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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
521
Piano & claviers
Piano seul
487
Piano, Voix
88
Orgue
22
2 Pianos, 4 mains
19
Accordéon
12
Piano, Voix et Guitare
11
1 Piano, 4 mains
6
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
5
Clavecin
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare
51
Guitare notes et tablatures
21
Basse electrique
18
Ukulele
7
2 Guitares (duo)
4
Ensemble de guitares
2
Mandoline
1
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
129
Chorale TTBB
28
Chorale SSAA
15
Voix Soprano, Piano
13
Voix Tenor, Piano
8
Voix basse, Piano
5
Voix haute
5
Chorale SSAATTBB
5
Voix Baryton, Piano
4
Voix Alto, Piano
3
Voix duo
3
Voix moyenne, Piano
2
Chorale 3 parties
2
Chorale SSATB
1
Voix duo, Piano
1
Voix Baryton
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Chorale Unison
1
Voix Tenor
1
+ 15 instrumentations
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Vents
Saxophone
51
Flûte traversière
37
Clarinette
32
Flûte traversière et Piano
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quatuor de Saxophones: 4 saxophones
24
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Alto
13
Clarinette et Piano
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto et Piano
11
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Clarinettes
9
Quintette de Saxophone: 5 saxophones
8
Saxophone (partie séparée)
7
Hautbois (partie séparée)
6
Hautbois, Piano (duo)
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor
4
Saxophone Tenor et Piano
4
Saxophone Soprano et Piano
4
Ensemble de Flûtes
3
Flute (partie séparée)
3
Clarinette (partie séparée)
3
Ensemble de saxophones
3
Saxophone Soprano
2
2 Saxophones (duo)
2
Flûte, Violoncelle, Guitare
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
2
Flûte à bec Tenor
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois
2
Flûte, Violon, Piano
2
Clarinette Basse, Piano
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, alto et harpe
1
Cornemuse
1
Quintette de Flûte : 5 flûtes
1
Flûte et Guitare
1
Flûte, Clarinette et Basson
1
3 Saxophones (trio)
1
2 Clarinettes, Basson
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Clarinettes (trio)
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Clarinette, Guitare (duo)
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
73
Trompette
48
Trombone
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trombone et Piano
17
Ensemble de Trombones
14
Cor
12
Tuba
12
Tuba et Piano
12
Quatuor de cuivres: 4 trombones
11
Trompette, Piano
8
Cor et Piano
8
Euphonium, Piano (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette (partie séparée)
6
Quatuor de cuivres: 4 cors
5
Trombone basse
4
Cor (partie séparée)
4
2 Euphoniums et 2 Tubas
4
Trombone (partie séparée)
3
Euphonium
3
Trombone, Orgue
3
Ensemble de Trompettes
2
Trompette, Orchestre
2
2 Trombones (duo)
2
Trompette, Cor (duo)
2
2 Tubas (duo)
2
Trombone basse et Piano
2
2 Trompettes (duo)
1
Cor et Harpe
1
2 Cors (duo)
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon
45
Violon et Piano
37
Violoncelle
20
Violoncelle, Piano
16
Violon, Violoncelle (duo)
15
Alto seul
13
Harpe
10
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
5
Violon, Alto (duo)
5
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Contre Basse
4
2 Violons (duo)
3
Harpe, Flûte (duo)
3
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Violon, Orgue
1
2 Contrebasses (duo)
1
Violon (partie séparée)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre
166
Orchestre d'harmonie
117
Orchestre de chambre
54
Ensemble Jazz
51
Orchestre à Cordes
44
Ensemble de cuivres
36
Jazz combo
17
Batterie
11
Fanfare
11
Ensemble de Percussions
7
Cloches
5
Marimba
5
Percussion (partie séparée)
4
Piano et Orchestre
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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HAUTBOIS
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MANDOLINE
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
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