Partitions Numériques de Ashe pour Clarinette, Violoncelle, Piano (trio)

Ashe

In the Garden / Maple Leaf Rag (Trio for Clarinet, Cello and Piano) #Clarinette, Violoncelle, Piano (trio) #INTERMÉDIAIRE #Musique Sacrée #C #John A #In the Garden / Maple Leaf Rag #John A. Dempsey #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Cello,Piano - Level 3 - SKU: A0.523387 Composed by C. Austin Miles, Scott Joplin. Arranged by John A. Dempsey. Easter,Pra...(+)

Small Ensemble B-Flat Clarinet,Cello,Piano - Level 3 - SKU: A0.523387 Composed by C. Austin Miles, Scott Joplin. Arranged by John A. Dempsey. Easter,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 18 pages. John A. Dempsey #3454017. Published by John A. Dempsey (A0.523387). In this trio for Bb clarinet, cello and piano, In the Garden emerges as a jazzy ragtime tune complete with splashes of Maple Leaf Rag, which give the classic hymn a buoyant, lively texture and tempo. Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or special music. 14 pages of music (that includes separate two-page pullout parts for clarinet and cello). Concert Key (Piano): F major. Clarinet Key: G major. Cello Key: F major. Clarinet/Cello Level: Intermediate. Piano Level: Advanced Intermediate.

"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts] #Clarinette, Violoncelle, Piano (trio) #AVANCÉ #Contemporain #Lior Navok #"Like a Whirling Sand Clo #Lior Navok Music #SheetMusicPlus

Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok ...(+)

Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok Music #4716983. Published by Lior Navok Music (A0.976003). LIKE A WHIRLING SAND CLOCKfor Clarinet, Cello and Piano (2006) Duration: 10:30 minutes Instrumentation: Clarinet, Cello and Piano PROGRAM NOTES: The composer writes about his work: While composing Like a Whirling Sand Clock for clarinet, cello and piano I was occupied with the notion of leaking time process which is a micro cosmos of a larger process, best to be described as going back in time.In September 2006, I feel that the world is standing on a pivot point: on one hand, the various religious and political forces insist on rooting themselves deeper and deeper into what they see as the only truth, while in reality such ideas and especially the religious ones are extremely fundamentalist, reactionary and ill-minded. For me, such clashes of ideas and ideals are reminiscences of the dark middle-ages days and the crusades, where people killed people because of blind belief. Yet, in our days, with sophisticated mass destruction tools as developed most efficiently by humanity, one asks himself towards where we are heading and what will bring tomorrow. The feeling of evaporating, leaking time gets stronger and stronger while our era's events remind more and more what history books tells us.While imagining an ever-whirling sand clock that drops its sand grains one by one while the sand pile is collected at the upper tube and not the lower one, (thus indicating a going back in time process), one can imagine visually what I have tried to portrait with sounds.Like a Whirling Sand Clock was generously commissioned in memory of Adele and John Gray for clarinetist Chen Halevi. INFO: Item: Full Score / Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 33 Parts: 24Ink: Black & White Paper Size:DIN A4 / Letter.