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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
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CONTEMPORAIN - 20-21…
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COUNTRY
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Non classifié
3253
PIANO & CLAVIERS
Piano seul
1731
Piano Facile
568
Piano, Voix
552
Piano, Voix et Guitare
319
Instruments en Do
171
Orgue
108
Accompagnement Piano
101
1 Piano, 4 mains
48
Piano grosses notes
48
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
9
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
5
Orgue, Piano (duo)
4
2 Pianos, 8 mains
2
Fake Book
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
825
Mandoline
286
Guitare
230
Ukulele
71
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
36
2 Guitares (duo)
28
Dulcimer
18
Banjo
11
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
Mandoline, Guitare (duo)
6
Ensemble de guitares
5
3 Guitares (trio)
4
Paroles et Accords
4
2 Mandolines (duo)
3
Ukulele Baryton
2
Guitare, Orchestre
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
721
Chorale 3 parties
169
Chorale TTBB
115
Chorale SSAA
115
Chorale 2 parties
93
Chorale Unison
51
Voix duo, Piano
37
Voix Alto, Piano
25
Voix Tenor, Piano
22
Voix Soprano, Piano
19
Voix seule
16
Voix haute
13
Voix Baryton, Piano
13
Voix Tenor
12
Voix duo
10
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix Soprano
3
Chorale SSATB
3
Chorale SSATTB
2
Voix moyenne, Piano
2
Chorale SAATB A Cappella
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
358
Flûte traversière et Piano
339
Clarinette et Piano
288
Ocarina
280
Flûte à bec Soprano
275
Harmonica
237
Quatuor de Saxophones: 4 saxophones
206
Flûte à bec Alto
193
Flûte, Hautbois, Clarinette, Basson
190
Quintette de Saxophone: 5 saxophones
157
Saxophone Alto et Piano
151
Hautbois, Piano (duo)
130
Quatuor de Clarinettes: 4 clarinettes
127
2 Saxophones (duo)
113
Ensemble de saxophones
111
Flûte traversière
108
Saxophone Soprano et Piano
104
Saxophone Tenor et Piano
86
Clarinette
80
Ensemble de Clarinettes
78
Saxophone Alto
73
2 Clarinettes (duo)
65
Saxophone (partie séparée)
65
2 Flûtes traversières (duo)
61
Saxophone Baryton, Piano
61
Quatuor de Flûtes : 4 flûtes
60
Ensemble de Flûtes
53
Cor anglais, Piano
52
3 Clarinettes (trio)
45
3 Saxophones (trio)
44
Saxophone Tenor
42
Flûte à bec Alto, Piano
34
Clarinette Basse, Piano
30
Hautbois (partie séparée)
29
Saxophone, Clarinette (duo)
27
2 Flûtes traversières, Piano
26
Quintette de Clarinettes: 5 clarinettes
25
Quatuor de Flûtes à bec
25
Flûte, Clarinette (duo)
24
Flûte et Guitare
23
2 Flûte à bec (duo)
21
Quintette de Flûte : 5 flûtes
21
Trio de Flûtes: 3 flûtes
20
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
14
Clarinette, Basson (duo)
13
Clarinette, Trompette (duo)
12
Cor Anglais
11
Clarinette et Alto
10
Flûte, Violon
10
Hautbois, Clarinette (duo)
9
Clarinette, Guitare (duo)
9
Hautbois, Flûte
9
5 Flûtes à bec
9
Flûte, Saxophone (duo)
8
Saxophone Soprano
8
Flûte, Alto (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
3 Flûtes à bec (trio)
8
Flute (partie séparée)
7
Flûte, Violoncelle
7
Flûte, Trompette (duo)
7
Flûte, Clarinette, Piano (trio)
6
Ensemble De Flûte à bec
6
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Flûte à bec Soprano, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Hautbois
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Piccolo
4
Clarinette, Trombone (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte irlandaise
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone et Guitare
4
Piccolo, Piano
3
Flute, harpe et violon
3
2 Clarinettes, Piano
3
Flûte, Violon, Piano
3
Flûte à bec Tenor
3
Saxophone
3
Flûte, Hautbois, Basson
3
Flûte traversière, Basse continue
3
Flûte, Basson et Piano
2
Ensemble de Hautbois
2
Flûte, Alto et Piano
2
Ensemble à vent
2
Cor anglais, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
