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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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SAXOPHONE
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347
PIANO & CLAVIERS
Piano seul
186
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33
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27
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27
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12
Accompagnement Piano
7
Orgue
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1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
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1
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Guitare notes et tablatures
20
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8
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
Ukulele
4
Paroles et Accords
3
2 Guitares (duo)
3
Mandoline
2
Banjo
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
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Chorale SATB
58
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30
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19
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11
Chorale SSAA
9
Voix duo, Piano
7
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6
Chorale TTBB
6
Voix seule
4
Chorale 2 parties
4
Voix Alto, Piano
2
Voix Tenor
1
Voix basse
1
Voix haute
1
Voix duo
1
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VENTS
Saxophone
55
Quatuor de Saxophones: 4 saxophones
50
2 Saxophones (duo)
38
2 Flûtes traversières (duo)
27
Saxophone Tenor
23
Saxophone Alto
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone Alto et Piano
21
2 Clarinettes (duo)
19
Saxophone, Clarinette (duo)
19
Quintette de Saxophone: 5 saxophones
19
Flûte, Hautbois, Clarinette, Basson
17
Clarinette
15
Saxophone (partie séparée)
13
Hautbois (partie séparée)
12
Flûte traversière
12
Flûte, Clarinette (duo)
11
Clarinette, Violon (duo)
11
Hautbois, Piano (duo)
10
Clarinette, Trompette (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Flûte traversière et Piano
10
Saxophone Tenor et Piano
10
Hautbois, Basson (duo)
8
Flûte, Violon
8
Clarinette et Piano
7
Saxophone Soprano
7
3 Saxophones (trio)
7
Flûte, Alto (duo)
7
Hautbois, Flûte
6
Hautbois, Clarinette (duo)
6
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
6
2 Hautbois (duo)
6
Saxophone Baryton, Piano
6
Flûte, Saxophone (duo)
5
Ensemble de saxophones
5
Clarinette et Alto
5
3 Clarinettes (trio)
5
Flûte et Guitare
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Clarinette, Violoncelle (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Clarinettes
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Clarinette (trio)
2
Clarinette Basse, Piano
2
Flûte, Clarinette et Basson
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais, Piano
1
Hautbois, violon (duo)
1
3 Flûtes à bec (trio)
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Quatuor de Flûtes à bec
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
23
Trombone et Piano
23
Trompette, Saxophone (duo)
13
Trompette
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
7
2 Trompettes (duo)
6
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Trombone (partie séparée)
4
Trompette, Piano
4
Tuba et Piano
4
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Piano
1
Trombone basse
1
Ensemble de Tubas
1
Tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon, Violoncelle (duo)
20
Violon
17
Violoncelle
13
Violon et Piano
12
2 Violons (duo)
11
Alto, Piano
10
Violon, Alto (duo)
10
Violoncelle, Piano
7
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
2 Altos (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Harpe
2
Alto seul
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
63
Orchestre
34
Ensemble de cuivres
22
Orchestre à Cordes
18
Ensemble Jazz
15
Orchestre de chambre
11
Jazz combo
7
Ensemble de Percussions
6
Cloches
5
Batterie
2
Fanfare
2
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
One Last Time
Hautbois, Piano (duo)
Partitions à imprimer
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Over The Rainbow
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.803434 By Judy Garland. By Harold A…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.803434 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #6232737. Published by Robert Fisco (A0.803434). Solo arrangement for Oboe of the famous song Over The Rainbow from The Wizard of Oz. This arrangement comes with piano accompaniment and is just as fun to play along with the accompaniment as it is to play alone. Recommended level: high school and above (advanced middle school could work it up too!). The piano part is at an intermediate level, primarily because of the last time through the melody at the end. Approximate length: 2 minutes and 45 seconds.
