Partitions Numériques de Movin' Out pour 3 Trombones (trio)

Movin' Out

Sleepers Awake (Wachet Auf) for Trombone Trio #3 Trombones (trio) #AVANCÉ #Classique #Johann Sebastian Bach #Gordon Cherry #Sleepers Awake #Gordon Cherry #SheetMusicPlus

Bass Trombone - Level 5 - SKU: A0.792103 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Easter,Sacred. 7 pages. Gordon Cherry #34...(+)

Bass Trombone - Level 5 - SKU: A0.792103 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Easter,Sacred. 7 pages. Gordon Cherry #3451769. Published by Gordon Cherry (A0.792103). This work gives all three trombonists a real workout. The 2nd part playing the moving voice midrange along with the bass trombone on the bottom line. The top line can be played on an alto trombone (or tenor) and plays the famous choral prelude melody on top in a beautiful legato line.

In Memoriam: A Chorale After Bruckner for Trombonne Trio #3 Trombones (trio) #AVANCÉ #Contemporain #Brian Pappal #In Memoriam: A Chorale After B #Gordon Cherry #SheetMusicPlus

Brass Ensemble,Trombone Trio Trombone - Level 5 - SKU: A0.811132 Composed by Brian Pappal. Contemporary. Score and parts. 13 pages. Gordon Cherry #53162...(+)

Brass Ensemble,Trombone Trio Trombone - Level 5 - SKU: A0.811132 Composed by Brian Pappal. Contemporary. Score and parts. 13 pages. Gordon Cherry #5316249. Published by Gordon Cherry (A0.811132). Here is a description of the work IN MEMORIAM by composer Brian Pappal. In Memoriam: A Chorale After Bruckner was composed in memory of Murray Crewe, former Bass Trombonist with the Pittsburgh Symphony Orchestra. Murray was my private trombone teacher at Duquesne University where he maintained a large studio of private trombone students and directed the trombone choir. During my lessons with him and in trombone choir rehearsals, Murray was contagiously positive and encouraging with a sense of humor all his own. He was also an artist of immense depth and sensitivity who daily sought to create and encounter moments of beauty in the world. Some of my greatest musical memories of Murray are of his leading the trombone choir in playing transcriptions of Brucknerâ??s choral motets. There are obvious parallels between the voice and the trombone, and Murrayâ??s artistry combined with Brucknerâ??s profound compositions created a deeply moving experience for me as a young musician. I wrote this piece with those memories in my mind. The sonorities are intentionally vocal, and performance of the piece should be approached in a similarly sustained and expressive style. The first trombone part remains rather high without rest; it may be played by either a tenor or alto trombone depending on player preference.