Partitions Numériques de Berger pour 3 Saxophones (trio)

Berger

La Bergeronnette (The Wagtail) Saxophone Trio

#La Bergeronnette

La Bergeronnette (The Wagtail) Saxophone Trio #3 Saxophones (trio) #INTERMÉDIAIRE #Classique #Johann Friedrich Burgmuller #Doniell Cushman #La Bergeronnette #Doniell C Cushman #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.947933 Composed by Johann Friedrich Burgmuller. Arranged by Doniell C...(+)

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.947933 Composed by Johann Friedrich Burgmuller. Arranged by Doniell Cushman. Classical,Instructional,Standards. 7 pages. Doniell C Cushman #3618219. Published by Doniell C Cushman (A0.947933). Based off of BurgmÃ¼ller's original piano piece La Bergeronnette (French), this arrangement is true to the original including articulations, dynamic shading, and general tempo. Marked conveniently with Section letters for better practice.

J. S. Bach; The Six "Trio Sonatas", BWV 525-530, - SAB saxophone trio #3 Saxophones (trio) #INTERMÉDIAIRE/AVANCÉ #Classique #Johann Sebastian Bach #Paul Wehage #J. S. Bach; The Six "Trio #Musik Fabrik Music Publishing #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.534363 Composed by Johann Sebastian Bach. Arrang...(+)

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.534363 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Sacred,Standards. 179 pages. Musik Fabrik Music Publishing #3387883. Published by Musik Fabrik Music Publishing (A0.534363). The Six Trio Sonatas, BWV 525-530 were composed about 1727 during Bachâ€™s period in Leipzig. They were not composed for organ, but (according to Forkel, Bachâ€™s first biographer whose information came from Bachâ€™s son Carl Philip Emmanuel Bach) for the pedal harpsichord as means of improiving the pedal technique of his son Wilhelm Friedemann Bach. This instrument, which requires a great deal of precision in performance, contains a normal harpsichord with two manuals attached to a pedal board which activates another harpsichord which is lower to the ground. Many of the movements in these Italian sonatas were used in other settings, in Bachâ€™s Cantatas and in other instrumental works.Bach always tuned his own keyboards and confided his tuning system to his student Johann Kimberger (1721-1788) who used this information to devise several tuning schemes to create a well-tempered system according to Bachâ€™s ideas. The main principal that Bach gave Kimberger was that all thirds should be tuned slightly sharp (...alle grossen Terzen scharf). The saxophone is an ideal instrument to experiment with this sort of tuning, given the possibilities for adjustment in the embouchure. Nothing can replace a good set of ears in the process and use of electronic tuning devices should be avoided, unless they can be specifically programmed to reflect these sorts of non-standard tunings.Sonata no. 1 in Eb major, BWV 525 Sonata no. 2 in c minor , BWV 526 Sonata no. 3 in d minor, BWV 527 Sonata no. 4 in e minor, BWV 528 Sonata no. 5 in C major, BWV 529 Sonata no. 6 in G major, BWV 530