheetMusicPlus
Oboe and piano - advanced - SKU: S9.Q42467 Für Oboe und Klavier. Composed by Bertold Hummel. This edition: single sheet. Oboe Library. Für ...
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Oboe and piano - advanced - SKU: S9.Q42467 Für Oboe und Klavier. Composed by Bertold Hummel. This edition: single sheet. Oboe Library. Für Oboe und Klavier. Downloadable, Separate edition. Duration 3 minutes. Schott Music - Digital #Q42467. Published by Schott Music - Digital (S9.Q42467). Hummel's Vocalise is available in different editions (each with piano accompaniment) and, following 19th-century tradition, is conducive to breath phrasing, confidence in intonation and the methodological development of vocal and instrumental style.
$6.99
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