Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rather Be - Synthesizer
Non classifié
296
Piano & claviers
Piano seul
211
Piano, Voix
128
Piano, Voix et Guitare
51
Piano Facile
34
Instruments en Do
16
Orgue
10
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Clavier
1
2 Pianos, 4 mains
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
31
Guitare
25
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
9
Banjo
5
Basse electrique
4
4 Guitares (Quatuor)
4
Mandoline
3
Dulcimer
3
Mandoline, Guitare (duo)
2
Paroles et Accords
2
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale 3 parties
24
Chorale TTBB
16
Chorale SSAA
13
Chorale Unison
4
Chorale 2 parties
4
Pack Instrumental pour Chorale
3
Voix Baryton, Piano
2
Chorale
2
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix Alto, Piano
1
Chorale SSAB a cappella
1
Voix duo
1
Voix haute
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
32
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette et Piano
20
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
Saxophone Alto et Piano
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
2 Clarinettes (duo)
10
Clarinette Basse, Piano
10
Clarinette
10
Ensemble de Flûtes
8
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
8
Saxophone Alto
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de saxophones
6
2 Saxophones (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte traversière
4
Clarinette, Violon (duo)
4
Flûte, Violon
3
Flûte, Saxophone (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone (partie séparée)
2
Flûte et Guitare
2
Flûte, Clarinette (duo)
2
Hautbois (partie séparée)
2
Clarinette, Trompette (duo)
2
Trio de Flûtes: 3 flûtes
1
Flute (partie séparée)
1
Saxophone Tenor
1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Flûte
1
Instruments en Mib
1
Flûte, Violon, Piano
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette (partie séparée)
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Euphonium, Piano (duo)
15
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Cor anglais, Piano
12
Trompette, Piano
9
Trompette (partie séparée)
8
Trompette
8
Trombone (partie séparée)
6
Cor
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trombones
4
Ensemble de Trompettes
4
Tuba et Piano
4
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba
1
Cor (partie séparée)
1
Trombone, Violon (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Cors (trio)
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
Euphonium
1
Trombone
1
2 Trombones (duo)
1
3 Trombones (trio)
1
Instruments en Sib
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
Trio de Cuivres
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
25
Violon
19
Violoncelle, Piano
16
Alto, Piano
15
Violoncelle
13
Harpe
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Ensemble de Violons
4
Ensemble d'Altos
4
Alto (partie séparée)
4
2 Violons (duo)
4
Violon, Alto (duo)
2
4 Violoncelles
2
Contre Basse
2
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
2 Violoncelles (duo)
1
Violon (partie séparée)
1
Trio à cordes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Ensemble Jazz
22
Orchestre à Cordes
21
Orchestre
17
Ensemble de cuivres
10
Fanfare
8
Cloches
4
Ensemble de Percussions
4
Orchestre de chambre
4
Vibraphone
3
Batterie
3
Quintette de Cuivres: autres combinaisons
1
Xylophone (partie séparée)
1
Orchestre, Violon
1
Piano et Orchestre
1
Marimba
1
Vibraphone (partie séparée)
1
Jazz combo
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Rather Be - Synthesizer
Hautbois, Piano (duo)
Partitions à imprimer
24 partitions trouvées
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1
Rather Be
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pop musique
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Clean Bandit Feat
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Matthew pyeon
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Rather Be
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sungil
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.730535 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by...
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Oboe,Piano - Level 3 - SKU: A0.730535 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Matthew pyeon. Pop. Score and part. 17 pages. Sungil (Matthew) Pyeon #338433. Published by sungil (Matthew) Pyeon (A0.730535).
$4.99
I'd Rather Be In Love
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Hautbois, Piano (duo)
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FACILE
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Peter Paul & Mary
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Kaiserin Rebecca
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I'd Rather Be In Love
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Kaiserin Rebecca
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1212347 By Peter Paul & Mary. By Patrick Alger and Walter C. Carter. Arranged by Kaiserin Rebecca. Contemporary,Instructi...
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Oboe,Piano - Level 2 - SKU: A0.1212347 By Peter Paul & Mary. By Patrick Alger and Walter C. Carter. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop. Score and part. 4 pages. Kaiserin Rebecca #809850. Published by Kaiserin Rebecca (A0.1212347). For oboe solo and piano accompaniment with chords.Key: F major. Duration: 2'39.
$8.99
Three Virtues - Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Phil Rawle
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Three Virtues - Oboe and Piano
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Phillip Rawle
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Publishe...
