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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sam M Romantic
Non classifié
54
Piano & claviers
Piano, Voix
55
Piano seul
10
Piano Facile
7
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Piano, Voix et Guitare
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Orgue
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
4
Guitare
1
Voix
Voix haute
4
Voix moyenne, Piano
2
Voix duo, Piano
1
Voix basse
1
Chorale SSAA
1
Vents
Clarinette et Piano
14
Flûte traversière et Piano
12
Saxophone Alto et Piano
11
Hautbois, Piano (duo)
10
Quatuor de Saxophones: 4 saxophones
8
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Clarinette Basse, Piano
4
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette
2
Flûte traversière
2
2 Clarinettes (duo)
1
Clarinette Basse
1
Flûte, Violon
1
Saxophone Alto
1
Clarinette, Guitare (duo)
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Soprano
1
+ 19 instrumentations
Retracter
Cuivres
Cor et Piano
9
Trompette, Piano
5
Trombone et Piano
5
Euphonium, Piano (duo)
4
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors (duo)
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
2 Euphoniums (duo)
1
Cor anglais, Piano
1
Trombone
1
+ 9 instrumentations
Retracter
Cordes
Violon, Violoncelle (duo)
33
Quatuor à cordes: 2 violons, alto, violoncelle
32
Trio à Cordes: violon, alto, violoncelle
23
Violon
22
Alto, Piano
11
Violon et Piano
10
Violoncelle, Piano
9
Contrebasse, Piano (duo)
5
Harpe
5
Violoncelle
2
2 Violons, Piano
1
Alto, Guitare (duo)
1
2 Violons (duo)
1
Violon, Guitare (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto seul
1
2 Altos (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
22
Orchestre d'harmonie
5
Orchestre
4
Ensemble Jazz
2
Ensemble de cuivres
1
Orchestre de chambre
1
Marimba
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Sam M Romantic
Hautbois, Piano (duo)
Partitions à imprimer
10 partitions trouvées
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Mussorgsky: Pictures at an Exhibition for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549933 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards...
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Oboe,Piano - Level 4 - SKU: A0.549933 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303957. Published by jmsgu3 (A0.549933). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Ave Maria for oboe and piano (in C)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria for oboe and piano
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.810099 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standa...
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Oboe,Piano - Level 2 - SKU: A0.810099 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #4985401. Published by Daniel C. M. (A0.810099). This beautiful work of art is now arranged for oboe and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The PDF file includes the score (three pages) and the oboe part (one page).You can find this work in B flat published also by Daniel C. M.
$3.49
Ave Maria for oboe and piano (in B flat)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria for oboe and piano
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.810106 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standa...
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Oboe,Piano - Level 2 - SKU: A0.810106 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #4985403. Published by Daniel C. M. (A0.810106). This beautiful work of art is now arranged for oboe and piano. The melody and the accompaniment are basically the same as the original for violin by Gounod. The key is changed to B flat so that the oboe is not too high. The PDF file includes the score (three pages) and the oboe part (one page).You can find this work in the original key (C major) published by Daniel C. M.
$3.49
Wedding March by Mendelssohn for oboe (easy)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Daniel C
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Wedding March by Mendelssohn f
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1073989 Composed by Felix Bartholdy Mendelssohn. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and pa...
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Oboe,Piano - Level 2 - SKU: A0.1073989 Composed by Felix Bartholdy Mendelssohn. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages. Daniel C. M. #678257. Published by Daniel C. M. (A0.1073989). This is an easy arrangement for oboe and piano. Many secondary voices have been removed and only the main voice has been left for the oboe to play, but keeping the harmony the same as the original for the piano accompaniment.
$4.00
Ave Maria for oboe and piano (simplified)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Franz Schubert
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Daniel C
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Ave Maria for oboe and piano
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.810092 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 ...
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Oboe,Piano - Level 2 - SKU: A0.810092 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #4978249. Published by Daniel C. M. (A0.810092). This is an easy arrangement for the piano accompaniment. The oboe part is almost the same as the original for voice but with a few changes to make it easier. The famous broken chords in the accompaniment are simplified from double notes to single notes and the result is a quasi Chopin-like nocturne. Perfect for early intermiediate piano students or oboe teachers who want to play with the piano part with their students with an easier but still enjoyable arrangement. The PDF includes the piano score (two pages) and the oboe part (one page).
$3.99
Wedding March by Wagner for oboe (easy)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Richard Wagner
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Daniel C
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Wedding March by Wagner for ob
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1073992 Composed by Richard Wagner. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages. ...
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Oboe,Piano - Level 2 - SKU: A0.1073992 Composed by Richard Wagner. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages. Daniel C. M. #678261. Published by Daniel C. M. (A0.1073992). This is an easy arrangement for oboe and piano. Many secondary voices have been removed and only the main voice has been left for the oboe to play, but keeping the harmony the same as the original for the piano accompaniment.
$4.00
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bohm: Calm as the Night for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ob
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549406 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and pa...
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Oboe,Piano - Level 3 - SKU: A0.549406 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493515. Published by jmsgu3 (A0.549406). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Fits really well on the oboe! Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
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