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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mozart Symphony
Non classifié
116
Piano & claviers
Piano seul
105
Piano Facile
34
Accordéon
8
Piano, Voix
5
Piano, Voix et Guitare
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Instruments en Do
1
Orgue
1
+ 8 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
5
Piano, Guitare (duo)
2
Ukulele
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
2
2 Ukuleles
1
Basse electrique
1
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale 2 parties
1
Chorale TTBB
1
Chorale Unison
1
Vents
Flûte traversière et Piano
21
Clarinette (partie séparée)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone (partie séparée)
14
Clarinette
13
Saxophone Alto et Piano
11
Flûte, Hautbois, Clarinette, Basson
11
Flûte traversière
10
Clarinette et Piano
10
Hautbois, Piano (duo)
10
2 Saxophones (duo)
9
Saxophone Tenor et Piano
9
2 Hautbois (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
2 Flûtes traversières (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flute (partie séparée)
6
Ensemble de Clarinettes
6
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto
5
Hautbois
4
Saxophone Tenor
4
Saxophone Soprano et Piano
4
Clarinette Basse, Piano
4
2 Clarinettes (duo)
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Cor anglais, Piano
2
3 Flûtes à bec (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Saxophone, Violon (duo)
1
5 Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
+ 48 instrumentations
Retracter
Cuivres
Cor
28
Trompette
19
Trombone (partie séparée)
19
Trompette (partie séparée)
14
Cor (partie séparée)
13
Trombone et Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone
6
Trompette, Piano
5
Tuba (partie séparée)
4
2 Trombones (duo)
3
Quatuor de Cuivres
3
2 Cors (duo)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
Cor anglais, Piano
2
3 Trombones (trio)
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Saxophone (duo)
1
3 Trompettes (trio)
1
4 Tubas
1
Ensemble de Cors
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon (partie séparée)
32
Alto seul
15
Violon
13
Violon et Piano
12
Contrebasse (partie séparée)
11
Violoncelle
10
Alto, Piano
9
Violoncelle, Piano
9
Violoncelle (partie séparée)
8
Alto (partie séparée)
6
Contre Basse
5
4 Violoncelles
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Violons (duo)
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Flûte, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
69
Orchestre à Cordes
62
Orchestre
58
Orchestre de chambre
9
Ensemble Jazz
7
Percussion (partie séparée)
4
Timbales (partie séparée)
4
Ensemble de cuivres
4
Cloches
4
2 Xylophones
2
Percussion
1
Xylophone
1
Batterie (partie séparée)
1
+ 8 instrumentations
Retracter
Autres
Instruments
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BASSE
BASSON
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CHANT - CHO…
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Mozart Symphony
Hautbois, Piano (duo)
Partitions à imprimer
10 partitions trouvées
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Theme From Symphony No.40, Wolfgang Amadeus Mozart, For Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Wolfgang Amadeus Mozart
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Eugene Egorov
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Theme From Symphony No.40, Wol
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Eugene Egorov
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.637794 Composed by Wolfgang Amadeus Mozart. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov ...
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Oboe,Piano - Level 1 - SKU: A0.637794 Composed by Wolfgang Amadeus Mozart. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4847535. Published by Eugene Egorov (A0.637794).
$4.99
"Theme From Symphony No.40" for Oboe and Piano-(Jazz/Pop Version)-Video
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Fishel Pustilnik
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"Theme From Symphony No.4
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F & N Enterprise
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.633531 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages...
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Oboe,Piano - Level 4 - SKU: A0.633531 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages. F & N Enterprise #3428773. Published by F & N Enterprise (A0.633531). An excellent arrangement of famous Theme From Symphony No.40 for Oboe and Piano (Jazz/Pop Version). Video for Piano:https://www.youtube.com/watch?v=y0SMFWEjxqwThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Theme From Symphony No.40"-Piano Background for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Fishel Pustilnik
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Piano (Jazz/Pop Version)
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"Theme From Symphony No.4
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F & N Enterprise
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.633532 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages...
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Oboe,Piano - Level 4 - SKU: A0.633532 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages. F & N Enterprise #3428779. Published by F & N Enterprise (A0.633532). Piano Background for famous Song Theme From Symphony No.40- Oboe & Piano (Jazz/Pop Version). Plus Version at SMP: SO. 309319 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard
$1.99
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
Sullivan: The Lost Chord for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
70 Easy Classical Pieces For Oboe and Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For O
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SheetMusicPlus
Piano Accompaniment, Oboe - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Classical Period. 101 pages. Published by Euge...
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Piano Accompaniment, Oboe - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Classical Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier\'s March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty and Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor\'s Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
$29.95
10 Easy Classical Pieces For Oboe & Piano Vol. 4
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Various
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10 Easy Classical Pieces For O
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Eugene Egorov
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SheetMusicPlus
Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 18 pages. Eugene Egorov #4800517. Published by Eu...
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Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 18 pages. Eugene Egorov #4800517. Published by Eugene Egorov
Andante (Surprise Symphony) (Franz Joseph Haydn)
We Wish You A Merry Christmas (English Folk Song)
Die Forelle (Franz Schubert)
Serenade (Eine Kleine Nachtmusik) (Wolfgang Amadeus Mozart)
Minuet (In D Minor) (Johann Sebastian Bach)
Turkish March (Wolfgang Amadeus Mozart)
Barcarolle (Jacques Offenbach)
O Mio Babbino Caro (Giacomo Puccini)
Bridal Chorus (Wedding March) (Richard Wagner)
Adagio (In G Minor) (Tomaso Giovanni Albinoni)
$12.99
10 Easy Classical Pieces For Oboe & Piano Vol. 7
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Various
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10 Easy Classical Pieces For O
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Eugene Egorov
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SheetMusicPlus
Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 17 pages. Eugene Egorov #4847537. Published by Eu...
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Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 17 pages. Eugene Egorov #4847537. Published by Eugene Egorov
Arioso (Daniel Gottlob Turk)
A Little Piece (Robert Schumann)
Italian Polka (Sergei Rachmaninoff)
Gaudeamus Igitur (Johannes Brahms)
Arietta (Muzio Clementi)
Sobre Las Olas (Over The Waves) (Juventino Rosas)
None But The Lonely Heart (Peter Ilyich Tchaikovsky)
Liebestraum (Dream Of Love) (Franz Liszt)
Gavotte (Jean-Baptiste Lully)
Theme From Symphony No.40 (Wolfgang Amadeus Mozart)
$12.99
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