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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Solo No. 1
Non classifié
368
Piano & claviers
Piano seul
4 963
Piano Facile
205
Piano, Voix
90
Piano, Voix et Guitare
32
1 Piano, 4 mains
21
Accompagnement Piano
11
Piano (partie séparée)
8
Instruments en Do
7
2 Pianos, 4 mains
5
Piano grosses notes
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Instrument seul et Orgue
1
Fake Book
1
1 Piano, 6 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
12
Guitare (partie séparée)
5
Guitare Pedal Steel
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
44
Voix Soprano, Piano
30
Voix Baryton, Piano
23
Voix Tenor, Piano
20
Voix Alto, Piano
18
Chorale 3 parties
17
Voix seule
5
Chorale TTBB
4
Voix Tenor
4
Voix haute
4
Chorale Unison
2
Voix moyenne, Piano
2
Chorale 2 parties
2
Chorale SSAA
1
Voix duo
1
Voix duo, Piano
1
Voix basse, Piano
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
129
Clarinette et Piano
84
Clarinette
63
Hautbois, Piano (duo)
60
Saxophone Alto et Piano
57
Saxophone Tenor et Piano
42
Saxophone Soprano et Piano
24
Cor anglais, Piano
21
Saxophone Baryton, Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière
15
Flûte à bec Soprano
11
Quatuor de Clarinettes: 4 clarinettes
11
Flûte à Bec
10
Saxophone Alto
10
Flûte à bec Alto
10
Clarinette Basse, Piano
9
Saxophone (partie séparée)
8
3 Saxophones (trio)
8
Hautbois, Flûte
6
Quatuor de Flûtes : 4 flûtes
5
Piccolo, Piano
4
3 Clarinettes (trio)
4
2 Saxophones (duo)
4
Saxophone Tenor
4
Flûte à Bec, Piano
3
Hautbois (partie séparée)
3
2 Flûtes traversières (duo)
3
Flûte, Violon, Piano
3
Saxophone
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Soprano
2
2 Cors Anglais Et Pianoforte
2
Hautbois
2
Flute (partie séparée)
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Ensemble de Clarinettes
2
2 Clarinettes, Piano
2
Clarinette (partie séparée)
2
Saxophone Baryton
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et Orchestre
1
3 Hautbois
1
Flûte, alto et harpe
1
2 Clarinettes (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Harpe
1
Flûte, Basson et Piano
1
Clarinette Basse
1
+ 54 instrumentations
Retracter
Cuivres
Cor et Piano
55
Trompette, Piano
41
Trombone et Piano
36
Trompette
31
Tuba et Piano
23
Cor anglais, Piano
21
Euphonium, Piano (duo)
21
Tuba
9
Trombone
9
Cor
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors Anglais Et Pianoforte
2
Tuba et Orgue
2
Trompette (partie séparée)
2
Trombone (partie séparée)
2
Euphonium
2
Quatuor de Cuivres
2
2 Cors (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
2 Trombones (duo)
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
+ 19 instrumentations
Retracter
Cordes
Violon et Piano
128
Violoncelle, Piano
89
Alto, Piano
59
Violon
47
Violoncelle
32
Quatuor à cordes: 2 violons, alto, violoncelle
21
Alto seul
15
Contre Basse
7
Violoncelle, Contrebasse (duo)
6
2 Violoncelles (duo)
6
Violon, Alto (duo)
6
Harpe
5
Violon, Violoncelle (duo)
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
2 Altos (duo)
3
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Violon (duo)
2
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
2 Harpes (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
35
Orchestre à Cordes
28
Orchestre de chambre
19
Ensemble Jazz
17
Orchestre d'harmonie
12
Cloches
8
Ensemble de cuivres
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
2
Batterie (partie séparée)
1
Vibraphone
1
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Piano Solo No. 1
Hautbois, Piano (duo)
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COMPLETE Book of 10 Beautiful Oboe Solos for Fun - various levels with FREE BACKING TRACKS
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Puccini, Saint-Saens, Rachmani
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Austin Ralphson
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COMPLETE Book of 10 Beautiful
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Austin Ralphson
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1178852 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin R...
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Oboe,Piano - Level 4 - SKU: A0.1178852 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 72 pages. Austin Ralphson #778821. Published by Austin Ralphson (A0.1178852). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.
$14.99
5 More Beautiful Oboe Solos for Fun - with FREE BACKING TRACKS & piano accompaniment
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Debussy, Satie, Beethoven, Han
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Austin Ralphson
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5 More Beautiful Oboe Solos fo
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Austin Ralphson
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1178909 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,R...