Saxophone et Orgue
2
2 Clarinettes, Basson
2
Clarinette, Alto et Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Instruments en Mib
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
2 Flûtes à bec, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violoncelle
1
4 Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Flûte, Hautbois (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trombone et Piano
111
Trompette
107
Trompette, Piano
98
Cor et Piano
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Quatuor de Cuivres
53
Cor anglais, Piano
52
Trombone
50
Euphonium, Piano (duo)
45
Quatuor de cuivres: 4 trombones
33
Cor
32
Tuba et Piano
32
Ensemble de Trombones
31
2 Trompettes (duo)
29
Trompette (partie séparée)
28
2 Cors (duo)
27
Tuba
26
Ensemble de Trompettes
26
Trombone (partie séparée)
25
2 Trombones (duo)
24
Trompette, Trombone (duo)
19
Trompette, Saxophone (duo)
17
Ensemble de Cors
14
Quatuor de cuivres: 4 cors
14
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Cor Anglais
11
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
5
4 Tubas
5
3 Trombones (trio)
4
3 Cors (trio)
4
Trompette, Cor (duo)
4
Trombone basse
3
Trompette, violon (duo)
3
3 Tubas (trio)
3
Bass Clef Instruments
2
3 Trompettes (trio)
2
Instruments en Sib
2
Tuba (partie séparée)
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Trombone, Orgue
2
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
Trombone, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
625
Violon et Piano
354
Harpe
256
Violoncelle, Piano
254
Alto, Piano
249
Violon
157
Violoncelle
136
Trio à Cordes: violon, alto, violoncelle
116
Violon, Violoncelle (duo)
107
2 Violons (duo)
72
2 Violoncelles (duo)
48
Alto seul
45
Violon, Alto (duo)
43
Trio à Cordes: 2 violons, violoncelle
38
2 Altos (duo)
36
2 Harpes (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contrebasse, Piano (duo)
24
Contre Basse
23
Alto (partie séparée)
20
4 Violoncelles
16
Violon, Guitare (duo)
16
Ensemble de Violons
13
Trio à Cordes: 3 violoncelles
12
Ensemble d'Altos
11
Quatuor à cordes : 4 altos
11
Alto, Violoncelle (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
10
Quatuor à cordes: 4 violons
9
Contrebasse (partie séparée)
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
4
Alto, Guitare (duo)
4
4 Contrebasses
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
3
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Violoncelle (partie séparée)
2
Alto et Harpe
2
Ensemble de Violoncelles
2
3 Harpes
1
Harpe, Violoncelle (duo)
1
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
758
Orchestre
294
Orchestre à Cordes
267
Jazz combo
215
Ensemble de cuivres
174
Ensemble Jazz
137
Orchestre de chambre
101
Cloches
52
Ensemble de Percussions
35
Fanfare
22
Batterie
14
Marimba
11
Vibraphone
9
Batterie (partie séparée)
5
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
Bongos
1
Xylophone, Piano
1
Ensemble d'École
1
Xylophone ou Marimba ou Vibraphone
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Was (Not Was)
Hautbois, Piano (duo)
Partitions à imprimer
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Nothing But the Blood of Jesus, Gospel Hymn for Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.593045 Composed by Robert Lowry. Ar…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.593045 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415303. Published by David McKeown (A0.593045). Nothing But the Blood of Jesus is a beautiful gospel hymn arranged here for Solo Oboe and Piano.Nothing But the Blood of Jesus was written in 1876 by Robert Lowry, a Baptist minister and leading light in the New Jersey revival camp meetings. He also wrote more than five hundred hymns.
$2.49
2.27 €
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Hautbois, Piano (duo)
#
Robert Lowry
#
David McKeown
#
Nothing But the Blood of Jesus, Gospel Hymn for Oboe and Piano
#
David McKeown
#
SheetMusicPlus
What Was I Made For?
