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ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Transcription Christmas
Non classifié
156
Piano & claviers
Piano seul
95
Piano Facile
88
Piano, Voix et Guitare
16
Piano, Voix
11
Orgue
8
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Instruments en Do
3
Orgue, Trompette (duo)
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
21
Guitare
5
Piano, Guitare (duo)
3
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
24
Chorale TTBB
2
Voix moyenne, Piano
1
Chorale SSAA
1
Vents
Saxophone (partie séparée)
165
Saxophone Alto
90
Saxophone Tenor
86
Hautbois (partie séparée)
80
Flûte traversière
68
Clarinette
68
Flûte, Hautbois, Clarinette, Basson
34
Quatuor de Clarinettes: 4 clarinettes
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Saxophones: 4 saxophones
27
Quintette de Saxophone: 5 saxophones
23
Cor Anglais
21
Ensemble de Clarinettes
15
Flûte traversière et Piano
11
2 Saxophones (duo)
10
Saxophone Alto et Piano
8
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
4
Ensemble de saxophones
4
Clarinette et Piano
4
2 Clarinettes (duo)
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
2
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
2 Flûte à bec (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
Cor anglais, Piano
1
Flûte et Guitare
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
2 Hautbois (duo)
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Piccolo
1
Flûte, Alto (duo)
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon
1
+ 42 instrumentations
Retracter
Cuivres
Trombone
72
Trompette
64
Cor
57
Tuba
47
Euphonium
45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Cor Anglais
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quatuor de Cuivres
6
Trompette (partie séparée)
5
Trompette, Piano
4
Tuba et Piano
2
Cor et Piano
2
Euphonium, Piano (duo)
2
Trombone et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
3 Trompettes (trio)
1
Cor anglais, Piano
1
Trio de Cuivres
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
4 Tubas
1
Trompette, Saxophone (duo)
1
+ 20 instrumentations
Retracter
Cordes
Violon
101
Violoncelle
81
Alto seul
57
Quatuor à cordes: 2 violons, alto, violoncelle
29
Alto (partie séparée)
18
Violon et Piano
8
Alto, Piano
7
Violon, Violoncelle (duo)
4
Harpe
4
Violoncelle, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
1
2 Violons (duo)
1
Trio à cordes
1
Trio à Cordes: violon, alto, violoncelle
1
2 Altos (duo)
1
Contre Basse
1
2 Violoncelles (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
45
Batterie
8
Orchestre
8
Orchestre à Cordes
7
Cloches
6
Ensemble de cuivres
5
Orchestre de chambre
2
Jazz combo
2
Ensemble Jazz
2
Xylophone
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DIDGERIDOO
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FLUTE DE PAN
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FORMATION MUSI…
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Transcription Christmas
Hautbois, Piano (duo)
Partitions à imprimer
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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Transcription Christmas
