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The Office - Theme
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69
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308
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79
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11
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8
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7
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2
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2
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1
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1
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8
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3
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45
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13
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9
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7
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7
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6
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4
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3
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2
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1
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2
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1
Trio à Cordes: violon, alto, violoncelle
1
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1
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1
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1
Alto (partie séparée)
1
+ 11 instrumentations
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102
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41
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37
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8
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6
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2
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1
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1
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Vous avez sélectionné:
The Office - Theme
Hautbois, Piano (duo)
Partitions à imprimer
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Eagles' Victory Song
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Hautbois, Piano (duo)
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DÉBUTANT
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Pat...
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Oboe,Piano - Level 1 - SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782358. Published by Zedas Couve (A0.1182613). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Clémence de Grandval: Deux Pièces: Romance et Gavotte for oboe, violoncello and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Clémence de Grandval
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Clémence de Grandval: D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.534729 Composed by Clémence de Grandval. Romantic Period,Standards. Sc...
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Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.534729 Composed by Clémence de Grandval. Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362077. Published by Musik Fabrik Music Publishing (A0.534729). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
Deux Pièces: Lamento et Scherzetto for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces: Lamento et
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Musik Fabrik Music Publishing
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.862376 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26...
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Oboe,Piano - Level 3 - SKU: A0.862376 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468856. Published by Musik Fabrik Music Publishing (A0.862376). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
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The Office - Theme
