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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One More Night
Non classifié
311
Piano & claviers
Piano seul
130
Piano Facile
49
Piano, Voix et Guitare
48
Piano, Voix
47
2 Pianos, 4 mains
22
Instruments en Do
10
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
2
Accompagnement Piano
2
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
26
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
Basse electrique
2
Ukulele
2
Guitare, Violon, Violoncelle (trio)
1
+ 2 instrumentations
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Voix
Chorale SATB
41
Chorale 3 parties
11
Chorale TTBB
9
Chorale SSAA
6
Chorale 2 parties
6
Chorale Unison
4
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix Alto, Piano
2
Voix haute
2
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
+ 10 instrumentations
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Vents
2 Saxophones (duo)
67
Saxophone Alto et Piano
39
Saxophone Tenor et Piano
35
Saxophone Alto
30
Saxophone Soprano et Piano
27
Clarinette
25
Saxophone
24
Saxophone, Clarinette (duo)
24
Saxophone Tenor
20
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière
18
2 Flûtes traversières (duo)
18
Saxophone Baryton, Piano
17
2 Clarinettes (duo)
16
Flûte traversière et Piano
15
Clarinette et Piano
15
Saxophone (partie séparée)
14
Clarinette, Violon (duo)
14
Quintette de Saxophone: 5 saxophones
14
Ensemble de saxophones
13
Hautbois, Piano (duo)
11
Flûte, Clarinette (duo)
10
Clarinette, Trompette (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Violon
8
Flûte, Hautbois, Clarinette, Basson
7
Clarinette et Alto
7
Saxophone Soprano
7
Hautbois, Flûte
7
Flûte, Saxophone (duo)
7
Hautbois, Basson (duo)
6
Flûte, Alto (duo)
6
Flûte, Trompette (duo)
5
3 Saxophones (trio)
5
Ensemble de Clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Clarinette (duo)
5
2 Hautbois (duo)
5
Cor anglais, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette Basse, Piano
4
Hautbois (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
5 Flûtes à bec
2
Ensemble de Flûtes
2
Flûte à bec Soprano
2
Flûte et Guitare
2
Quintette de Flûte : 5 flûtes
2
Flûte, Basson et Piano
1
3 Clarinettes (trio)
1
Flûte de Pan
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble à vent
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flute, harpe et violon
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
35
Trombone
27
Trompette
21
Trompette, Saxophone (duo)
16
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
10
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette, Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
Ensemble de Trombones
5
Ensemble de Trompettes
5
Cor anglais, Piano
4
Tuba et Piano
4
Euphonium, Piano (duo)
4
Cor
2
Ensemble de Cors
2
3 Trombones (trio)
1
2 Cors (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
Trompette, Trombone, Piano
1
Trompette (partie séparée)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
18
Violon, Violoncelle (duo)
13
Alto, Piano
10
Violoncelle, Piano
9
2 Violons (duo)
9
2 Violoncelles (duo)
8
Violoncelle
8
Violon, Alto (duo)
7
Violon
6
Harpe
5
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
Harpe, Flûte (duo)
1
Ensemble de Violons
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
19
Ensemble de cuivres
16
Orchestre à Cordes
15
Ensemble Jazz
15
Orchestre de chambre
9
Jazz combo
8
Fanfare
7
Batterie
4
Big band
4
Cloches
3
Ensemble de Percussions
2
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Marimba ou Xylophone et Piano
1
+ 11 instrumentations
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Instruments
ACCORDEON
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AUTRES INST…
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BASSE
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BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Vous avez sélectionné:
One More Night
Hautbois, Piano (duo)
Partitions à imprimer
11 partitions trouvées
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1
Silent Night for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Oboe & Pi
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548489 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387057. Publ...
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Oboe,Piano - Level 1 - SKU: A0.548489 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387057. Published by jmsgu3 (A0.548489). Silent Night for Oboe & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Valley Night Cry: Melody of Darkness (From Meadow Woods Suite)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kimberly Myers
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Valley Night Cry: Melody of Da
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Kimberly Myers
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SheetMusicPlus
Instrumental Duet,Piano English Horn,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.1028585 Composed by Kimberly Myers. 20th Century. Score and parts....
