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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two At A Time
Non classifié
845
Piano & claviers
Piano seul
288
Piano Facile
93
Piano, Voix et Guitare
66
Piano, Voix
49
2 Pianos, 4 mains
36
Orgue
19
1 Piano, 4 mains
17
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
29
2 Guitares (duo)
22
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Ukulele
2
Mandoline
2
Banjo
1
Dulcimer
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
96
Chorale 2 parties
50
Chorale 3 parties
26
Chorale Unison
23
Chorale TTBB
15
Chorale SSAA
9
Voix duo
7
Voix duo, Piano
6
Voix Soprano, Piano
4
Voix moyenne, Piano
4
Voix haute
4
Voix Alto, Piano
2
Voix Tenor, Piano
1
Chorale SSAATTBB
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
556
2 Clarinettes (duo)
194
2 Flûtes traversières (duo)
177
2 Hautbois (duo)
152
Saxophone, Clarinette (duo)
136
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
73
Flûte, Clarinette (duo)
64
Hautbois, Basson (duo)
51
2 Flûte à bec (duo)
49
Hautbois, Clarinette (duo)
48
Clarinette et Alto
45
Hautbois, Flûte
45
Flûte traversière et Piano
44
Flûte, Violon
43
Flûte, Saxophone (duo)
43
Clarinette et Piano
41
Hautbois, Piano (duo)
36
Flûte, Trompette (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
33
Saxophone Alto et Piano
30
Quintette de Saxophone: 5 saxophones
29
Flûte, Alto (duo)
28
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
26
Flûte traversière
25
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto
18
Saxophone Tenor
17
Hautbois (partie séparée)
15
Cor anglais, Piano
14
Ensemble de saxophones
13
Ensemble de Clarinettes
13
Flûte à bec Soprano
13
Saxophone (partie séparée)
11
Flûte et Guitare
11
Ensemble de Flûtes
11
Trio de Flûtes: 3 flûtes
10
Quatuor de Flûtes : 4 flûtes
10
3 Saxophones (trio)
9
Clarinette Basse, Piano
8
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
6
Cor Anglais
5
Flute (partie séparée)
4
Flûte à bec Soprano, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Violoncelle
4
Flûte, Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
3
Clarinette, Harpe (duo)
2
Saxophone et Orgue
2
Clarinette Basse
2
Flûte à Bec
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle
2
2 Flûtes traversières, Piano
2
Piccolo
2
Flûte à bec Tenor
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Basson
1
Saxophone Soprano
1
Flûte, Basson et Piano
1
Hautbois, violon (duo)
1
Clarinette, Alto et Piano (trio)
1
Piccolo, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
+ 77 instrumentations
Retracter
Cuivres
2 Trombones (duo)
156
2 Trompettes (duo)
143
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
138
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
35
Trompette, Piano
26
Trompette
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Ensemble de Trombones
12
Cor
12
2 Euphoniums (duo)
10
Trombone
10
Cor et Piano
8
Ensemble de Trompettes
6
Cor Anglais
5
Quatuor de Cuivres
5
Tuba
5
Trompette (partie séparée)
5
2 Cors (duo)
4
2 Tubas (duo)
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
Cor et Harpe
2
Euphonium
2
Trio de Cuivres
2
3 Trompettes (trio)
2
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Tuba et Orgue
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
3 Euphoniums
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violon, Violoncelle (duo)
198
Violon
157
2 Violons (duo)
156
2 Altos (duo)
152
2 Violoncelles (duo)
139
Trio à Cordes: violon, alto, violoncelle
131
Violon et Piano
69
Violon, Alto (duo)
54
Violoncelle, Piano
43
Trio à Cordes: 2 violons, violoncelle
35
Alto, Piano
34
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Harpe
21
Alto seul
19
Contre Basse
7
4 Violoncelles
6
2 Harpes (duo)
6
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
2 Violons, Piano
2
Alto et Harpe
2
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Harpe, Violon (duo)
1
2 Violoncelles, Piano
1
Harpe, Trombone (duo)
1
Alto (partie séparée)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
171
Orchestre à Cordes
117
Orchestre
57
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
24
Ensemble Jazz
22
Ensemble de Percussions
13
Jazz combo
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
3
Batterie
3
Xylophone, Piano
2
Vibraphone et Marimba
1
Ensemble d'École
1
Percussion
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Piano et Orchestre
1
2 Marimbas
1
+ 16 instrumentations
Retracter
Autres
Instruments
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BALALAIKA
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CHARANGO
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Two At A Time
Hautbois, Piano (duo)
Partitions à imprimer
36 partitions trouvées
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26
It's Been A Long, Long Time
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.592538 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366347. ...
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Oboe,Piano - Level 3 - SKU: A0.592538 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366347. Published by David McKeown (A0.592538). It’s Been a Long Long Time is arranged as a solo for one Oboe with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Away In A Manger: for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe &am
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Oboe,Piano - Level 1 - SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Christmas Time Is Here
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Vince Guaraldi
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Fishel Pustilnik
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Christmas Time Is Here
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F & N Enterprise
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.633813 Composed by Vince Guaraldi. Arranged by Fishel Pustilnik. Jazz. Score and part. 6 pages. F & N Enterprise #3461963...
