Live and Let Die - by Paul and Linda McCartney (Wings)Arranged for Guitar Ensemble (Quartet with Optional Bass Guitar Part) by Dan Joneswww.danjonesguitarist.comYour download will give you the following:A directors\\\' score with notes and TABA directors\\\' score with notes only (to facilitate page turns)All parts in notes onlyAll parts in notes and TABAn optional bass part in bass clef with bass TAB for maximum flexibilityChord symbols within the Guitar 4 partThis arrangement is designed for more-experienced players and will make an excellent showpiece or encore piece. The use of percussion and high ranges, as well as the dramatic tempo changes give the work a sense of theatre and virtuosity.Live and Let Die was composed by the McCartneys as the title theme to the James Bond film of the same name in 1973. It was produced by Beatles producer George Martin.The song enjoyed a resurgence in popularity when it was covered by the American hard rock band Guns N\\\' Roses in 1991.For a huge range of pieces for guitar ensemble music, solos, teaching material, books and much more, please visit: www.danjonesguitarist.comI very much hope you enjoy performing Live and Let Die.A YouTube video of a performance will follow soon.

The \"Hutsul Party\" is another work based on the Hutsul folklore. The compositionis written for a Guitar quartet and may be interesting for those who is fond ofrock music with complex rhythms and \"heavy\" sounding. The ethnic musical elementsare emphasized also with the use of a drymba (jew\'s-harp) ? an authenticfolklore instrument which makes the entire music picture of the work reallypeculiar.

The PDF Sheet Music of the composition contains 32 pages (main score 15 pages, parts ? 13 pages, 1 page with explanations,cover and the title page).

Fingering is indicated where appropriate. Duration:approx. 5 min. 12 sec.

ISBN 9781619113053. Mel Bay is pleased to present the long-awaited publication of the Los Angeles Guitar Quartet's "loose" arrangement of the Pachelbel Canon for four guitars. Originally intended as an inside joke for the LAGQ members, this clever and comical send-up of Pachelbel's beautiful (and somewhat overplayed) melody has become a standard LAGQ encore and an internet sensation. Featured in performance on the Mel Bay DVD LAGQ Live at the Sheldon, this unique arrangement presents the pristine Baroque theme, and then adapts it in a number of unexpected musical styles: Reggae, salsa, bluegrass, jazz, flamenco, disco, and even punk. This is the only arrangement in the LAGQ repertoire that was a true group-project with all four members (John Dearman, William Kanengiser, Scott Tennant and Andrew York) contributing; as a special bonus, new LAGQ member Matt Greif has added an alternative solo for the jazz section. Carefully notated to capture the nuances of LAGQ's stylistic flair, the parts are presented in standard notation as well as in tablature for those less familiar with note-reading. It's a challenging and fun re-imagining of a timeless classic.