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Oboe,Piano - Level 4 - SKU: A0.1178909 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 42 pages. Austin Ralphson #778879. Published by Austin Ralphson (A0.1178909). This is a second book of 5 solo arrangements with piano accompaniment (or backing tracks). It contains 5 more of the most beautiful and lyrical slow melodies ever composed. They range from Intermediate to Advanced level in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list:1. The Girl With The Flaxen Hair (Debussy)2. Gnossienne No. 1 (Satie)3. Sonata No.8 Pathetique, 2nd movement (Beethoven)4. Clair De Lune (Debussy)5. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.You can also get both books in this series - 10 solos in total - for only $14.99 at this link.
$9.99
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Gymnopedie No.1 - oboe and piano with FREE BACKING TRACK
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Austin Ralphson
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Gymnopedie No.1 - oboe and pia
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Austin Ralphson
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.564160 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Contemporary,Romantic Period,Wedding. Score and ...
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Oboe,Piano - Level 3 - SKU: A0.564160 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Contemporary,Romantic Period,Wedding. Score and part. 5 pages. Austin Ralphson #6270087. Published by Austin Ralphson (A0.564160). Originally published in 1888 as one of three short piano pieces, Satie's Gymnopédie No.1 has become a classic of the piano repertoire. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/EZ7pdVq3-gc (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/tULwE
$3.99
Andante expressivo from "Songs Without Words" Op.30 No.1
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Hautbois, Piano (duo)
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FACILE
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Felix Bartholdy Mendelssohn
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Ian Fitze
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Andante expressivo from "
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Ian Fitze
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1399346 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festi...
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Oboe,Piano - Level 2 - SKU: A0.1399346 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #982629. Published by Ian Fitze (A0.1399346). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
Deux Arabesque No. 1 arranged as an Oboe Solo with Piano Accompaniment
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Hautbois, Piano (duo)
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FACILE
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Classique
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Claude Debussy
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Nancy Frese Tabb
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Deux Arabesque No. 1 arranged
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Nancy Frese Tabb
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1090077 Composed by Claude Debussy. Arranged by Nancy Frese Tabb. Classical,Contemporary,Contest,Festival,Instructional,W...
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Oboe,Piano - Level 2 - SKU: A0.1090077 Composed by Claude Debussy. Arranged by Nancy Frese Tabb. Classical,Contemporary,Contest,Festival,Instructional,Wedding. Score and part. 22 pages. Nancy Frese Tabb #694256. Published by Nancy Frese Tabb (A0.1090077). Deux Arabesque No. 1 was originally scored by Claude Debussy for Solo Piano. This arrangement is an Oboe Solo with Piano Accompaniment.
$4.99
Gnossienne No.1 (Satie) - oboe and piano with FREE BACKING TRACK
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Austin Ralphson
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Gnossienne No.1
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Austin Ralphson
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1176391 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 6 pages. Austin Ralphs...
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Oboe,Piano - Level 3 - SKU: A0.1176391 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 6 pages. Austin Ralphson #776518. Published by Austin Ralphson (A0.1176391). Erik Satie invented the word 'Gnossiennes' to indicate a new type of composition. He notated the original piano score without barlines, so I have done the same in this arrangement. The piece is only short at about 2 minutes, but can be repeated in its entirety if desired.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/ueTym4HOSTE and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/I23gD
$3.99
Satie 1888 Gymnopédies No 1 Lent Oboe or English Horn Solo
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Hautbois, Piano (duo)
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DÉBUTANT
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Rainer's Rainbow
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R G Roth
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Satie 1888 Gymnopédies
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Rainer's Rainbow
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1079734 By Rainer's Rainbow. By Erik Satie 1866-1925. Arranged by R G Roth. 20th Century,Classical,Folk,Jazz,Romantic Per...
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Oboe,Piano - Level 1 - SKU: A0.1079734 By Rainer's Rainbow. By Erik Satie 1866-1925. Arranged by R G Roth. 20th Century,Classical,Folk,Jazz,Romantic Period. Score and part. 7 pages. Rainer's Rainbow #683921. Published by Rainer's Rainbow (A0.1079734). This new arrangement of Satie Gymnopédies No 1 is for Oboe and Piano. If you are missing a piano player there is a link on the pdf to the backing tracks on Youtube. The backing track line up with this Score. Enjoy. Standard oboe and English Horn parts are included.
$6.99
Night Visions No. 1 - Dream - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Night Visions No. 1 - Dream -
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.513396 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Inst...
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Oboe,Piano - Level 3 - SKU: A0.513396 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Instructional,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #124163. Published by James M Stevens Music ASCAP (A0.513396). This is an original oboe and piano compositions in a dreamy and ambient style in the calm key of D minor. There is a separate oboe part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard is available at Sheet Music Plus under Night Visions No. 1 - Dream Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN.
$6.99
Satie: Gymnopédie No. 1 - oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Gymnopédie No. 1
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RayThompsonMusic
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1299519 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. Score and part. 5 pages. RayThompsonMusic #889393...
