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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music in the Mountains - Timpani
Non classifié
64
Piano & claviers
Piano seul
165
Piano, Voix
44
Piano Facile
19
Piano, Voix et Guitare
16
Orgue
5
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Instruments en Do
1
Piano grosses notes
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
8
Guitare
4
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4
Mandoline
1
Dulcimer
1
Banjo
1
+ 1 instrumentations
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Voix
Chorale SATB
55
Pack Instrumental pour Chorale
20
Chorale 3 parties
16
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4
Chorale SSAA
3
Voix duo, Piano
2
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2
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2
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1
Chorale TTBB
1
Voix duo
1
Voix moyenne, Piano
1
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11
Clarinette
6
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4
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4
Hautbois, Piano (duo)
3
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3
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3
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3
Flûte à bec Tenor
2
Flute (partie séparée)
2
Saxophone Soprano et Piano
2
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2
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2
Hautbois (partie séparée)
2
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2
2 Flûtes traversières (duo)
2
Saxophone Tenor et Piano
2
Flûte à Bec
1
Clarinette Basse, Piano
1
Saxophone Tenor
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Saxophone Baryton, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Violoncelle
1
Flûte irlandaise
1
Piccolo
1
Flûte et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Soprano
1
Clarinette et Piano
1
Ensemble de Clarinettes
1
2 Clarinettes (duo)
1
Saxophone Alto
1
Ensemble de saxophones
1
2 Saxophones (duo)
1
Saxophone (partie séparée)
1
Cor anglais, Piano
1
2 Flûtes traversières, Piano
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
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3
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2
Cor et Piano
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette (partie séparée)
2
Ensemble de Cors
1
Ensemble de Trombones
1
Cor (partie séparée)
1
Trombone
1
Tuba (partie séparée)
1
Cor
1
Cor anglais, Piano
1
Trombone et Piano
1
Trompette
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
8
Violon
4
Violon (partie séparée)
4
Alto, Piano
3
Violoncelle (partie séparée)
2
Violoncelle
2
Alto (partie séparée)
2
Violoncelle, Piano
2
Violon, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Contre Basse
1
Alto seul
1
Harpe
1
Harpe, Voix
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
202
Orchestre
20
Orchestre à Cordes
14
Percussion (partie séparée)
2
Orchestre de chambre
2
Ensemble de cuivres
1
Vibraphone
1
Percussion
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Music in the Mountains - Timpani
Hautbois, Piano (duo)
Partitions à imprimer
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The Moldau for Two Oboes and Piano
Hautbois, Piano (duo)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: …
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: A0.612660 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221851. Published by Diego Marani (A0.612660). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 oboes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.17 €
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Hautbois, Piano (duo)
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Oboes and Piano
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Diego Marani
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SheetMusicPlus
Run, Run to the Mountains - Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.572790 Composed by James Michael St…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.572790 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Folk,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #4285487. Published by James M Stevens Music ASCAP (A0.572790). This is an original composition for Oboe and Piano in a distant, folk like style in the key of D minor at the intermediate level. There is a separate oboe part in the score and the track as heard is available under Run, Run to the Mountains Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=xxcK53KfRD4
$5.50
5.05 €
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Hautbois, Piano (duo)
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James Michael Stevens
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James Michael Stevens
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Run, Run to the Mountains - Oboe & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
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Hautbois, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
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