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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Same as We
Non classifié
185
Piano & claviers
Piano seul
80
Piano, Voix
62
Piano Facile
15
Piano, Voix et Guitare
13
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Mandoline
260
Guitare
12
Guitare notes et tablatures
7
Basse electrique
2
Ukulele
2
Voix
Chorale SATB
31
Chorale 3 parties
11
Chorale Unison
4
Chorale 2 parties
4
Chorale SSATTB
2
Voix seule
2
Chorale SSAA
1
Voix Soprano, Piano
1
Voix Tenor
1
Voix haute
1
Voix duo
1
Chorale TTBB
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Quatuor de Saxophones: 4 saxophones
12
2 Saxophones (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Quatuor de Flûtes : 4 flûtes
11
Clarinette et Piano
9
Quintette de Saxophone: 5 saxophones
8
Saxophone Alto et Piano
7
Clarinette
7
Flûte traversière et Piano
7
Hautbois, Piano (duo)
6
Saxophone Soprano et Piano
6
Saxophone, Clarinette (duo)
6
Flûte traversière
6
Saxophone Tenor et Piano
5
Ensemble de saxophones
5
2 Flûtes traversières (duo)
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
Saxophone Alto
3
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor
2
Hautbois, Flûte
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
Ocarina
2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Harmonica
2
Clarinette et Alto
2
Flûte à bec Soprano
2
Flûte, Violon
2
Saxophone Baryton, Piano
2
Flûte, Saxophone (duo)
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
1
3 Saxophones (trio)
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
Saxophone (partie séparée)
1
Flûte à bec Alto
1
Flûte, Violon, Piano
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Piano
1
Cor Anglais
1
Cor anglais, Piano
1
Hautbois, Clarinette (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette, Piano
6
Trompette
5
Trompette, Saxophone (duo)
5
Cor et Piano
5
Trombone et Piano
4
2 Trompettes (duo)
4
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
2 Cors Anglais Et Pianoforte
1
Trompette (partie séparée)
1
Cor Anglais
1
Tuba
1
Cor
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon
10
Violon et Piano
7
Alto, Piano
6
Violon, Violoncelle (duo)
4
Harpe
4
Alto seul
4
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
3
Violoncelle
3
Violoncelle, Piano
2
2 Violoncelles (duo)
2
Alto (partie séparée)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
37
Orchestre
23
Orchestre d'harmonie
20
Orchestre à Cordes
9
Ensemble Jazz
3
Cloches
2
Ensemble de Percussions
2
Orchestre de chambre
2
Batterie
1
Piano et Orchestre
1
+ 5 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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REGGAE
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Vous avez sélectionné:
Same as We
Hautbois, Piano (duo)
Partitions à imprimer
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We wish you a merry Christmas (easy oboe + easy piano)
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.850876 Composed by West Country tra…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.850876 Composed by West Country traditional. Arranged by Andrew Henderson. Christmas. Score and part. 3 pages. Andrew Henderson #3925145. Published by Andrew Henderson (A0.850876). Merry Christmas! Playing music together as a family or with friends is one of the best ways to celebrate this holiday season. This arrangement comes with both the solo part and an easy piano accompaniment. Arrangements for different instruments are all in the same key so that they can be played at the same time if you have a larger group!For full details of all the carols and arrangements available, visit www.ajph.co.uk/christmas.
$1.99
1.83 €
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Hautbois, Piano (duo)
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West Country traditional
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Andrew Henderson
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We wish you a merry Christmas
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Andrew Henderson
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SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.38 €
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Hautbois, Piano (duo)
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Oboe & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn DvoÅ…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.38 €
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Hautbois, Piano (duo)
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Hautbois, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Grandfather's Clock [Woodwind Quintet and Piano]
Hautbois, Piano (duo)
Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1278918…
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Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1278918 Composed by Henry Clay Work. Arranged by Masakazu YAMAMOTO. Folk,Pop. 25 pages. Motch Music #870466. Published by Motch Music (A0.1278918). This arrangement is for woodwind quintet and Piano. When you purchase it, you get full score and each part score. Composed by Henry Clay Work, this song is famous for its opening lines, My grandfather's clock was too large for the shelf.... It is structured to be sung up to the third verse. The second verse takes on a canon-like style, and before the third verse, there is a long interlude featuring the phrase Ninety years without slumbering, tick, tock, tick, tock... at its core. You can also shorten the song by cutting from measure 66 to measure 97. In that case, please play the bassoon and piano at measure 65 the same way as in measure 63. (arr. Masakazu YAMAMOTO) [Instrumentation] Flute Oboe Clarinet in Bb Horn in F Bassoon Piano Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)​ Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$40.00
36.88 €
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Hautbois, Piano (duo)
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Henry Clay Work
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Masakazu YAMAMOTO
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Grandfather's Clock [Woodwind Quintet and Piano]
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Motch Music
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SheetMusicPlus
Oh! Susanna
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1258537 Composed by Stephen Foster.…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1258537 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Traditional. Score and part. 3 pages. Glauco Fernandes #851793. Published by Glauco Fernandes (A0.1258537). Exclusive Sheet Music! Piano and Oboe Arrangement with Chord Symbols of Oh SusannaAre you ready for a delightful musical collaboration between the piano and the oboe, accompanied by chord symbols to enhance your learning? We present to you the piano and oboe arrangement of the beloved melody, Oh Susanna! With this special sheet music in your hands, you can enjoy the enchanting harmony of these two instruments while following the chord symbols to further enhance your interpretation.The arrangement has been carefully crafted to highlight the distinct sound characteristics of the piano and the oboe. The captivating melodies are shared between the two instruments, creating a harmonious and emotional combination. At the same time, the chord symbols provided in the sheet music will guide you in playing the chords correctly, making your learning process easier and allowing you to explore the beauty of this timeless melody.Imagine the melodic interplay between the piano and the oboe as you play Oh Susanna, captivating your audience with each note and musical expression. Whether performing as a duo, in an intimate gathering, or simply for personal enjoyment, this arrangement will provide memorable musical moments that touch the hearts of listeners.The sheet music has been designed to be accessible for pianists and oboists of different skill levels. The sections have been adapted to allow for smooth and enjoyable performance on both instruments, and the chord symbols ensure that you play the chords correctly, adding depth to your interpretation.Don't miss the opportunity to add this beautiful arrangement of Oh Susanna to your piano and oboe repertoire. Feel the joy of playing this timeless melody, exploring the harmony and beauty of these instruments together. Get your sheet music today and dive into this unique musical experience!Enhance your piano and oboe skills, captivate your audience, and have fun playing this memorable melody. The music is waiting for you. Get your sheet music today and enjoy hours of musical pleasure!
$1.99
1.83 €
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Hautbois, Piano (duo)
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Stephen Foster
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Glauco Fernandes
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Oh! Susanna
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Glauco Fernandes
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SheetMusicPlus
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Same as We