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1377202 By Billie Eilish. By Billie…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1377202 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Score and part. 4 pages. JLVPartitura #961820. Published by JLVPartitura (A0.1377202). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Oboe + Piano. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.54 €
#
Hautbois, Piano (duo)
#
Billie Eilish
#
Jhonatan Lucio Viana
#
What Was I Made For?
#
JLVPartitura
#
SheetMusicPlus
What Was I Made For?
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1377205 By Billie Eilish. By Billie…
(+)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1377205 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Score and part. 4 pages. JLVPartitura #961822. Published by JLVPartitura (A0.1377205). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Oboe + Piano + Chords. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.54 €
#
Hautbois, Piano (duo)
#
Billie Eilish
#
Jhonatan Lucio Viana
#
What Was I Made For?
#
JLVPartitura
#
SheetMusicPlus
Mendelssohn: Wedding March for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
22.72 €
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Hautbois, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssoh…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30 €
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Hautbois, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
18.21 €
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Hautbois, Piano (duo)
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30 €
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Hautbois, Piano (duo)
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Short Hair
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1073612 Composed by Jean Ahn. 20th …
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1073612 Composed by Jean Ahn. 20th Century,Classical,Contemporary,Multicultural,World. Score and part. 28 pages. Jean Ahn #677851. Published by Jean Ahn (A0.1073612). This piece is about the New Women's movement in Korea in the 1930s. These women not only protested the confucius tradition but actively participated in the liberation of Korea from Japan. While researching the history, I felt inadequate to write about these women. In the end, I allowed myself to write this piece as an entrance to their world, as an introduction to myself. The first movement, “High Heels with Short Hair†is a quotation from the headlines of the newspaper. The most startling thing must have been the short hair, the outward signs of change. I then chose three distinctive women and wrote each movement about their character. Maria Kim, a religious educator who fought for the independence of Korea. Seunghee Choi, the international star dancer whose life was marked by the political tumult of her time. Myungsun Kim, one of the first female poets who was not afraid to write about her own agonizing experience as a woman. I named the last movement, OPEN, to remind myself that there are many more important, forgotten women. The piece does not have a conclusion. It merely opened the history of the New Women….
$10.00
9.11 €
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Hautbois, Piano (duo)
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Jean Ahn
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Short Hair
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Jean Ahn
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SheetMusicPlus
Swan Lake Theme, for Solo Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.587686 Composed by Peter Ilyich Tch…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.587686 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737759. Published by David McKeown (A0.587686). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Oboe and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Hautbois, Piano (duo)
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Oboe and Piano
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David McKeown
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SheetMusicPlus
Moonlight Sonata by Beethoven for Oboe
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1156930 Composed by Ludwig van Beet…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1156930 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757274. Published by Woods Only, Arrangements (A0.1156930). This arrangement adapted for oboe and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.81 €
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Hautbois, Piano (duo)
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Oboe
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Woods Only, Arrangements
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SheetMusicPlus
Ravel - Pavane pour une infante défunte, oboe and piano
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1300249 By Len Rhodes. By Maurice R…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1300249 By Len Rhodes. By Maurice Ravel. Arranged by Len Rhodes. 20th Century. Score and part. 10 pages. Len Rhodes Music #889990. Published by Len Rhodes Music (A0.1300249). Ravel's original work for solo piano has been newly transcribed by Len Rhodes for oboe and piano. As is the case in the original, this transcription is not easy, but truly well worth the study and practice! Apparently, this was not one of Ravel's favorite compositions, however, it has become one of his best known works. Ravel made it clear that he did not want it to be played too slowly!Download contains part and score.
