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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solo Organ
Non classifié
2 362
Piano & claviers
Orgue
4 458
Piano seul
1 237
Piano, Voix et Guitare
397
Piano, Voix
204
Piano Facile
109
Orgue, Trompette (duo)
62
Orgue, Piano (duo)
37
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
7
Orgue, Voix
6
2 Pianos, 4 mains
6
Fake Book
4
1 Piano, 4 mains
4
Piano grosses notes
2
Accompagnement Piano
2
Orgue et Orchestre
2
Clavier
1
Piano (partie séparée)
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
81
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
9
4 Guitares (Quatuor)
7
2 Guitares (duo)
6
Paroles et Accords
5
Banjo
3
Piano, Guitare (duo)
3
Mandoline
3
Guitare (partie séparée)
2
Basse electrique
1
Dulcimer
1
3 Guitares (trio)
1
Ukulele
1
+ 9 instrumentations
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Voix
Chorale SATB
498
Voix duo, Piano
99
Chorale Unison
75
Voix duo
72
Chorale 3 parties
47
Chorale 2 parties
39
Voix moyenne, Piano
27
Chorale TTBB
23
Voix haute
23
Voix Soprano, Piano
23
Voix seule
20
Chorale SSAA
12
Voix Alto, Piano
9
Soli, choeur mixte et accompagnement
9
Voix basse, Piano
8
Voix Tenor, Piano
5
Voix Baryton, Piano
4
Chorale SSATTB
3
Voix Tenor
3
Voix duo, Orgue
2
Chorale SSAATTBB
2
Voix Soprano
2
Chorale
2
+ 18 instrumentations
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Vents
Flûte traversière
108
Clarinette
78
Saxophone Tenor
72
Flûte traversière et Piano
57
Saxophone Alto
44
Saxophone (partie séparée)
42
Saxophone et Orgue
42
Clarinette et Piano
41
Saxophone Alto et Piano
37
Hautbois, Piano (duo)
34
Saxophone Tenor et Piano
25
Hautbois (partie séparée)
23
Saxophone Soprano et Piano
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quatuor de Saxophones: 4 saxophones
17
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière, Orgue (duo)
15
Quintette de Saxophone: 5 saxophones
13
Saxophone Baryton, Piano
13
Quatuor de Clarinettes: 4 clarinettes
13
Flûte à bec Soprano
13
Clarinette, Orgue
12
2 Clarinettes (duo)
12
Flûte à bec Alto
12
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
9
Piccolo
7
Cor anglais, Piano
7
2 Saxophones (duo)
7
3 Clarinettes (trio)
6
2 Flûtes traversières (duo)
6
3 Flûtes à bec (trio)
5
Saxophone Soprano
5
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
Cor Anglais
5
Ensemble de Clarinettes
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Ensemble de Flûtes
3
Clarinette Basse, Piano
3
Flûte, Violon, Piano
2
Instruments en Mib
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Ensemble de saxophones
2
Flûte, Violon
2
Flûte à bec, Guitare (duo)
1
Hautbois
1
Ensemble de Hautbois
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Hautbois (duo)
1
Clarinette, Orchestre
1
Clarinette Basse
1
Saxophone et Piano
1
Flûte irlandaise
1
Piccolo, Piano
1
Flute (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto, Piano
1
+ 61 instrumentations
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Cuivres
Trompette
95
Trombone
84
Trompette, Piano
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
32
Cor
31
Cor et Piano
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trombone, Orgue
22
Tuba
20
Tuba et Orgue
15
Cor et Orgue
11
2 Trompettes (duo)
9
Trompette (partie séparée)
8
Tuba et Piano
8
Euphonium, Piano (duo)
7
Cor anglais, Piano
7
2 Trompettes, Clavier (piano ou orgue)
5
2 Trombones (duo)
5
Cor Anglais
5
Trombone (partie séparée)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
3
2 Tubas (duo)
3
Euphonium
3
Ensemble de Trompettes
3
2 Cors (duo)
2
Bass Clef Instruments
2
Trombone basse et Piano
2
2 Euphoniums (duo)
2
Instruments en Sib
2
Quatuor de cuivres: 4 cors
1
Cor (partie séparée)
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Tuba (partie séparée)
1
+ 34 instrumentations
Retracter
Cordes
Violon
76
Violoncelle
72
Violon et Piano
54
Alto seul
36
Violoncelle, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
31
Alto, Piano
29
Violoncelle, Orgue
21
Alto (partie séparée)
18
Violon, Orgue
16
Contre Basse
9
Harpe
9
2 Violons (duo)
8
Violon, Guitare (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Alto, Orgue
5
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
5
Alto, Guitare (duo)
3
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
2
2 Contrebasses (duo)
2
Ensemble d'Altos
2
Contrebasse (partie séparée)
1
Ensemble de Violons
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Cloches
179
Orchestre
53
Orchestre de chambre
44
Orchestre à Cordes
42
Orchestre d'harmonie
41
Ensemble Jazz
30
Ensemble de cuivres
17
Vibraphone
5
Marimba et Orgue
4
Marimba
4
Xylophone
2
Jazz combo
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Big band
1
Fanfare
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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Vous avez sélectionné:
