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--INSTRUMENTS--
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ALTO
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BANJO
BASSE
BASSON
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Brandenburg Concerto No. 4
Non classifié
30
Piano & claviers
Piano seul
23
Accompagnement Piano
4
Piano Facile
3
Clavecin
1
2 Pianos, 4 mains
1
Orgue
1
+ 1 instrumentations
Retracter
Guitares
Voix
Vents
Flûte traversière et Piano
9
Quatuor de Saxophones: 4 saxophones
8
Clarinette et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Saxophone: 5 saxophones
5
Hautbois, Piano (duo)
4
Saxophone Tenor et Piano
4
3 Saxophones (trio)
4
Cor anglais, Piano
4
Saxophone Alto et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à Bec
3
Saxophone Soprano et Piano
3
Saxophone Baryton, Piano
3
Quatuor de Flûtes à bec
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette
2
Ensemble de Flûtes
2
Clarinette Basse, Piano
2
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
1
Ensemble de Hautbois
1
2 Flûte à bec (duo)
1
Ensemble de saxophones
1
2 Clarinettes (duo)
1
3 Clarinettes (trio)
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières (duo)
1
Ensemble de Clarinettes
1
Piccolo, Piano
1
+ 28 instrumentations
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Euphonium, Piano (duo)
5
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4
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4
Cor et Piano
3
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2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette
1
Tuba et Piano
1
+ 7 instrumentations
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Violon (partie séparée)
12
Violon et Piano
7
Alto seul
7
Violon
6
Violoncelle, Piano
6
Alto, Piano
5
Contrebasse (partie séparée)
4
Contre Basse
4
Violoncelle (partie séparée)
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle
3
4 Violoncelles
2
Quatuor à cordes: 4 violons
2
Alto (partie séparée)
1
Harpe
1
Violon, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Contrebasse, Piano (duo)
1
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14
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3
Orchestre
3
Vibraphone et Marimba
1
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Vous avez sélectionné:
Brandenburg Concerto No. 4
3 Clarinettes (trio)
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5 Famous Songs by Bach for Clarinet Trio
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3 Clarinettes (trio)
#
FACILE
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Classique
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Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Cla
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1138513 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged b...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1138513 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738853. Published by Woods Only, Arrangements (A0.1138513). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
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Brandenburg Concerto No. 4
