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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Had Time
Non classifié
528
Piano & claviers
Piano, Voix et Guitare
394
Piano seul
231
Piano, Voix
65
Piano Facile
36
Instruments en Do
24
Orgue
16
2 Pianos, 4 mains
7
1 Piano, 4 mains
6
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
12
Guitare
11
4 Guitares (Quatuor)
5
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
3
Basse electrique
2
Ensemble de guitares
1
Banjo
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Mandoline
1
Ukulele
1
+ 7 instrumentations
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Voix
Chorale SATB
74
Chorale 3 parties
19
Chorale 2 parties
14
Chorale TTBB
11
Chorale Unison
6
Chorale SSAA
5
Voix duo, Piano
5
Voix duo
4
Voix seule
2
Voix Tenor
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix haute
1
Voix Tenor, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale
1
+ 12 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quintette de Saxophone: 5 saxophones
67
2 Saxophones (duo)
59
Ensemble de saxophones
40
Saxophone, Clarinette (duo)
32
2 Flûtes traversières (duo)
31
Quatuor de Saxophones: 4 saxophones
23
Clarinette, Violon (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Ensemble de Clarinettes
18
2 Clarinettes (duo)
17
Clarinette, Trompette (duo)
16
Clarinette
16
Hautbois (partie séparée)
15
Flûte traversière et Piano
13
Flûte, Clarinette (duo)
13
Saxophone
12
2 Hautbois (duo)
12
Flûte, Violon
11
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette (duo)
11
Flûte, Trompette (duo)
10
Clarinette et Alto
10
Hautbois, Flûte
10
Hautbois, Basson (duo)
10
Flûte, Hautbois, Clarinette, Basson
9
Flûte, Saxophone (duo)
9
Clarinette et Piano
9
Flûte, Alto (duo)
8
Ensemble de Flûtes
8
Flûte traversière
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
6
Saxophone Alto
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor et Piano
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
3
Clarinette Basse, Piano
3
Saxophone Tenor
3
Cor anglais, Piano
2
Ensemble De Flûte à bec
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone (partie séparée)
2
3 Clarinettes (trio)
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Flûte, Violoncelle
1
Flûte à Bec
1
Flûte et Guitare
1
Hautbois, trombone (duo)
1
Hautbois et alto (duo)
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Saxophone et Orgue
1
Saxophone Baryton, Piano
1
Clarinette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte, Hautbois (duo)
1
Flute (partie séparée)
1
Cor Anglais
1
Clarinette, Tuba
1
Flûte, Tuba (duo)
1
+ 61 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette, Saxophone (duo)
22
Ensemble de Trombones
14
Trompette, Trombone (duo)
14
Trompette
12
2 Trombones (duo)
12
Ensemble de Trompettes
12
Quatuor de Cuivres
11
Trombone
10
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor
6
Trombone et Piano
6
Trompette, Piano
6
Cor et Piano
4
Tuba et Piano
4
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
3
Cor anglais, Piano
2
2 Tubas (duo)
2
Tuba
2
Trio de Cuivres
2
2 Cors (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Cor Anglais
1
Trompette, violon (duo)
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
20
2 Violons (duo)
18
Violon, Violoncelle (duo)
16
Violon et Piano
15
2 Altos (duo)
14
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
Violoncelle
11
Violon, Alto (duo)
11
Ensemble de Violons
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto seul
7
Ensemble d'Altos
7
Harpe
5
Alto, Piano
5
Violoncelle, Piano
5
4 Violoncelles
3
2 Harpes (duo)
3
Contre Basse
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violoncelles
2
Violon (partie séparée)
2
Alto (partie séparée)
2
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
107
Orchestre à Cordes
37
Ensemble Jazz
27
Orchestre
25
Orchestre de chambre
19
Ensemble de cuivres
16
Jazz combo
14
Cloches
4
Ensemble de Percussions
4
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Vibraphone
1
Batterie
1
+ 8 instrumentations
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Autres
Instruments
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
You Had Time
Hautbois, Piano (duo)
Partitions à imprimer
6 partitions trouvées
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1
First Three Notes - Three Blind Mice - Mary Had a Little Lamb - oboe and piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Anon
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Phil Beaman
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First Three Notes - Three Blin
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Phil Beaman
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1204264 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part. 4 p...
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Oboe,Piano - Level 1 - SKU: A0.1204264 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part. 4 pages. Phil Beaman #802775. Published by Phil Beaman (A0.1204264). You have just learned how to finger and play the first three notes on your instrument.  Now it is time for your first easy piece for performance!  My booklet  First Three Notes contains my arrangements of two well known tunes, Three Blind Mice and Mary Had a Little Lamb.  Prepared for the earliest beginners, it uses only the first three notes you learned on your instrument, and also uses only crotchet notes (quarter notes) and crotchet rests (quarter rests).  The piano accompaniment fills it out with simple but richly updated harmony.  4 pages, with cover, scores, parts1:30 minutes, totalAlso available on this site, I have transposed this booklet for most of the traditional instruments that I know.
$2.99
The Elite Syncopations for Solo Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1090783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. Dav...
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Oboe,Piano - Level 4 - SKU: A0.1090783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694914. Published by David McKeown (A0.1090783). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Oboe with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Luther: Out of the Depths for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Oboe,Piano - Level 1 - SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Possum on the Keys
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Fiona Alice Hickie
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Fiona Alice Hickie
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Possum on the Keys
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Fiona Alice Hickie
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1264909 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classic...
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Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1264909 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Jazz,Ragtime. 19 pages. Fiona Alice Hickie #857749. Published by Fiona Alice Hickie (A0.1264909). A piece about a rather delightful possum for wind quintet and piano. The possum is an Australian native animal. It is a nocturnal animal that has adapted well to city life, being quite happy living in the roofs of houses. This piece represents the possum creeping about at night time looking for food. It is inspired by an experience I had with a baby possum one night, when I woke up to the strings on my grand piano being played. The young possum had come down my chimney and was looking for an escape from the rain. It was also fairly unhappy with being placed outside again.
$13.99
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
A Night In Tunisia
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pa...
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Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
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