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Oboe,Piano - Level 3 - SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Published by Phillip Rawle (A0.1337463). Three uplifting solos for oboe with Piano accompanimentCompassion As the title suggests, this piece should be played with warmth the middle departure showing a little more anxiety before a return to the optimism of the opening theme. Apart from this, there is no formal structure. There should be a marked contrast between the flowing, lyrical passages of the opening section and the crisp staccato in the middle descending arpeggios.  Although the tempo indicates quickness, the feel should be one of animation rather than pace. The dynamic range is not great but should be accurately observed with clear contrasts. Mercy Much more of a duet for oboe and piano rather than a solo. This has a yearning, minor aspect with a contrasting few bars of a more comfortable major feel at the end of the middle section. The lively tempo should be driven through the whole piece with only a slight letup in the final two measures. Although written in waltz time, this is no dance being loaded with underlying energy and emotion. The dynamics remain fairly loud with only the expected variation in line with the phrasing.Tenderness This piece, written in the middle to high register, has a simple structure being a stable melody with variations and ornaments. Where the piano accompaniment has the theme it should be allowed to show through.  As the title suggests this should be played with a gentle lilt but not over-sentimental. Aim for a warm to mellow texture with comforting sounds. There is a general but slight crescendo throughout the piece.
$7.50
Wily Weasel
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Fiona Alice Hickie
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Fiona Alice Hickie
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Wily Weasel
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Fiona Alice Hickie
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1515518 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Halloween. Score and part...
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Oboe,Piano - Level 3 - SKU: A0.1515518 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Halloween. Score and part. 12 pages. Fiona Alice Hickie #1089871. Published by Fiona Alice Hickie (A0.1515518). A piece about a sneaky weasel, for oboe piano.Notes about weasels: 1. Known to be sneaky - 2. Rather cute to look at 3. Can be rather fierce carnivores 4. They do war dances in front of their prey (and for fun)Instrumentation: Oboe and PianoComposer: Fiona Hickie.
$5.99
The Wily Weasel
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Fiona Alice Hickie
#
Fiona Alice Hickie
#
The Wily Weasel
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Fiona Alice Hickie
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 3 - SKU: A0.1280630 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Childre...
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Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 3 - SKU: A0.1280630 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Children,Classical,Holiday. 16 pages. Fiona Alice Hickie #872043. Published by Fiona Alice Hickie (A0.1280630). A piece about a sneaky weasel, for wind quintet and piano. This piece features the bassoon.Notes about weasels: 1. Known to be sneaky - 2. Rather cute to look at 3. Can be rather fierce carnivores 4. They do war dances in front of their prey(and for fun).
$14.99
Tchaikovsky: Russian Dance from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549702 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549702 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3529759. Published by jmsgu3 (A0.549702). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549680 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549680 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3520251. Published by jmsgu3 (A0.549680). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549748 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549748 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532671. Published by jmsgu3 (A0.549748). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious and exotic mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549770 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549770 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534977. Published by jmsgu3 (A0.549770). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549817 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549817 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3546571. Published by jmsgu3 (A0.549817). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549616 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549616 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515001. Published by jmsgu3 (A0.549616). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549797 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Oboe,Piano - Level 3 - SKU: A0.549797 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539165. Published by jmsgu3 (A0.549797). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
For Elise
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Arwyn Bailey
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For Elise
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Galactic Publishers Limited
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publisher...
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Oboe,Piano - Level 4 - SKU: A0.1028132 Composed by Arwyn Bailey. 20th Century,Concert,Contemporary,Wedding. Score and part. 18 pages. Galactic Publishers Limited #3381141. Published by Galactic Publishers Limited (A0.1028132). For EliseA composition for Oboe and Piano written to mark the birth of the composers grand-daughter.The piece is a sweet piece of one movement lasting just under 3.30.it is a piece that students of the oboe will enjoy learning and playing. The standard for an oboist is around grade 5. The pianist needs to be competent and around grade 7 or upwards in standard. This is also a good piece for college students to work on together as a performance piece.This piece is reflective, and would serve well for a performance at a school concert, in a church, or as a meditative piece.The composition benefits from practice individually, with a coming together of players before the performance date and will give the performers the experience of practicing individually as well as together.Breath control is key for the oboist as after the introduction the oboe plays right through without break. The piece will challenge and teach the need for breath control to the performer whether they are seasoned or a student.The pianist will experiences wide stretches and may have to work out which notes can be lost due to the stretch involved and the notation of the chords without affecting the overall largesse of piano sound.Dynamics are also important and both players will need to work on getting this right as there are waves of dynamics in very spaces during the piece. Keeping time is also important as the players will play in counter rhythms including triplets against standard syncopted quaver beats, in short spaces, thereby creating a challenge for the perfomrers to listen to themsleves and count, rather than relying upon the other performer for the timing.The MP3 file, (that can be found here: http://thetimelord.blog/family) is NOT a true representation of the piece as it is a basic extract from the composition software and is too harsh a representation of the piece. It requires a performance to be recorded. Contact the composer if you are interested in creating a recording. A recording must not be undertaken without prior permission of the publisher and composer.ALL rights are held by Galactic Publishers Limited and the piece cannot be reproduced, recorded or re-arranged in any form without permission.
