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1504
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156
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41
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29
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28
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17
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11
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VOIX
Chorale SATB
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75
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69
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34
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26
Voix duo, Piano
26
Chorale
16
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4
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Voix Baryton, Piano
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Soli, choeur mixte et accompagnement
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2
Voix haute, Piano
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1
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VENTS
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219
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196
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162
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137
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132
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127
Flûte traversière
126
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117
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115
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114
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2 Clarinettes (duo)
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79
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77
2 Flûtes traversières (duo)
75
Saxophone Soprano et Piano
71
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66
Quatuor de Flûtes : 4 flûtes
60
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57
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45
Quintette de Saxophone: 5 saxophones
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37
Flûte, Clarinette (duo)
35
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Quintette de Clarinettes: 5 clarinettes
31
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31
2 Hautbois (duo)
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27
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26
Flûte et Guitare
24
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22
3 Clarinettes (trio)
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21
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21
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20
Hautbois, Flûte
19
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19
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18
Clarinette et Alto
18
Saxophone Tenor
15
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15
2 Flûte à bec (duo)
13
Harmonica
12
Flute (partie séparée)
11
Flûte à bec Soprano, Piano
10
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9
Clarinette, Basson (duo)
8
Flûte à bec Soprano
7
Quatuor de Flûtes à bec
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Flûte à Bec
7
Hautbois, Clarinette, Basson (trio d'anches)
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Saxophone
6
Flûte à bec Alto, Piano
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Flûte, Clarinette, Piano (trio)
4
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Flûte à bec Tenor
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Flûte, alto et harpe
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1
Flûte à Bec, Piano
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Flute, harpe et violon
1
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1
Flûte traversière, Orgue (duo)
1
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1
2 Flûtes à bec, Guitare
1
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1
Flûte et Trio à cordes
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Flute, alto, violoncelle et guitare
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1
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Trombone et Piano
100
Trombone
79
Cor et Piano
72
Trombone (partie séparée)
47
Euphonium, Piano (duo)
47
Tuba et Piano
46
Cor
39
Cor anglais, Piano
34
2 Trombones (duo)
34
Cor (partie séparée)
33
Tuba
24
Quatuor de cuivres: 4 trombones
19
Ensemble de Trombones
15
Tuba (partie séparée)
15
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
2 Euphoniums et 2 Tubas
7
4 Tubas
6
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5
3 Trombones (trio)
4
2 Tubas (duo)
3
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3
Ensemble de Cors
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3 Cors (trio)
2
Cor anglais, Guitare (duo)
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Tuba et Orgue
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Euphonium
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Euphonium, Tuba (duo)
2
3 Euphoniums
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Trombone basse
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Cor et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
385
Violon et Piano
243
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146
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136
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128
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105
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65
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65
Alto seul
64
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57
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48
Trio à Cordes: violon, alto, violoncelle
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46
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37
Contrebasse, Piano (duo)
37
2 Altos (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Contre Basse
28
Violon (partie séparée)
25
Trio à Cordes: 2 violons, violoncelle
21
Contrebasse (partie séparée)
16
Alto (partie séparée)
14
2 Harpes (duo)
13
Violon, Guitare (duo)
9
Violoncelle , Guitare (duo)
6
Harpe, Voix
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Violon, Basse continue
5
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
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Alto, Guitare (duo)
3
Harpe, Violon (duo)
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Harpe, Quatuor à cordes
3
Trio à Cordes: 2 violons, alto
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3
Trio à Cordes: 3 violoncelles
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Violon, Clarinette, Piano (trio)
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2 Contrebasses (duo)
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Violoncelle, Orchestre
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4 Contrebasses
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Piano Trio: Violon, Alto, Piano
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Trio à cordes
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3 Harpes
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Violoncelle, Orgue
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Violoncelle, Contrebasse (duo)
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2 Violons, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
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Orchestre
217
Orchestre à Cordes
163
Ensemble Jazz
104
Ensemble de cuivres
81
Fanfare
72
Orchestre de chambre
66
Cloches
62
Batterie
50
Batterie (partie séparée)
38
Ensemble de Percussions
28
Percussion (partie séparée)
25
Jazz combo
24
Marimba
9
Vibraphone
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Xylophone, Piano
3
2 Xylophones
2
Orchestre, Violon
2
Quintette à Vent
1
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After - Trumpet
Violon, Clarinette, Piano (trio)
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Lest We Forget for Bb Clar., Violin and Piano
Violon, Clarinette, Piano (trio)
Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755024 Co…
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Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon #3244207. Published by Sy Brandon (A0.755024). Lest We Forget, written for the Zodiac Trio, was inspired by the approach of Memorial Day 2006 but has evolved into a composition with a more encompassing vision. The work was originally conceived to depict the horrors of war and to pay tribute to those who served and gave their lives so that freedom can endure. The conception expanded to include the horrors of natural disasters, the destruction of lives and property, and ability of humans to endure and rebound from the depths of despair. In essence, the piece is about the fragility of human life and the triumph of the spirit. The composition is in three movements. I. Fury - Strong rhythmic and contrapuntal lines depict outbursts of anger or the power of nature. The quieter sections represented a seething that builds to the violent outbursts. II. Devastation - This movement is filled with musical representations of screams, anger, laments, and hopelessness as one faces the aftermath of destruction. Long melodic lines in minor are interspersed with short motifs throughout the movement. III. Triumph of the Spirit - The movement begins quietly and slowly as if wandering among the desolation. Two thematic ideas appear during the slow section, one a prayer-like melody in the violin and the other an imitative development of the prayer idea that later representing taking initiative. These ideas transition into a faster tempo where a new theme is introduced that represents determination. The three thematic ideas alternate and development as the movement builds to a climax showing the power of the human spirit to survive catastrophe. This piece is recorded by The Zodiac Trio on their CD The Zodiac Trio.
$14.99
13.83 €
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Violon, Clarinette, Piano (trio)
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Sy Brandon
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Lest We Forget for Bb Clar., Violin and Piano
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Sy Brandon
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.83 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
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