$5.95
5.42 €
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Hautbois, Piano (duo)
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Len Rhodes
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Len Rhodes
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Ravel - Pavane pour une infante défunte, oboe and piano
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Len Rhodes Music
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SheetMusicPlus
Romance
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1388190 By Steven Nunes. By Alexand…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1388190 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #971787. Published by Nagamon Publications (A0.1388190). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00
7.28 €
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Hautbois, Piano (duo)
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Steven Nunes
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
Waltz in A Minor (Chopin) - Oboe and Piano - Chamber music
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.760519 Composed by Frederic Chopin.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.760519 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and part. 9 pages. Raymond Fenech #4609607. Published by Raymond Fenech (A0.760519). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
3.63 €
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Hautbois, Piano (duo)
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Waltz No. 19 in A Minor for Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.528597 Composed by Frederic Chopin.…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.528597 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #6245089. Published by Diego Marani (A0.528597). Frédéric Chopin's Waltz No. 19 in A minor, B. 150, is a waltz for solo piano. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. This waltz is structured as a single movement in rondo form marked allegretto. It is one of Chopin's shortest and technically easiest waltzes.This arrangement for Oboe and Piano includes two different versions: the original A Minor and G Minor.
$4.99
4.54 €
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Hautbois, Piano (duo)
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Frederic Chopin
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Diego Marani
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Waltz No. 19 in A Minor for Oboe and Piano
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Diego Marani
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SheetMusicPlus
Waltz in A Minor (Chopin) - 2 Oboes and Piano - Chamber music
Hautbois, Piano (duo)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: …
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.760518 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4609599. Published by Raymond Fenech (A0.760518). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
4.54 €
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Hautbois, Piano (duo)
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Waltz in A Minor - Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.736176 Composed by Fredric Chopin. …
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Oboe,Piano - Level 2 - Digital Download SKU: A0.736176 Composed by Fredric Chopin. Arranged by Andrew Middleton. Romantic Period. Score and part. 6 pages. Andrew Middleton #6475777. Published by Andrew Middleton (A0.736176). Composed sometime between 1843 and 1848. Waltz in A Minor is Chopin's 19th waltz but was not published until after the composers death. This arrangement for oboe and piano is ideal for the early intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99
3.63 €
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Hautbois, Piano (duo)
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Fredric Chopin
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Andrew Middleton
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Waltz in A Minor - Oboe and Piano
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Andrew Middleton
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SheetMusicPlus
A Night In Tunisia
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
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Hautbois, Piano (duo)
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Suo Gan for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Digital Download SKU: A0.746763 Composed by Trad. Arranged by Keith Te…
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Oboe,Piano - Digital Download SKU: A0.746763 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3490013. Published by Keith Terrett (A0.746763). An arrangement for Oboe & Piano of the Welsh lullaby Suo Gan. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800 and the lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$5.99
5.45 €
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Hautbois, Piano (duo)
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Trad
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Keith Terrett
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Suo Gan for Oboe & Piano
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Keith Terrett
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SheetMusicPlus
Minuet by Boccherini for Oboe
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1160604 Composed by Luigi Boccherin…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1160604 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760899. Published by Woods Only, Arrangements (A0.1160604). This simple arrangement adapted for oboe and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
1.81 €
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Hautbois, Piano (duo)
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Oboe
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Woods Only, Arrangements
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn DvoÅ…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30 €
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Hautbois, Piano (duo)
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Caro Mio Ben (Come Once Again) - Oboe and Piano (Individual Parts)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1222391 Composed by Giuseppe Giorda…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1222391 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Multicultural,World. Score and part. 4 pages. Sheet Music To Play Editions #818656. Published by Sheet Music To Play Editions (A0.1222391). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Oboe and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.54 €
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Hautbois, Piano (duo)
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Giuseppe Giordani
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César Madeira
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Caro Mio Ben
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Sheet Music To Play Editions
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SheetMusicPlus
Caro Mio Ben (Come Once Again) - Oboe and Piano (Full Score)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1222394 Composed by Giuseppe Giorda…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1222394 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Opera,World. Score and part. 3 pages. Sheet Music To Play Editions #818659. Published by Sheet Music To Play Editions (A0.1222394). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Oboe and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.54 €
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Hautbois, Piano (duo)
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Giuseppe Giordani
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César Madeira
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Caro Mio Ben
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Sheet Music To Play Editions
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SheetMusicPlus
Away In A Manger: for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arrange…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
22.72 €
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Hautbois, Piano (duo)
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged b…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.72 €
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Hautbois, Piano (duo)
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Wade
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James M
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O Come All Ye Faithful for Oboe & Piano
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jmsgu3
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SheetMusicPlus
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