$5.00
4.53 €
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Hautbois, Piano (duo)
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Judy Garland
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Robert Fisco
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Over The Rainbow
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Robert Fisco
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SheetMusicPlus
For Elise
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1028132 Composed by Arwyn Bailey. 2…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publishers Limited #3381141. Published by Galactic Publishers Limited (A0.1028132). For EliseA composition for Oboe and Piano written to mark the birth of the composers grand-daughter.The piece is a sweet piece of one movement lasting just under 3.30.it is a piece that students of the oboe will enjoy learning and playing. The standard for an oboist is around grade 5. The pianist needs to be competent and around grade 7 or upwards in standard. This is also a good piece for college students to work on together as a performance piece.This piece is reflective, and would serve well for a performance at a school concert, in a church, or as a meditative piece.The composition benefits from practice individually, with a coming together of players before the performance date and will give the performers the experience of practicing individually as well as together.Breath control is key for the oboist as after the introduction the oboe plays right through without break. The piece will challenge and teach the need for breath control to the performer whether they are seasoned or a student.The pianist will experiences wide stretches and may have to work out which notes can be lost due to the stretch involved and the notation of the chords without affecting the overall largesse of piano sound.Dynamics are also important and both players will need to work on getting this right as there are waves of dynamics in very spaces during the piece. Keeping time is also important as the players will play in counter rhythms including triplets against standard syncopted quaver beats, in short spaces, thereby creating a challenge for the perfomrers to listen to themsleves and count, rather than relying upon the other performer for the timing.The MP3 file, (that can be found here: http://thetimelord.blog/family) is NOT a true representation of the piece as it is a basic extract from the composition software and is too harsh a representation of the piece. It requires a performance to be recorded. Contact the composer if you are interested in creating a recording. A recording must not be undertaken without prior permission of the publisher and composer.ALL rights are held by Galactic Publishers Limited and the piece cannot be reproduced, recorded or re-arranged in any form without permission.
$1.99
1.8 €
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Hautbois, Piano (duo)
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Arwyn Bailey
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For Elise
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Galactic Publishers Limited
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SheetMusicPlus
A Dark Matter (for alto flute, oboe, clarinet in A, and piano)
Hautbois, Piano (duo)
A Clarinet,Alto Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.1205115 Compo…
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A Clarinet,Alto Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.1205115 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 129 pages. Gilad Cohen #803302. Published by Gilad Cohen (A0.1205115). Dark matter is one of the most elusive phenomena in the world. While Physicists estimate that dark matter accounts for 85% of the matter in the universe, it has not been proved yet that it actually exists. I find it fascinating that a concept that may have such a foundational role in the construction of the universe remains that mysterious as of today. My piece A Dark Matter explores the notion that our mind also sometimes circles around an intangible “dark matter.†An indefinable worry, regret, or fear can occupy us for a long time and color everything else in dark shades. At the core of this piece is such musical “dark matter.†The first three movements begin almost identically with a claustrophobic web of three melodic threads that crawl, tangle and repeat without any sense of resolution. In each movement, a different one of these threads develops into its own small melancholic universe. In the fourth and last movement, out of the gloom grows a simple melody in the alto flute that offers some hope and comfort, despite the return of the “dark matter†threads at the very end of the piece.