Solo Organ
Hautbois, Piano (duo)
Partitions à imprimer
34 partitions trouvées
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1
26
Trumpet Voluntary, (Prince of Denmark's March), for Solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587594 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and...
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Oboe,Piano - Level 3 - SKU: A0.587594 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367412. Published by David McKeown (A0.587594). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Oboe and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
The Wedding Album, for Solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Ob
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587628 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part....
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Oboe,Piano - Level 3 - SKU: A0.587628 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594695. Published by David McKeown (A0.587628). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Oboe with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Trumpet Tune and Air, by Purcell; for solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587652 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.587652 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728539. Published by David McKeown (A0.587652). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Oboe and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
River of Sacred Peace - Solo Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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River of Sacred Peace - Solo O
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1038455 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Eas...
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Oboe,Piano - Level 3 - SKU: A0.1038455 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #643416. Published by James M Stevens Music ASCAP (A0.1038455). Written May 21, 2022 this is an original oboe solo and organ composition in a calm, lyrical, and reflective style in the key of G major. There is a separate oboe part in the score and the organ accompaniment as heard can be found under River of Sacred Peace Organ Track at Sheet Music Plus.
$6.99
Heroic Music Suite for Oboe and Organ
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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David Brown
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David Brown
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Heroic Music Suite for Oboe an
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David P. Brown
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1365266 By David Brown. By G.F. Telemann. Arranged by David Brown. Baroque,Chamber,Classical,Historic,Wedding. Score and ...
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Oboe,Piano - Level 4 - SKU: A0.1365266 By David Brown. By G.F. Telemann. Arranged by David Brown. Baroque,Chamber,Classical,Historic,Wedding. Score and part. 24 pages. David P. Brown #949585. Published by David P. Brown (A0.1365266). This arrangement has seven of the most popular selections from the Heroic Music Suite of Telemann, arranged here for Trumpet and Organ. Includes La Rejoissance, La Grace, and La Majeste. Perfect for solo recital, religious ceremonies, weddings, etc.
$8.00
Journeying (for Oboe Solo)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Adam Lenhart
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Journeying
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Adam Lenhart
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.949369 Composed by Adam Lenhart. Contemporary,Instructional,Standards. Score and part. 7 pages. Adam Lenhart #5214713. Pu...
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Oboe,Piano - Level 3 - SKU: A0.949369 Composed by Adam Lenhart. Contemporary,Instructional,Standards. Score and part. 7 pages. Adam Lenhart #5214713. Published by Adam Lenhart (A0.949369). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was also selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.This piece is also available for the following solo instruments: Flute, Violin.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$3.99
Loch Lomond (Oboe solo and piano)
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Hautbois, Piano (duo)
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FACILE
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Anthony Giamanco
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Loch Lomond
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Whole Tone Press
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.773693 Arranged by Anthony Giamanco. Celtic,Concert,Folk,Standards. Score and part. 13 pages. Whole Tone Press #3679829. ...