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Oboe,Piano - Level 3 - SKU: A0.633813 Composed by Vince Guaraldi. Arranged by Fishel Pustilnik. Jazz. Score and part. 6 pages. F & N Enterprise #3461963. Published by F & N Enterprise (A0.633813). An excellent arrangement of famous Song Christmas Time Is Here for Oboe and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
Mussorgsky: Pictures at an Exhibition for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549933 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards...
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Oboe,Piano - Level 4 - SKU: A0.549933 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303957. Published by jmsgu3 (A0.549933). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Waka Waka (this Time For Africa)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Shakira
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Fishel Pustilnik
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Pop Piano Paradise
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Waka Waka
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F & N Enterprise
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.636341 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mahola. Arra...
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Oboe,Piano - Level 3 - SKU: A0.636341 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mahola. Arranged by Fishel Pustilnik. Dance,Latin,Pop. Score and part. 7 pages. F & N Enterprise #6384441. Published by F & N Enterprise (A0.636341). An excellent arrangement of the famous Song Waka Wakafor Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/aA4wXRN2JuwThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Bach: Bist du bei mir BWV 508 for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score an...
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Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468314. Published by jmsgu3 (A0.549226). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
The Favorite for solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Oboe and
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1092666 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. Dav...
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Oboe,Piano - Level 3 - SKU: A0.1092666 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696768. Published by David McKeown (A0.1092666). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Oboe with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Trumpet Tune and Air, by Purcell; for solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587652 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and p...
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Oboe,Piano - Level 3 - SKU: A0.587652 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728539. Published by David McKeown (A0.587652). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Oboe and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Trumpet Voluntary, (Prince of Denmark's March), for Solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587594 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and...
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Oboe,Piano - Level 3 - SKU: A0.587594 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367412. Published by David McKeown (A0.587594). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Oboe and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Swan Lake Theme, for Solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Oboe
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587686 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,St...
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Oboe,Piano - Level 3 - SKU: A0.587686 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737759. Published by David McKeown (A0.587686). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Oboe and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Slavonic Dance Op. 46 No. 2 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 fo
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Diego Marani
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1271511 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Sco...
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Oboe,Piano - Level 3 - SKU: A0.1271511 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #863910. Published by Diego Marani (A0.1271511). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for oboe with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Slavonic Dance Op. 72 No. 2 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 fo
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Diego Marani
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1266816 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Peri...
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Oboe,Piano - Level 3 - SKU: A0.1266816 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #859495. Published by Diego Marani (A0.1266816). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for oboe with piano acccompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Amazing Grace, for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Trad American
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Nigel Williams
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Amazing Grace, for Oboe and Pi
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Nigel Williams
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.763419 Composed by Trad American. Arranged by Nigel Williams. Easter,Folk,Lent,Sacred,Standards. Score and part. 8 pages....
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Oboe,Piano - Level 3 - SKU: A0.763419 Composed by Trad American. Arranged by Nigel Williams. Easter,Folk,Lent,Sacred,Standards. Score and part. 8 pages. Nigel Williams #5360413. Published by Nigel Williams (A0.763419). This new arrangement of Amazing Grace uses the well known traditional American tune 'New Britain'. The oboe states the familiar tune accompanied by the piano, then in the following two variations the piano has the melody while the oboe accompanies with a descant style counter melody using the whole range of the instrument. Ideal in any church service at any time, and especially during the Easter season, this arrangement is also ideal for High School students looking for new and innovative repertoire while working at home. The performance duration is close to three minutes and the full score has individual parts attached.
$4.99
Gymnopedie No. 1
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Hautbois, Piano (duo)
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1245342 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequ...
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Oboe,Piano - Level 2 - SKU: A0.1245342 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840221. Published by Samuel Sequeira (A0.1245342). Gymnopedie No. 1 - Erik Satie - Oboe/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Oboe and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the oboe takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the oboe enters, it carries the iconic melody, infusing it with its distinct and soulful tones. The oboe's warm and expressive qualities add an extra layer of emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the oboe and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the oboe's melodic lines and adding depth to the arrangement. The oboe, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the oboe and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for oboe and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
All I Want For Christmas Is You
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Hautbois, Piano (duo)
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FACILE
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Noël
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Mariah Carey
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Gispert
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All I Want For Christmas Is Yo
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clara lamonaca
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1329869 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop. Score...