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Oboe,Piano - Level 3 - SKU: A0.1299519 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. Score and part. 5 pages. RayThompsonMusic #889393. Published by RayThompsonMusic (A0.1299519). Satie: Gymnopédie No. 1 Arranged oboe amd piano Probably Erik Satie's best known work, written originally for piano.This piece has been arranged many times on this site and elsewhere for varying instruments.In other arrangements the solo instrument takes the melody all the way through.My arrangement differs in that, for the 2nd verse the melody is shared between the oboe and piano, and played together at the end.This I feel gives interest and variation to the piece.Check out my other Satie arrangements.
$9.99
Quietude No. 1 - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Quietude No. 1 - Oboe & Pi
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.573108 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wed...
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Oboe,Piano - Level 3 - SKU: A0.573108 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4838333. Published by James M Stevens Music ASCAP (A0.573108). This is an original composition for oboe and piano in a lyrical, calm, and relaxing style in the key of C major. There is a separate oboe part in the score. The piano part as seen can serve as a stand alone solo. The track as heard is available under Quietude No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Gymnopedie No. 1 for Flute and Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Contemporain
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Erik Satie
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Andrew Middleton
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Gymnopedie No. 1 for Flute and
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Andrew Middleton
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 2 - SKU: A0.734993 Composed by Erik Satie. Arranged by Andrew Middleton. 20th Century...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 2 - SKU: A0.734993 Composed by Erik Satie. Arranged by Andrew Middleton. 20th Century. Score and parts. 4 pages. Andrew Middleton #3018617. Published by Andrew Middleton (A0.734993). Erik Satie's, Gymnopedie No. 1, arranged for solo flute and piano accompaniment. This arrangement would also be suitable for Oboe as well as flute.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Jingle Bells Boogie - for solo oboe
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Hautbois, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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L
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Jingle Bells Boogie - for solo
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L McKinlay
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.913285 Composed by James Pierpont. Arranged by L. McKinlay. Children,Christmas,Jazz,Standards. Score and part. 5 pages. L...
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Oboe,Piano - Level 1 - SKU: A0.913285 Composed by James Pierpont. Arranged by L. McKinlay. Children,Christmas,Jazz,Standards. Score and part. 5 pages. L McKinlay #6668467. Published by L McKinlay (A0.913285). I hope you enjoy this fun, jazzy version of Jingle Bells! This arrangement has been made with the beginner oboist in mind. A sample is shown above.No piano player? No worries! An mp3 of the piano accompaniment is available to purchase in my SMP press store.Jingle Bells Boogie is also arranged for other woodwind and brass instruments, as well as solo piano and piano duet.
$1.99
Dornröschen (WoO.31 no.1)
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Hautbois, Piano (duo)
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DÉBUTANT
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Johannes Brahms
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Kaiserin Rebecca
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Dornröschen
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Kaiserin Rebecca
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1506561 Composed by Johannes Brahms. Arranged by Kaiserin Rebecca. Children,Classical,Instructional,Romantic Period. Scor...
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Oboe,Piano - Level 1 - SKU: A0.1506561 Composed by Johannes Brahms. Arranged by Kaiserin Rebecca. Children,Classical,Instructional,Romantic Period. Score and part. 2 pages. Kaiserin Rebecca #1081926. Published by Kaiserin Rebecca (A0.1506561). For oboe solo and piano accompaniment with chords.Key: A minor. Duration: 0'31.
$5.99
Serenata Rimpianto (Op.6 No.1)
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Hautbois, Piano (duo)
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FACILE
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E
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Kaiserin Rebecca
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Serenata Rimpianto
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Kaiserin Rebecca
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.639741 Composed by E.Toselli. Arranged by Kaiserin Rebecca. Concert,Instructional,Romantic Period,Standards. Score and pa...
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Oboe,Piano - Level 2 - SKU: A0.639741 Composed by E.Toselli. Arranged by Kaiserin Rebecca. Concert,Instructional,Romantic Period,Standards. Score and part. 3 pages. Kaiserin Rebecca #3502395. Published by Kaiserin Rebecca (A0.639741). For oboe solo and piano accompaniment with chords.Key: C majorDuration: 1'42.
$4.99
Song Without Words Op. 19 No. 1 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Diego Marani
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Song Without Words Op. 19 No.
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Diego Marani
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.528914 Composed by Felix Bartholdy Mendelssohn. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period...
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Oboe,Piano - Level 3 - SKU: A0.528914 Composed by Felix Bartholdy Mendelssohn. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #6663805. Published by Diego Marani (A0.528914). Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn Bartholdy, written between 1829 and 1845.The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of Songs Without Words was new.This arrangement for oboe with piano accompaniment faithfully reflects the original for piano solo.
$8.99
Bach-Gounod: Ave Maria for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and par...
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Oboe,Piano - Level 2 - SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490099. Published by jmsgu3 (A0.549359). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. ...
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Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549553 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507523. Published by jmsgu3 (A0.549553). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wor...
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Oboe,Piano - Level 3 - SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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