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Oboe,Piano - Level 2 - SKU: A0.773693 Arranged by Anthony Giamanco. Celtic,Concert,Folk,Standards. Score and part. 13 pages. Whole Tone Press #3679829. Published by Whole Tone Press (A0.773693). This famous Scottish folk song is given a new treatment for oboe solo with piano accompaniment. Good high school as well as adult players will enjoy this moderately easy arrangement. An exceptional choice for a spring concert or solo and ensemble!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$4.75
Silent Night--oboe solo
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Noël
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Noël
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--oboe solo
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Beka Wilson
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.786732 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 4 page...
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Oboe,Piano - Level 3 - SKU: A0.786732 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 4 pages. Beka Wilson #6414875. Published by Beka Wilson (A0.786732). A gorgeous, thoughtful rendition of an old Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutesLevel: intermediate for most instruments4 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Captain Morgan's March
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Hautbois, Piano (duo)
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DÉBUTANT
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Welsh Folk Song
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Kaiserin Rebecca
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Captain Morgan's March
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Kaiserin Rebecca
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1485581 Composed by Welsh Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,March,Traditional. Score a...
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Oboe,Piano - Level 1 - SKU: A0.1485581 Composed by Welsh Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,March,Traditional. Score and part. 2 pages. Kaiserin Rebecca #1062642. Published by Kaiserin Rebecca (A0.1485581). For oboe solo and piano accompaniment with chords.Key: G major. Duration: 0'38.
$5.99
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Handel: Largo from Xerxes for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score a...
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Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach-Gounod: Ave Maria for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and par...
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Oboe,Piano - Level 2 - SKU: A0.549359 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490099. Published by jmsgu3 (A0.549359). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. ...
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Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
The Wedding March - Oboe and Piano (Individual Parts)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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The Wedding March - Oboe and P
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1222471 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. Classical,Film/TV,Multicultural,Romantic P...
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Oboe,Piano - Level 2 - SKU: A0.1222471 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. Classical,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 3 pages. Sheet Music To Play Editions #818736. Published by Sheet Music To Play Editions (A0.1222471). The Wedding March by Felix Mendelssohn. Arrangement for Oboe and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (incluyed The Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol Hark! The Herald Angels Sing is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
The Wedding March - Oboe and Piano (Full Score)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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The Wedding March - Oboe and P
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1222468 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Children,Classical,Romantic P...
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Oboe,Piano - Level 2 - SKU: A0.1222468 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #818733. Published by Sheet Music To Play Editions (A0.1222468). The Wedding March by Felix Mendelssohn. Arrangement for Oboe and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (incluyed The Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol Hark! The Herald Angels Sing is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
The Wedding March - Oboe and Piano (Full Score and Parts)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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The Wedding March - Oboe and P
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1178937 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. Children,Film/TV,Multicultural,Romantic Pe...
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Oboe,Piano - Level 3 - SKU: A0.1178937 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. Children,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 7 pages. Sheet Music To Play Editions #778907. Published by Sheet Music To Play Editions (A0.1178937). The Wedding March by Felix Mendelssohn. Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (incluyed The Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol Hark! The Herald Angels Sing is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Fantasie
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Viktor Kalabis
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Oboe and piano - intermediate to advanced - SKU: S9.Q48864 For oboe and piano. Composed by Viktor Kalabis. This edition: Sheet music. Die ausdruc...
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Oboe and piano - intermediate to advanced - SKU: S9.Q48864 For oboe and piano. Composed by Viktor Kalabis. This edition: Sheet music. Die ausdrucksstarke Fantasie für Oboe und Klavier entstand 1995 und gehört zu den wenigen Werken Kalabis‘, die den Klang der Oboe ins Zentrum stellen. Downloadable. Op. 78. Duration 10 minutes. Schott Music - Digital #Q48864. Published by Schott Music - Digital (S9.Q48864). Der tschechische Komponist Viktor Kalabis komponierte zahlreiche Instrumentalwerke – darunter fünf Sinfonien, mehrere Solokonzerte sowie Kammermusik. Seine Kompositionstechniken stehen dem Neoklassizismus nahe. Neben Anklängen an die Vorbilder Strawinsky, Bartók und Martinů zeigt sich aber ein konsequenter, vornehmlich bitonal organisierter Individualstil. Die ausdrucksstarke Fantasie für Oboe und Klavier entstand 1995 und gehört zu den wenigen Werken Kalabis‘, die den Klang der Oboe ins Zentrum stellen.