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Oboe,Piano - Level 2 - SKU: A0.1329869 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop. Score and part. 15 pages. Clara lamonaca #917856. Published by clara lamonaca (A0.1329869). Introducing a delightful musical arrangement that will add a touch of festive magic to your holiday celebrations! Immerse yourself in the timeless charm of Mariah Carey's classic All I Want for Christmas Is You with this specially crafted arrangement for oboe and piano, tailored for intermediate-level musicians.This enchanting adaptation captures the heartwarming essence of the original song while infusing it with the unique warmth and expressiveness of oboe and piano. The oboe takes center stage, delivering the iconic melody with grace and flair, while the piano provides a rich and harmonious backdrop, creating a perfect balance between the two instruments.Ideal for musicians seeking a joyful yet accessible challenge, this arrangement strikes the perfect balance between playability and musicality. Whether you're performing at a holiday concert, family gathering, or simply indulging in some festive solo play, this arrangement promises to evoke the spirit of the season and spread cheer to all who listen.Don't miss the opportunity to bring a new dimension to your holiday repertoire. Elevate your musical experience with this enchanting oboe and piano arrangement of All I Want for Christmas Is You – because the gift of music is truly the most magical one of all.
$4.99
Sullivan: The Lost Chord for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Für Elise, for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Oboe and P
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587567 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Stand...
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Oboe,Piano - Level 3 - SKU: A0.587567 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361585. Published by David McKeown (A0.587567). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Oboe with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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AntonÃn Dvořák
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Oboe,Piano - Level 2 - SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Silent Night for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Oboe & Pi
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548489 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387057. Publ...
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Oboe,Piano - Level 1 - SKU: A0.548489 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387057. Published by jmsgu3 (A0.548489). Silent Night for Oboe & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Oboe and Piano
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Hautbois, Piano (duo)
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.587921 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David...
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Oboe,Piano - Level 2 - SKU: A0.587921 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044829. Published by David McKeown (A0.587921). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Oboe and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Oh! Susanna
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Hautbois, Piano (duo)
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DÉBUTANT
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Stephen Foster
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Glauco Fernandes
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Oh! Susanna
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Glauco Fernandes
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1258537 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Traditional. Score and p...
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Oboe,Piano - Level 1 - SKU: A0.1258537 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Traditional. Score and part. 3 pages. Glauco Fernandes #851793. Published by Glauco Fernandes (A0.1258537). Exclusive Sheet Music! Piano and Oboe Arrangement with Chord Symbols of Oh SusannaAre you ready for a delightful musical collaboration between the piano and the oboe, accompanied by chord symbols to enhance your learning? We present to you the piano and oboe arrangement of the beloved melody, Oh Susanna! With this special sheet music in your hands, you can enjoy the enchanting harmony of these two instruments while following the chord symbols to further enhance your interpretation.The arrangement has been carefully crafted to highlight the distinct sound characteristics of the piano and the oboe. The captivating melodies are shared between the two instruments, creating a harmonious and emotional combination. At the same time, the chord symbols provided in the sheet music will guide you in playing the chords correctly, making your learning process easier and allowing you to explore the beauty of this timeless melody.Imagine the melodic interplay between the piano and the oboe as you play Oh Susanna, captivating your audience with each note and musical expression. Whether performing as a duo, in an intimate gathering, or simply for personal enjoyment, this arrangement will provide memorable musical moments that touch the hearts of listeners.The sheet music has been designed to be accessible for pianists and oboists of different skill levels. The sections have been adapted to allow for smooth and enjoyable performance on both instruments, and the chord symbols ensure that you play the chords correctly, adding depth to your interpretation.Don't miss the opportunity to add this beautiful arrangement of Oh Susanna to your piano and oboe repertoire. Feel the joy of playing this timeless melody, exploring the harmony and beauty of these instruments together. Get your sheet music today and dive into this unique musical experience!Enhance your piano and oboe skills, captivate your audience, and have fun playing this memorable melody. The music is waiting for you. Get your sheet music today and enjoy hours of musical pleasure!
$1.99
Three Virtues - Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Phil Rawle
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Three Virtues - Oboe and Piano
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Phillip Rawle
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Publishe...
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Oboe,Piano - Level 3 - SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Published by Phillip Rawle (A0.1337463). Three uplifting solos for oboe with Piano accompanimentCompassion As the title suggests, this piece should be played with warmth the middle departure showing a little more anxiety before a return to the optimism of the opening theme. Apart from this, there is no formal structure. There should be a marked contrast between the flowing, lyrical passages of the opening section and the crisp staccato in the middle descending arpeggios.  Although the tempo indicates quickness, the feel should be one of animation rather than pace. The dynamic range is not great but should be accurately observed with clear contrasts. Mercy Much more of a duet for oboe and piano rather than a solo. This has a yearning, minor aspect with a contrasting few bars of a more comfortable major feel at the end of the middle section. The lively tempo should be driven through the whole piece with only a slight letup in the final two measures. Although written in waltz time, this is no dance being loaded with underlying energy and emotion. The dynamics remain fairly loud with only the expected variation in line with the phrasing.Tenderness This piece, written in the middle to high register, has a simple structure being a stable melody with variations and ornaments. Where the piano accompaniment has the theme it should be allowed to show through.  As the title suggests this should be played with a gentle lilt but not over-sentimental. Aim for a warm to mellow texture with comforting sounds. There is a general but slight crescendo throughout the piece.
$7.50
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