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Instrumental Duet,Piano English Horn,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.1028585 Composed by Kimberly Myers. 20th Century. Score and parts. 21 pages. Kimberly Myers #3588935. Published by Kimberly Myers (A0.1028585). The oboe is heard as a distant cry of a fox. The English horn echos the call. The piano adds a fast paced, driving progression as the night calls grow louder and more intense. An expressive and exciting piece; delightful and unique for performers and audience. Arranged for one oboe, one English horn and piano. Approx. 5:00.
$9.99
Can You Feel The Love Tonight
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Hautbois, Piano (duo)
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FACILE
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Elton John
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Harry Walker
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Can You Feel The Love Tonight
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SCORE EDITIONS
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1471299 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Musical/Sh...
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Oboe,Piano - Level 2 - SKU: A0.1471299 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. Score and part. 9 pages. SCORE EDITIONS #1048960. Published by SCORE EDITIONS (A0.1471299). Can You Feel the Love Tonight is a song composed by Elton John with lyrics by Tim Rice, featured in Disney's animated film The Lion King (1994). The song captures a pivotal moment in the movie, reflecting themes of love, unity, and harmony. It has become one of Elton John’s most beloved ballads and a timeless classic in both pop and film music. Can You Feel the Love Tonight is more than just a song from a movie; it is a celebration of love and connection. Its ability to convey deep emotions through its melody and lyrics has made it a beloved classic. The song’s impact on popular culture and its enduring legacy highlight the genius of Elton John and Tim Rice, and their contribution to the magical world of The Lion King. In this version, the composition was arranged for Oboe and Piano by Harry Walker.
$5.99
Round Midnight
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Thelonious Monk
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Gail Ford
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Round Midnight
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Gail Ford
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.797991 By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Gail Ford. Jazz. Score and part. 5 pages. ...
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Oboe,Piano - Level 3 - SKU: A0.797991 By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Gail Ford. Jazz. Score and part. 5 pages. Gail Ford #4605265. Published by Gail Ford (A0.797991). One of the all time best jazz ballads - more than a classic. Arranged for intermediate oboe with piano accompaniment. Something cool, and different for school, college or informal concerts, and would make a great encore piece. .
$5.99
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Sullivan: The Lost Chord for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Deck the Halls - OBOE & PIANO - D Major
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Noël
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MAJOR SCORE PUBLISHING TM
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MAJOR SCORE PUBLISHING TM
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Deck the Halls - OBOE & PI
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Major Score Publishing
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.834551 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,Ja...
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Oboe,Piano - Level 3 - SKU: A0.834551 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,Jazz,Pop. Score and part. 24 pages. Major Score Publishing #6102001. Published by Major Score Publishing (A0.834551). Adapted with beautifully satisfying & tasteful jazz harmony with original melody, this holiday classic has never sounded more pleasing to the listener and performer. Designed for students, teachers and performers of all ages this sheet music download is a must have for your holiday enjoyment. You will receive a fully written out part for Oboe & Piano, Concert Lead sheet (with chords & lyrics for small jazz groups, and a lyrics page in case your listeners wish to sing along! Full performance demo on the Youtube link (performed in concert Eb Major for demo purpose). Check out all of our Holiday Sheet music available on our website such as Let it Go, All I Want for Christmas is You, Silent Night, Joy to the World, O Christmas Tree, You're a mean one Mr Grinch. Buy Deck the halls sheet music today! Stop by on our IG page as well @majorscorepublishing. Happy Holidays!
$5.99
Wedding March by Mendelssohn, for Solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587609 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,We...
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Oboe,Piano - Level 3 - SKU: A0.587609 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403660. Published by David McKeown (A0.587609). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Oboe and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
O Come All Ye Faithful for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #33881...
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Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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One More Night