$17.50
15.87 €
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Hautbois, Piano (duo)
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Gilad Cohen
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A Dark Matter
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Gilad Cohen
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SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.88 €
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Hautbois, Piano (duo)
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Corpse Flower, for oboe and piano
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1430123 Composed by Martin J. Van K…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1430123 Composed by Martin J. Van Klompenberg. 21st Century,Classical. Score and part. 44 pages. Martin J. Van Klompenberg #1010798. Published by Martin J. Van Klompenberg (A0.1430123). The Corpse Flower is not only one of the largest free-standing blossoming plants in the world, it also it also highly unique in that it requires 7 – 10 years to bloom for the first time. The plant must go through several germination cycles, moving through a single leaf phase multiple times prior to the first bloom.This work tells the story of a corpse flower, beginning with the initial single leaf. This leaf returns to the corm, the 100-pound bulb from which the plant stems. When the bloom finally arrives, it can be as tall as ten feet tall, but only lasts about 48 hours until it begins to wilt. The withering can take much longer, as the bloom decays and the single leaf stage begins anew.I had the good fortune to get to see a corpse flower in full bloom in the fall of 2020 (The cover art was taken from this flower), and the opportunity to see this marvel in person was the primary motivation behind writing this work.This work was made possible by the following consortium of musicians:Erin Webber, The University of Texas at San Antonio, San Antonio, TexasStephanie Carlson, Murray State University, Murray, KentuckyAmy Collins, The University of South Florida, Tampa, FloridaHeather Killmeyer, East Tennessee State University, Johnson City, TennesseeTheo-Hans Kuijvenhoven, Ridderkerk, NetherlandsKelly McElrath Vaneman, Converse College, Spartanburg, SC
$25.00
22.67 €
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Hautbois, Piano (duo)
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Martin J
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Corpse Flower, for oboe and piano
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Martin J. Van Klompenberg
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beeth…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
22.62 €
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Hautbois, Piano (duo)
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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jmsgu3
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
18.13 €
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Hautbois, Piano (duo)
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
Short Hair
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1073612 Composed by Jean Ahn. 20th …
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1073612 Composed by Jean Ahn. 20th Century,Classical,Contemporary,Multicultural,World. Score and part. 28 pages. Jean Ahn #677851. Published by Jean Ahn (A0.1073612). This piece is about the New Women's movement in Korea in the 1930s. These women not only protested the confucius tradition but actively participated in the liberation of Korea from Japan. While researching the history, I felt inadequate to write about these women. In the end, I allowed myself to write this piece as an entrance to their world, as an introduction to myself. The first movement, “High Heels with Short Hair†is a quotation from the headlines of the newspaper. The most startling thing must have been the short hair, the outward signs of change. I then chose three distinctive women and wrote each movement about their character. Maria Kim, a religious educator who fought for the independence of Korea. Seunghee Choi, the international star dancer whose life was marked by the political tumult of her time. Myungsun Kim, one of the first female poets who was not afraid to write about her own agonizing experience as a woman. I named the last movement, OPEN, to remind myself that there are many more important, forgotten women. The piece does not have a conclusion. It merely opened the history of the New Women….
$10.00
9.07 €
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Hautbois, Piano (duo)
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Jean Ahn
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Short Hair
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Jean Ahn
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SheetMusicPlus
Butterfly, for piano quintet
Hautbois, Piano (duo)
B-Flat Clarinet,Bassoon,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.1248306
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B-Flat Clarinet,Bassoon,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.1248306 By Yuan-Chen Li. By Yuan-Chen Li. Arranged by Yuan-Chen Li. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 62 pages. Yuan-Chen Li #842845. Published by Yuan-Chen Li (A0.1248306). Set for 1 flute, 1 oboe, 1 B-flat clarinet, 1 bassoon, and piano, Yuan-Chen Li's 8-minute long wind and piano quinetet Butterfly was commissioned by Norfolk Chamber Music Festival (Norfolk Connecticut, 2007) of Yale University School of Music, and premiered by the parcipant musicians of the workshop, and subsquently received its New York premiere in IMANI Winds' summer chamber music festival (2012). In the first and second movements, the music emulates the movement of butterfly’s flying and the delightful spirit of the spring time. The last movement lends itself to a poetic moment, evoking the sense of the transformation of butterfly’s life and its beautifulness. Musicians would be surprised by the intricate rhythms, unpredictable move across the mode, whistletone, and witty interaction among performing partners. (The document includes parts for each of the wind player; the pianist reads from the full score)
$17.99
16.31 €
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Hautbois, Piano (duo)
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Yuan-Chen Li
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Yuan-Chen Li
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Butterfly, for piano quintet
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Yuan-Chen Li
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SheetMusicPlus
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