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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After All This
Non classifié
1 285
Piano & claviers
Piano seul
639
Piano, Voix
231
Piano Facile
120
Piano, Voix et Guitare
111
Orgue
66
Instruments en Do
48
Accompagnement Piano
23
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Piano (partie séparée)
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavier
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 16 instrumentations
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Guitares
Guitare
63
Guitare notes et tablatures
45
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
6
Basse electrique
6
Mandoline
5
Guitare (partie séparée)
4
2 Guitares (duo)
4
2 Mandolines (duo)
2
Dulcimer
2
Piano, Guitare (duo)
1
2 Ukuleles
1
Banjo
1
Guitare, Orchestre
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
293
Chorale 3 parties
81
Chorale TTBB
49
Chorale SSAA
33
Chorale Unison
28
Chorale 2 parties
25
Voix Soprano, Piano
12
Voix Alto, Piano
8
Voix duo
8
Voix haute
5
Voix seule
4
Voix Tenor, Piano
4
Chorale SSAATTBB
3
Voix Soprano
3
Voix duo, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Flûte traversière et Piano
89
Quatuor de Saxophones: 4 saxophones
82
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
78
Clarinette et Piano
73
Hautbois, Piano (duo)
63
Saxophone Alto et Piano
61
Quatuor de Clarinettes: 4 clarinettes
51
2 Clarinettes (duo)
47
Flûte, Hautbois, Clarinette, Basson
46
Saxophone Soprano et Piano
43
Clarinette
40
Quatuor de Flûtes : 4 flûtes
36
2 Flûtes traversières (duo)
35
Flûte traversière
31
Saxophone, Clarinette (duo)
31
Saxophone Tenor et Piano
28
Flûte, Clarinette (duo)
22
Saxophone Baryton, Piano
21
Clarinette, Violon (duo)
20
Ensemble de Flûtes
20
Saxophone (partie séparée)
19
2 Hautbois (duo)
19
Ensemble de saxophones
18
3 Saxophones (trio)
17
Cor anglais, Piano
17
Hautbois
16
Ensemble de Clarinettes
16
Clarinette, Trompette (duo)
13
Clarinette Basse, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, Clarinette (duo)
12
3 Clarinettes (trio)
11
Saxophone Alto
11
Flûte, Saxophone (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Violon
11
Hautbois, Basson (duo)
10
Harmonica
10
Hautbois, Flûte
10
2 Flûte à bec (duo)
10
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Flûte, Alto (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Guitare (duo)
7
Hautbois (partie séparée)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Alto et Piano
5
Flûte et Guitare
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
4
Ocarina
4
Saxophone Tenor
4
Flûte à Bec
4
Flûte, Clarinette et Basson
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Clarinette (partie séparée)
2
Saxophone Soprano
2
Saxophone et Guitare
2
5 Flûtes à bec
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Piccolo, Piano
1
Flûte traversière, Basse continue
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Trompette
49
Cor et Piano
47
Trombone et Piano
47
Trompette, Piano
45
Ensemble de Trompettes
39
Tuba et Piano
29
Cor
27
Quatuor de Cuivres
26
Euphonium, Piano (duo)
22
Trombone
20
Trompette, Saxophone (duo)
20
2 Trombones (duo)
19
Tuba
18
2 Trompettes (duo)
18
Trompette (partie séparée)
18
Cor anglais, Piano
17
Ensemble de Trombones
15
Trombone (partie séparée)
14
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
6
Quatuor de cuivres: 4 trombones
6
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Cor anglais, Guitare (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
2
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
+ 34 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
122
Alto, Piano
83
Violoncelle, Piano
67
Harpe
51
Violoncelle
44
Violon
43
Violon, Violoncelle (duo)
33
2 Violons (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Alto seul
28
2 Violoncelles (duo)
27
Contrebasse, Piano (duo)
25
Violon, Alto (duo)
23
2 Altos (duo)
20
Trio à Cordes: violon, alto, violoncelle
19
Contre Basse
16
Trio à Cordes: 2 violons, violoncelle
16
Violon (partie séparée)
8
Contrebasse (partie séparée)
7
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Violon, Guitare (duo)
4
Alto (partie séparée)
4
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes : 4 altos
2
2 Altos, Piano
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Basse continue
1
4 Contrebasses
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
584
Orchestre
125
Orchestre à Cordes
80
Ensemble Jazz
67
Ensemble de cuivres
60
Orchestre de chambre
38
Fanfare
34
Cloches
28
Batterie
13
Marimba
7
Ensemble de Percussions
6
Vibraphone
5
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Percussion (partie séparée)
3
2 Xylophones
2
Orchestre, Violon
2
Piano et Orchestre
1
+ 14 instrumentations
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Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Vous avez sélectionné:
After All This
Violon, Clarinette, Piano (trio)
Partitions à imprimer
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
#
Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
Lest We Forget for Bb Clar., Violin and Piano
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Violon, Clarinette, Piano (trio)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Lest We Forget for Bb Clar., V
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Sy Brandon
#
SheetMusicPlus
Small Ensemble Clarinet,Piano,Violin - Level 4 - SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon...
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Small Ensemble Clarinet,Piano,Violin - Level 4 - SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon #3244207. Published by Sy Brandon (A0.755024). Lest We Forget, written for the Zodiac Trio, was inspired by the approach of Memorial Day 2006 but has evolved into a composition with a more encompassing vision. The work was originally conceived to depict the horrors of war and to pay tribute to those who served and gave their lives so that freedom can endure. The conception expanded to include the horrors of natural disasters, the destruction of lives and property, and ability of humans to endure and rebound from the depths of despair. In essence, the piece is about the fragility of human life and the triumph of the spirit. The composition is in three movements. I. Fury - Strong rhythmic and contrapuntal lines depict outbursts of anger or the power of nature. The quieter sections represented a seething that builds to the violent outbursts. II. Devastation - This movement is filled with musical representations of screams, anger, laments, and hopelessness as one faces the aftermath of destruction. Long melodic lines in minor are interspersed with short motifs throughout the movement. III. Triumph of the Spirit - The movement begins quietly and slowly as if wandering among the desolation. Two thematic ideas appear during the slow section, one a prayer-like melody in the violin and the other an imitative development of the prayer idea that later representing taking initiative. These ideas transition into a faster tempo where a new theme is introduced that represents determination. The three thematic ideas alternate and development as the movement builds to a climax showing the power of the human spirit to survive catastrophe. This piece is recorded by The Zodiac Trio on their CD The Zodiac Trio.
$14.99
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After All This
