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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude in C minor
Non classifié
81
Piano & claviers
Piano seul
299
Piano Facile
23
Orgue
21
Instruments en Do
6
Piano, Voix
5
Clavecin
2
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Piano, Voix et Guitare
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
12
Basse electrique
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
2
2 Mandolines (duo)
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
3
Chorale 3 parties
1
Vents
Flûte traversière et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Saxophones: 4 saxophones
12
Clarinette et Piano
11
Hautbois, Piano (duo)
8
Saxophone Alto et Piano
8
Flûte traversière
7
Saxophone Tenor et Piano
6
3 Saxophones (trio)
5
Saxophone Soprano et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette
5
Cor anglais, Piano
4
Ensemble de Clarinettes
4
Flute (partie séparée)
3
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Hautbois (partie séparée)
3
Saxophone Baryton, Piano
3
Cor Anglais
2
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto
1
Clarinette, Harpe (duo)
1
Saxophone Tenor
1
Piccolo
1
Saxophone Soprano
1
Ensemble de Flûtes
1
Piccolo, Piano
1
+ 26 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Euphonium, Piano (duo)
8
Trompette, Piano
7
Cor anglais, Piano
4
Cor
4
Trombone et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
3
Cor et Piano
3
Cor Anglais
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Ensemble de Trombones
2
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Trompette (partie séparée)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
13
Violoncelle, Piano
10
Alto, Piano
9
Violon
6
Alto seul
6
Violoncelle
4
Harpe
4
Violon, Violoncelle (duo)
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Harpe, Voix
1
2 Violons (duo)
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
13
Ensemble de cuivres
5
Orchestre à Cordes
5
Orchestre
5
Percussion
2
Ensemble de Percussions
1
Ensemble Jazz
1
Orchestre de chambre
1
Marimba
1
+ 4 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Prelude in C minor
Hautbois, Piano (duo)
Partitions à imprimer
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Prelude in C minor- Oboe and Piano- Homage to JS Bach
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.785686 Composed by Grant Horsley. 2…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.785686 Composed by Grant Horsley. 20th Century,Contemporary,Wedding. Score and part. 16 pages. Grant Horsley #5290647. Published by Grant Horsley (A0.785686). Prelude in C minor- Oboe and Piano-(Intermediate level) Homage to JS BachThe work is based in it's dedication to the first prelude from his 48 preludes and fugues for Piano. For this arrangement the harmony has been put into in a minor key, adapted, and then a melody is placed over the topThe Oboe range is one and a half octavesit is  placed at intermediate level, although an early  intermediate player would probably be ok with it as it has no complicated rhythms.The youtube link has the full score for you to assess suitability. Price is for score and parts. Full score 7 pages- 4.25mins in length.Great for concerts, weddings, events, recitals, church services etc.
$5.25
4.84 €
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Hautbois, Piano (duo)
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Grant Horsley
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Prelude in C minor- Oboe and Piano- Homage to JS Bach
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Grant Horsley
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SheetMusicPlus
Bach Prelude in C# Minor (BWV 849) for Oboe Solo with Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1266385 Composed by Johann Sebastia…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1266385 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Chamber,Classical,Contest,Festival. Score and part. 13 pages. Nancy Frese Tabb #859142. Published by Nancy Frese Tabb (A0.1266385). The haunting melody of Bach's Prelude in C# Minor from the Well-Tempered Klavier is scored as an Oboe Solo with PIano Accompaniment. This piece keeps all of Bach's original Baroque ornaments and features them in both the Oboe and the Piano parts. Great period piece and perfect for a recital or solo/ensemble contest.
$4.95
4.56 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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Nancy Frese Tabb
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Bach Prelude in C# Minor
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Nancy Frese Tabb
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SheetMusicPlus
Prelude in E minor by Chopin - Oboe and Piano (Full Score and Parts)
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1179889 Composed by Frederic Chopin…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1179889 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Children,Film/TV,Multicultural,Romantic Period,World. Score and part. 5 pages. Sheet Music To Play Editions #779837. Published by Sheet Music To Play Editions (A0.1179889). Prelude Op.28 No.4 in E minor. Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.37 €
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Hautbois, Piano (duo)
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Frederic Chopin
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César Madeira
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Prelude in E minor by Chopin - Oboe and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Chopin Prelude in C minor Op.28 No.20
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1486187 Composed by Frederic Chopin…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1486187 Composed by Frederic Chopin. Arranged by Wesley S. SIlva. Classical. Score and part. 5 pages. Wesley S. Silva #1063244. Published by Wesley S. Silva (A0.1486187).
$5.99
5.52 €
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Hautbois, Piano (duo)
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Frederic Chopin
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Wesley S
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Chopin Prelude in C minor Op.28 No.20
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Wesley S. Silva
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Hautbois, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe and Piano
Hautbois, Piano (duo)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Hautbois, Piano (duo)
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549359 Composed by Bach-Gounod. Arr…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490099. Published by jmsgu3 (A0.549359). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Hautbois, Piano (duo)
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gou…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Hautbois, Piano (duo)
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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jmsgu3
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SheetMusicPlus
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