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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four in Hand
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Non classifié
370
Piano & claviers
1 Piano, 4 mains
306
Piano seul
273
Piano Facile
92
2 Pianos, 4 mains
50
Piano, Voix
21
Orgue
17
Instruments en Do
5
1 Piano, 6 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
2
Clavecin
2
Piano, Voix et Guitare
2
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 10 instrumentations
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Guitares
Guitare
19
Guitare notes et tablatures
8
Mandoline
7
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
4
Dulcimer
3
Basse electrique
3
4 Guitares (Quatuor)
2
Banjo
1
Ensemble de guitares
1
+ 6 instrumentations
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Voix
Chorale SATB
84
Chorale TTBB
20
Chorale 3 parties
12
Chorale Unison
10
Chorale SSAA
7
Chorale 2 parties
7
Voix Baryton, Piano
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix haute
1
+ 8 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte traversière et Piano
24
Clarinette et Piano
22
2 Saxophones (duo)
15
Quatuor de Saxophones: 4 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Saxophone Soprano et Piano
11
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton, Piano
7
Flûte, Hautbois, Clarinette, Basson
6
2 Clarinettes (duo)
6
3 Saxophones (trio)
5
Saxophone Tenor
4
Quintette de Flûte : 5 flûtes
4
Ensemble de Clarinettes
4
Clarinette Basse, Piano
4
Saxophone Alto
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Basse continue
2
2 Flûte à bec (duo)
2
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano
2
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon et Violoncelle
1
3 Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson et Piano
1
2 Clarinettes, Basson
1
Clarinette Basse
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
Clarinette
1
Ensemble de saxophones
1
Saxophone (partie séparée)
1
Clarinette et Alto
1
Flûte traversière
1
+ 52 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Euphonium, Piano (duo)
13
Ensemble de Trompettes
12
Trombone et Piano
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette, Piano
7
Cor anglais, Piano
4
Trompette
4
Ensemble de Trombones
4
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
2 Trompettes (duo)
3
2 Trombones (duo)
2
2 Euphoniums (duo)
2
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
1
Tuba et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Trombone (duo)
1
4 Tubas
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
55
Alto, Piano
27
Violon et Piano
27
Harpe
23
Violon
21
Violoncelle, Piano
19
Violon, Violoncelle (duo)
13
Violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
6
Ensemble de Violons
4
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
2
Contre Basse
2
Trio à cordes: 3 violins
2
2 Altos (duo)
2
2 Violons (duo)
2
2 Harpes (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
Harpe, Voix
1
+ 26 instrumentations
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Orchestre & Percussions
Cloches
157
Orchestre d'harmonie
59
Orchestre de chambre
26
Orchestre à Cordes
26
Orchestre
15
Ensemble de cuivres
12
Ensemble de Percussions
4
Batterie
3
Ensemble Jazz
3
Jazz combo
2
Piano et Orchestre
1
Marimba
1
Vibraphone
1
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--INSTRUMENTS--
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
#
SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
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