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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come day, come night
Non classifié
196
Piano & claviers
Piano seul
95
Piano, Voix et Guitare
50
Piano Facile
34
Piano, Voix
32
Orgue
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
5
Accompagnement Piano
3
Piano grosses notes
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
24
Basse electrique
8
Piano, Guitare (duo)
7
Guitare
7
2 Guitares (duo)
2
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
52
Chorale 3 parties
14
Chorale
6
Chorale Unison
6
Chorale TTBB
5
Chorale SSAA
3
Chorale 2 parties
3
Voix duo, Piano
2
Chorale SAATB A Cappella
2
Voix haute
2
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
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Vents
2 Saxophones (duo)
25
Clarinette et Piano
23
Saxophone Alto et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
16
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
14
Saxophone Tenor et Piano
14
Flûte traversière
13
Flûte, Hautbois, Clarinette, Basson
12
2 Clarinettes (duo)
12
Quatuor de Clarinettes: 4 clarinettes
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone (partie séparée)
9
Clarinette
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Clarinette (duo)
8
Ensemble de Flûtes
7
Flûte, Violon, Piano
7
Clarinette (partie séparée)
6
Quintette de Saxophone: 5 saxophones
6
Quatuor de Flûtes à bec
6
Saxophone Alto
6
Ensemble de saxophones
5
2 Flûtes traversières, Piano
5
Saxophone Soprano et Piano
4
Hautbois (partie séparée)
4
Clarinette, Violoncelle (duo)
4
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Flute (partie séparée)
2
Flûte à bec Soprano
2
Saxophone Tenor
2
Ensemble de Clarinettes
2
Clarinette Basse, Piano
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble à vent
1
2 Flûte à bec (duo)
1
3 Saxophones (trio)
1
Hautbois
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Hautbois, Flûte
1
Flûte et Guitare
1
Cor anglais, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte de Pan
1
+ 44 instrumentations
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Cuivres
Quatuor de cuivres: 4 trombones
18
Trombone et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette
14
Tuba et Piano
13
2 Trompettes (duo)
12
2 Trombones (duo)
11
Cor et Piano
11
Quatuor de Cuivres
10
2 Cors (duo)
9
Trompette, Piano
9
Trombone (partie séparée)
7
Trompette (partie séparée)
5
2 Tubas (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Tuba (duo)
3
Tuba
3
Tuba (partie séparée)
3
Trio de Cuivres
3
Cor (partie séparée)
3
Ensemble de Trombones
3
Cor
2
2 Euphoniums et 2 Tubas
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
3 Trompettes (trio)
1
Euphonium, Piano (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
Cor anglais, Piano
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
2 Violons (duo)
20
Violoncelle, Piano
19
Alto, Piano
18
Violon et Piano
17
2 Altos (duo)
14
2 Violoncelles (duo)
13
Violon
13
Violon, Violoncelle (duo)
11
Harpe
10
Violoncelle
9
Alto seul
8
Violon, Alto (duo)
8
2 Contrebasses (duo)
8
Violoncelle, Contrebasse (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse, Piano (duo)
5
Alto, Violoncelle (duo)
4
Harpe, Voix
3
Trio à cordes
3
Harpe, Violoncelle (duo)
3
Contre Basse
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
2
2 Harpes (duo)
2
2 Violons, Piano
1
Violon, Basson (duo)
1
Ensemble d'Altos
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
112
Orchestre
24
Orchestre à Cordes
10
Cloches
8
Ensemble de cuivres
7
Batterie
6
Orchestre de chambre
6
Fanfare
6
Percussion (partie séparée)
2
Ensemble Jazz
2
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
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ALTO
AUTOHARPE
BANJO
BASSE
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Come day, come night
Violon, Clarinette, Piano (trio)
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
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Come day, come night
