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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are First
Non classifié
421
Piano & claviers
Piano, Voix
1 296
Piano seul
138
Piano, Voix et Guitare
50
Piano Facile
45
Piano Trio: piano, violon, violoncelle
12
Orgue
11
Instruments en Do
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
34
Ukulele
3
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Paroles et Accords
1
Dulcimer
1
Ukulele Baryton
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale Unison
35
Chorale 3 parties
24
Chorale 2 parties
19
Chorale TTBB
10
Chorale SSAA
7
Voix duo, Piano
6
Voix duo
5
Voix Soprano, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
40
Flûte, Hautbois, Clarinette, Basson
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
15
Saxophone, Clarinette (duo)
14
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
12
Clarinette et Piano
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Flûte traversière
8
Flûte à bec Soprano
8
Clarinette
7
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Ocarina
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 62 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trombone et Piano
13
Trompette
12
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Cor et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Trompettes
6
2 Cors (duo)
5
Cor
5
Trombone
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
18
2 Violoncelles (duo)
15
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Violoncelle
9
2 Altos (duo)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
68
Orchestre à Cordes
37
Orchestre de chambre
22
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
2 Marimbas
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
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RAGTIME
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Vous avez sélectionné:
We are First
Hautbois, Piano (duo)
Partitions à imprimer
14 partitions trouvées
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1
Carnival of Venice for Oboe and Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Traditional Italian
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Langanho
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Carnival of Venice for Oboe an
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Avery Lynn Jordan
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1251056 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Score and par...
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Oboe,Piano - Level 1 - SKU: A0.1251056 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Score and part. 3 pages. Avery Lynn Jordan #845351. Published by Avery Lynn Jordan (A0.1251056). We present the sheet music for the Carnival of Venice, specially adapted for Oboe and Piano, with the aim of meeting the needs of beginner musicians. This carefully crafted arrangement preserves the beauty and essence of the original work, providing a captivating musical experience. Whether you are a teacher in search of didactic materials for your classes or a parent looking to encourage your child's music study, this sheet music is the perfect choice. With its accessible and pedagogical approach, it is designed to facilitate learning and understanding, ensuring satisfactory progress from the first chords. The Carnival of Venice is a globally recognized composition, and this adapted version is an unmissable opportunity to explore the enchantment of this piece, diving into the rich musical tradition of Venice. Take advantage of this chance to acquire this exceptional sheet music and embark on an engaging and inspiring musical journey.
$2.99
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
An Avaloch Divertimento
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Scor...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Fairest Lord Jesus - Oboe solo
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Brian Buda
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Brian Buda
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Fairest Lord Jesus - Oboe solo
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budaful music
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1081553 By Brian Buda. By Silesian Folk Tune. Arranged by Brian Buda. Easter,Sacred,Traditional,Wedding. Score and part. ...
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Oboe,Piano - Level 4 - SKU: A0.1081553 By Brian Buda. By Silesian Folk Tune. Arranged by Brian Buda. Easter,Sacred,Traditional,Wedding. Score and part. 8 pages. Budaful music #685679. Published by budaful music (A0.1081553). Fairest Lord Jesus is a great hymn that celebrates Jesus Christ as the Savior of man and extols the natural beauty of the world we live in. This arrangement was first performed in a wedding prelude, but would also be perfect in a church or chapel service. The tune was arranged with loving care and seeks to remind the listener of the beautiful lyrics. There are 3 verses in the arrangement and performance time is roughly 4:06. Beautiful Savior, Lord of the nations, Son of God and Son of Man! Glory and honor, Praise, adoration, Now and forevermore be Thine!
$4.99
Out Under the Sky! (WIND QUARTET & PIANO)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional Appalachian Carol
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Greg Engell
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Out Under the Sky!
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Greg Engell
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1082112 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by ...
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Small Ensemble Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1082112 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Praise & Worship,Sacred,Spiritual. Score and parts. 46 pages. Greg Engell #686251. Published by Greg Engell (A0.1082112). Ring in the Christmas Season with this medley of two sacred classics...Appalachian Carol / We Three Kings. From the opening fanfare to the refelctive melody, your listeners will feel the awe of that first Christmas night. Look up, gaze into the sky...imagine the Star! This set Is arranged for a WIND QUARTET with PIANO. Flute, Oboe, Clarinet, Horn are the main instruments with SUB PARTS for Flute 2 (Oboe), Clarinet 2 (Oboe), Alto Saxophone (Horn) Suitable for concert and worship settings. Rehearsal Piano Track also available. similar versions available for full orchestra (MJ104-SOR) ;ADVANCED and INTERMEDIATE FLUTE SOLO (MJ104-FS): VIOLIN/CELLO DUET (MJ!04-VCS) .Demo Audio is MIDI.
$15.99
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
Handel: Largo from Xerxes for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score a...
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Oboe,Piano - Level 3 - SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Signs of Winter
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Sydney Stevens
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Oboe. Full score &
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Signs of Winter
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Sydney Stevens, Water Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.859676 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score a...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.859676 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 6 pages. Sydney Stevens, Water Music #3089185. Published by Sydney Stevens, Water Music (A0.859676). Contact: sydneystevenspianostudio@gmail.comSigns of Winter (from Seasons Suite):Trees stand bare against the sky..Introspective, dark instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, David Nevue, Scott Cossu, Christine Brown, A la Windham HillFrom Album: Seasons Theme: Music that portrays the turning of Autumn into the darker season of Winter.Mood: Dark, flowing, suspenseful, foreboding.Musical Traits: Arpeggiated left hand piano under driving eighth note repeated pattern in right hand.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 1:50Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$5.50
O Come All Ye Faithful for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #33881...
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Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Season's Reprise
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Sydney Stevens
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Oboe. Full score &
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Season's Reprise
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Sydney Stevens, Water Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.859680 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score a...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.859680 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 4 pages. Sydney Stevens, Water Music #3089199. Published by Sydney Stevens, Water Music (A0.859680). Contact: sydneystevenspianostudio@gmail.comSeason's Reprise (from Seasons Suite): Reflecting through the seasons, themes are revisited..Peaceful instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, David Nevue, Scott Cossu, Christine Brown, A la Windham HillFrom Album: Seasons Theme: Closing movement of Seasons Suite --Reflects the main themes of previous movements.Mood: Contemplative, graceful, meditative.Musical Traits: Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 1:35Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$4.50
Christmas Carol Selections - Oboe
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Hautbois, Piano (duo)
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FACILE
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Noël
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Traditional
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Andrew Will
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Christmas Carol Selections - O
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Willscore Publishing
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1142509 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part. ...
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Oboe,Piano - Level 2 - SKU: A0.1142509 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part. 16 pages. Willscore Publishing #742876. Published by Willscore Publishing (A0.1142509). Christmas Carol Selections for Solo Instrument with Piano Accompaniment. Available for all Concert Band Instruments. Selections include Away in a Manger, Deck the Halls, Ding Dong Merrily on High, Hark! The Herald Angels Sing, The First Noel, God Rest Ye Merry Gentlemen, Good King Wenceslas, I Saw Three Ships, Jingle Bells, Joy to the World, O Christmas Tree, O Come all Ye Faithful, O Little Town of Bethlehem, Once in Royal David’s City, Silent Night, We Three Kings of Orient Are and While Shepherds Watched. A great collection of 17 well know Christmas classics. Enjoy! The Willscore Publishing Team.
$12.00
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