$21.99
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Meditation (Opus 18), for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Cesar Auguste Franck
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Nigel Williams
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Meditation
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Nigel Williams
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.763425 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. Score and part. 12 pa...
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Oboe,Piano - Level 3 - SKU: A0.763425 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. Score and part. 12 pages. Nigel Williams #5362977. Published by Nigel Williams (A0.763425). This beautiful haunting melody by Cesar Franck forms part of a larger piece for organ, and it is ideal material for an arrangement for oboe and piano. The gentle rocking nature of the melody is supported by the piano accompaniment throughout, and the music requires much rubato and space. The tempo can be a little slower or a little quicker than the sound file suggests. This arrangement is excellent repertoire for High School students working at home, and equally it would make an excellent prelude in any service of worship where Cesar Franck's music is admired. The performance duration is four minutes and the full score comes with individual parts attached. Enjoy browsing my many instrumental solos, duets and ensemble arrangements on SMP.
$4.99
The Staff of Faith (My Faith It Is an Oaken Staff) for oboe & piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Hilton Kean Jones
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Hilton Kean Jones
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The Staff of Faith
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Hilton Kean Jones
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1399185 By Hilton Kean Jones. By Swiss folk melody. Arranged by Hilton Kean Jones. Christian,Religious,Sacred. Score and ...
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Oboe,Piano - Level 3 - SKU: A0.1399185 By Hilton Kean Jones. By Swiss folk melody. Arranged by Hilton Kean Jones. Christian,Religious,Sacred. Score and part. 7 pages. Hilton Kean Jones #982482. Published by Hilton Kean Jones (A0.1399185). A fun piece to play, especially the center section. May be performed as a solo trumpt piece with organ (or piano) accompaniment, or as an accompaniment to congregational singing of the familiar hymn. PDF contains full score (trumpet and organ) plus extracted trumpet part.
$6.99
Luther: Out of the Depths for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Last Night
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Hautbois, Piano (duo)
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FACILE
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Morgan Wallen
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Rodrigo Faleiros
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Last Night
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1276705 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Score and part. 5 pag...
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Oboe,Piano - Level 2 - SKU: A0.1276705 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Score and part. 5 pages. Rodrigo Faleiros #868262. Published by Rodrigo Faleiros (A0.1276705). This music arrangement is a oboe solo version of the song “Last Night†by Morgan Wallen, a country singer and songwriter. The arrangement follows the original melody and chords of the song, but adds some variations and embellishments to make it more interesting and unique. It also has a piano accompaniment with chords. The oboe solo is suitable for intermediate players who enjoy playing country music, but it also has a simple approach that can reach beginners too.
$5.99
Last Night
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Hautbois, Piano (duo)
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FACILE
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Morgan Wallen
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Rodrigo Faleiros
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Last Night
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1276706 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Score and part. 5 pag...
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Oboe,Piano - Level 2 - SKU: A0.1276706 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Score and part. 5 pages. Rodrigo Faleiros #868263. Published by Rodrigo Faleiros (A0.1276706). This music arrangement is a oboe solo version of the song “Last Night†by Morgan Wallen, a country singer and songwriter. The arrangement follows the original melody and chords of the song, but adds some variations and embellishments to make it more interesting and unique. It also has a piano accompaniment. The oboe solo is suitable for intermediate players who enjoy playing country music, but it also has a simple approach that can reach beginners too.
$5.99
Fauré: Élégie Op. 24 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Oboe,Piano - Level 4 - SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
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