English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude No. 2 for Piano
Non classifié
55
Piano & claviers
Piano seul
327
Piano Facile
25
Piano, Voix
4
2 Pianos, 4 mains
4
Piano, Voix et Guitare
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
5
Piano, Guitare (duo)
2
Banjo
2
Voix
Chorale SATB
1
Vents
Flûte traversière et Piano
19
Clarinette et Piano
13
Hautbois, Piano (duo)
10
Saxophone Alto et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
7
Clarinette
5
2 Saxophones (duo)
5
2 Flûtes traversières (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Cor anglais, Piano
4
Saxophone Baryton, Piano
3
2 Flûtes traversières, Piano
3
Clarinette Basse, Piano
3
2 Clarinettes (duo)
3
2 Hautbois (duo)
3
Flûte, trombone et piano
2
2 Saxophones, Piano
2
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière
1
Piccolo, Piano
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Piano (trio)
1
+ 22 instrumentations
Retracter
Cuivres
Trompette, Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Euphonium, Piano (duo)
9
Trombone et Piano
7
Cor et Piano
5
Cor anglais, Piano
4
2 Trombones (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
2
2 Cors (duo)
2
2 Euphoniums (duo)
2
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle et Piano
1
Trompette
1
2 Trompettes (duo)
1
4 Tubas
1
2 Tubas (duo)
1
+ 13 instrumentations
Retracter
Cordes
Violon et Piano
18
Violoncelle, Piano
14
Alto, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
5
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto seul
1
Harpe
1
Violon, Alto (duo)
1
Contre Basse
1
Violon
1
Violoncelle
1
2 Violoncelles, Piano
1
Violon, Violoncelle (duo)
1
4 Contrebasses
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1
Orchestre
1
Ensemble de cuivres
1
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COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AMERICANA
ASIE
BLUEGRASS
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Vous avez sélectionné:
Prelude No. 2 for Piano
Hautbois, Piano (duo)
Partitions à imprimer
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Hautbois, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Italian Prelude No. 2 - Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.573422 Composed by James Michael St…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.573422 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Multicultural,New Age,Sacred,World. Score and part. 8 pages. James M Stevens Music ASCAP #5713963. Published by James M Stevens Music ASCAP (A0.573422). Written April 20, 2020, this is an original oboe and piano composition in a dark and intense style in the key of D minor. Begins spacious and low, builds to the middle with increasing intensity and motion, before returning to the calm, dark, and spacious style in the beginning. There is a separate oboe part in the score and the piano part as seen can serve as a stand alone solo. The track as heard can be found under Italian Prelude No. 2 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.43 €
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Hautbois, Piano (duo)
#
James Michael Stevens
#
James Michael Stevens
#
Italian Prelude No. 2 - Oboe & Piano
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Italian Prelude No. 2 - Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Digital Download SKU: A0.1062208 Composed by James Michael Stevens. Ar…
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Oboe,Piano - Digital Download SKU: A0.1062208 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,World. Full Performance. Duration 165. James M Stevens Music ASCAP #5713959. Published by James M Stevens Music ASCAP (A0.1062208). This is the Oboe and Piano demonstration performance of Stevens' Italian Prelude No. 2.
$1.99
1.83 €
#
Hautbois, Piano (duo)
#
James Michael Stevens
#
James Michael Stevens
#
Italian Prelude No. 2 - Oboe & Piano
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gou…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Hautbois, Piano (duo)
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549359 Composed by Bach-Gounod. Arr…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490099. Published by jmsgu3 (A0.549359). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Hautbois, Piano (duo)
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Like a River Glorious (Oboe and Piano)
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.524102 Composed by James Mountain a…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.524102 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #4776205. Published by John A. Dempsey (A0.524102). A hymn that celebrates God's perfect love and peace, Like a River Glorious  is arranged here as a duet for oboe and piano.  The incidental music winding its way through the hymn is Claude Debussy's Arabesque, No. 2.  Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude or special music.  9 pages of music (that includes a separate two-page oboe part).  Key: F major.
$6.99
6.43 €
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Hautbois, Piano (duo)
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James Mountain and Claude Debussy
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John A
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Like a River Glorious
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John A. Dempsey
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SheetMusicPlus
Prelude in E minor, Op. 28, No. 4
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1411867 Composed by Frederic Chopin…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1411867 Composed by Frederic Chopin. Arranged by Toni Nita. 19th Century,Classical,Romantic Period. Score and part. 2 pages. Toni Nita #994093. Published by Toni Nita (A0.1411867). One of the most popular Chopin preludes, arranged for Oboe & Piano. Audio file mockup available for listening.
$1.99
1.83 €
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Hautbois, Piano (duo)
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Frederic Chopin
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Toni Nita
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Piano
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Prelude in E minor, Op. 28, No. 4
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Toni Nita
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SheetMusicPlus
When I Survey the Wondrous Cross
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.911761 Composed by Lowell Mason. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.911761 Composed by Lowell Mason. Arranged by James F. Sennett. Easter,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 5 pages. James F. Sennett #517723. Published by James F. Sennett (A0.911761). This meditative and melodious piece is perfect for prelude, offertory, communion, and most other occasions of Sunday worship and special occasions. Ideal for Lent, Palm Sunday, Passion Week, Maundy Thursday, and Good Friday services. Key of F Major. No key changes. Moderate tempo. Duration: 2:15.
$2.99
2.75 €
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Hautbois, Piano (duo)
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Lowell Mason
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James F
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When I Survey the Wondrous Cross
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James F. Sennett
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