$1.99
Renaissance Hits for Oboe and Keyboard from Terpsichore (Praetorius)
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Hautbois, Piano (duo)
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FACILE
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Oboe and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1485586 Composed by Various. Arranged by Colin Kirkpatrick. Early Music,Renaissance. Score and part. 17 pages. Colin Kirk...
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Oboe,Piano - Level 2 - SKU: A0.1485586 Composed by Various. Arranged by Colin Kirkpatrick. Early Music,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1062647. Published by Colin Kirkpatrick Publications (A0.1485586). These are eleven of the most well-known dances of the Renaissance, (in five movements) selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the oboe player's repertoire. The notes of the oboe part have been kept well within the elementary range and the highest note is the B just above the treble staff.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced terp-SI-cory and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available.These arrangements for oboe and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. These delightful dances are sure to add a sparkle to any oboe recital.
$11.99
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxi&egra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standa...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Make You Feel My Love
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6...
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Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
Guthrie: Toccata Agitato for Oboe & Piano
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Hautbois, Piano (duo)
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AVANCÉ
#
James M
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Guthrie: Toccata Agitato for O
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1386502 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 page...
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Oboe,Piano - Level 5 - SKU: A0.1386502 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #970386. Published by jmsgu3 (A0.1386502). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Sonata Franckoniana
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Hautbois, Piano (duo)
#
AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
#
SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Aramis
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pascal Proust
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Aramis
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Oboe, Piano - Grade 3 - SKU: FX.FX073937 Composed by Pascal Proust. Original Composition. Classical, Educational. Sc...
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Chamber Music & Piano Accompaniment Oboe, Piano - Grade 3 - SKU: FX.FX073937 Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 9 pages. FLEX Editions - Digital Sheet Music #FX073937. Published by FLEX Editions - Digital Sheet Music (FX.FX073937). This piece illustrates some rather peaceful facets of this famous musketeer ... - Pascal PROUST ; A piece to be played from 5 years of practice. ; Instruments: 1 Oboe 1 Piano.
$12.95
Etude Op. 10, No. 3 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Etude Op. 10, No. 3 for Oboe &
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Oboe,Piano - Level 3 - SKU: A0.540260 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Romantic Period,Wedding. ...
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Instrumental Duet,Piano Oboe,Piano - Level 3 - SKU: A0.540260 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Romantic Period,Wedding. Score and part. 5 pages. Diego Marani #150406. Published by Diego Marani (A0.540260). Étude Op. 10, No. 3 is a study for solo piano composed by Frédéric Chopin in 1832. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements. Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics. This arrangement for oboe with piano accompaniment reflects faithfully the original and is suitable for classroom, repertoire and recital.
$8.99
The Native Hens
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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The Native Hens
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Fiona Alice Hickie
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1348160 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Halloween,Jazz. Score and...
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Oboe,Piano - Level 3 - SKU: A0.1348160 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Halloween,Jazz. Score and part. 8 pages. Fiona Alice Hickie #932978. Published by Fiona Alice Hickie (A0.1348160). A preview score for oboe and piano about the Tasmanian native hen. The Tasmanian native hen is also known as the 'turbo chook'. They are a flightless bird that has red, rather beady, scary eyes. They can also run quite fast, which of course they need to be able to do considering they are flightless. I have a family of native hens that regularly appear on my property. This piece is dedicated to them.
$5.99
Adelita-Oboe Solo with (Optional Piano Accompaniment)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Francisco Tarrega
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John May
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Adelita-Oboe Solo with
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Lost Key Music
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.829811 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Multicultural,Romantic Per...
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Oboe,Piano - Level 2 - SKU: A0.829811 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Multicultural,Romantic Period,World. Score and part. 3 pages. Lost Key Music #3907409. Published by Lost Key Music (A0.829811). Francisco Tarrega (1852-1909) was a Spanish composer and classical guitarist regarded by many as the father of the classical guitar. Adelita is a mazurka originally composed for guitar by Tarrega. The mazurka originated in Poland and was popularized by Frederic Chopin. Arranged for oboe solo with optional piano accompaniment.The tempo is indicated as Lento, but seems to work better at a faster tempo. The audio file here is at 80 bpm. However, this piece should not be performed metronomically, but rather with a more rubato style.https://www.youtube.com/watch?v=VkHpulMqHKM www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/.
$9.00
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Rather Be - Synthesizer