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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Long
Non classifié
972
Piano & claviers
Piano seul
619
Piano, Voix
613
Piano, Voix et Guitare
414
Piano Facile
286
Instruments en Do
113
Accompagnement Piano
96
Orgue
25
Piano grosses notes
14
1 Piano, 4 mains
14
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
11
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
Ligne De Mélodie, Piano
3
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrument seul et Orgue
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
149
Guitare
62
Ligne De Mélodie, (Paroles) et Accords
60
Piano, Guitare (duo)
60
Basse electrique
53
Ukulele
39
Paroles et Accords
24
Mandoline
13
2 Guitares (duo)
8
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
Dobro
2
Banjo
2
Dulcimer
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
236
Chorale 3 parties
69
Chorale 2 parties
49
Chorale TTBB
44
Voix duo, Piano
27
Chorale Unison
20
Chorale SSAA
18
Voix duo
10
Voix Soprano, Piano
10
Chorale
6
Voix haute
6
Voix Alto, Piano
6
Voix moyenne, Piano
4
Voix Tenor, Piano
3
Voix seule
3
Voix Tenor
3
Voix Baryton, Piano
2
Chorale SSATTB
1
Pack Instrumental pour Chorale
1
Male Voice
1
+ 15 instrumentations
Retracter
Vents
Clarinette
130
Flûte traversière et Piano
89
Clarinette et Piano
82
Flûte traversière
71
Saxophone Alto et Piano
60
Hautbois, Piano (duo)
57
Saxophone (partie séparée)
56
Quatuor de Saxophones: 4 saxophones
53
Saxophone Alto
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Clarinette (partie séparée)
41
Saxophone Tenor
39
Hautbois (partie séparée)
37
Saxophone Tenor et Piano
36
2 Flûtes traversières (duo)
35
2 Saxophones (duo)
33
Quintette de Saxophone: 5 saxophones
31
Ensemble de saxophones
28
Flûte, Hautbois, Clarinette, Basson
26
Saxophone Soprano et Piano
25
2 Clarinettes (duo)
24
Ensemble de Flûtes
19
Quatuor de Clarinettes: 4 clarinettes
16
Ensemble de Clarinettes
13
Saxophone Baryton, Piano
13
Flute (partie séparée)
10
Quintette de Flûte : 5 flûtes
10
2 Hautbois (duo)
9
Cor anglais, Piano
9
Flûte, Clarinette (duo)
9
Saxophone Soprano
8
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
8
Hautbois
7
Hautbois, Basson (duo)
5
Flûte à bec Soprano
5
Flûte à Bec
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette Basse
4
Clarinette, Basson (duo)
4
5 Flûtes à bec
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Cor Anglais
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Flûte, Violoncelle
3
Clarinette, Violon (duo)
3
Hautbois, Flûte
3
Flûte, Clarinette et Basson
3
Clarinette, Trompette (duo)
2
Saxophone Baryton
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Flûte traversière, Basse continue
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Basson et Piano
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Clarinette et Alto
1
Flûte, Violoncelle, Piano (trio)
1
Ocarina
1
Flûte, Trombone (duo)
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trompette
51
Trompette, Piano
51
Trombone et Piano
50
Trombone
45
Trompette (partie séparée)
37
Cor et Piano
36
Cor
35
Tuba
26
Trombone (partie séparée)
21
Euphonium, Piano (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de Cuivres
14
Tuba et Piano
14
2 Trompettes (duo)
13
2 Trombones (duo)
10
Ensemble de Trombones
9
Cor anglais, Piano
9
2 Cors (duo)
8
Ensemble de Cors
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Tubas (duo)
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Cor (partie séparée)
4
Trompette, Cor (duo)
4
Cor Anglais
3
Trompette, Trombone (duo)
3
Euphonium
3
Bass Clef Instruments
2
Trombone, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trompette, Saxophone (duo)
2
Tuba et Orgue
2
Tuba ou Euphonium ou Saxhorn
2
Quatuor de cuivres: 4 cors
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
+ 37 instrumentations
Retracter
Cordes
Harpe
654
Quatuor à cordes: 2 violons, alto, violoncelle
160
Violon et Piano
89
Violon
73
Alto, Piano
69
Violoncelle
69
Violoncelle, Piano
67
Violon, Violoncelle (duo)
45
Violon (partie séparée)
41
Alto seul
37
Trio à Cordes: 2 violons, violoncelle
34
2 Violons (duo)
30
2 Violoncelles (duo)
25
Alto (partie séparée)
22
Trio à Cordes: violon, alto, violoncelle
20
Contre Basse
20
Violon, Alto (duo)
17
2 Altos (duo)
14
Contrebasse, Piano (duo)
13
Contrebasse (partie séparée)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violoncelle (partie séparée)
10
Alto, Violoncelle (duo)
8
2 Harpes (duo)
5
Violon, Guitare (duo)
5
Harpe, Flûte (duo)
3
2 Contrebasses (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Violoncelle, Contrebasse (duo)
2
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Trio à cordes
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
345
Batterie
97
Ensemble Jazz
96
Orchestre
83
Orchestre à Cordes
64
Percussion (partie séparée)
38
Ensemble de cuivres
36
Jazz combo
30
Fanfare
21
Orchestre de chambre
18
Cloches
17
Ensemble de Percussions
11
Marimba
6
Percussion
4
Timbales
4
Timbales (partie séparée)
4
Xylophone, Piano
4
Xylophone
3
Batterie (partie séparée)
3
Caisse Claire
1
Bodhran
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Artistes
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Quickpartitions
SheetMusicPlus
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expert
avec audio
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Crtitères actifs :
How Long
3 Saxophones (trio)
Partitions à imprimer
8 partitions trouvées
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1
How Long Has It Been
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3 Saxophones (trio)
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FACILE
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Folklorique/Traditionel
#
Mosie Lister
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Dana F
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How Long Has It Been
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Saxophone trio - Level 2.75 - SKU: DX.129318 Composed by Mosie Lister. Arranged by Dana F. Everson. Traditional. Score and parts. Duration 3 minutes. Pu...
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Saxophone trio - Level 2.75 - SKU: DX.129318 Composed by Mosie Lister. Arranged by Dana F. Everson. Traditional. Score and parts. Duration 3 minutes. Published by David E. Smith - Digital Sheet Music (DX.129318). Key: Bb, c.A trio that exudes a gentleness and tenderness from beginning to end. The melodic lines are mildly altered and the support harmonies and counterpoint move in a way that gives a sense of direction to the future. A very affective piece.
$8.50
Divertimento in B-Flat, K.439b no 2
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3 Saxophones (trio)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
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Robert Stevens
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Divertimento in B-Flat, K.439b
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SAXpress.com
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405116 Composed by Wolfgang Am...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405116 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 60 pages. SAXpress.com #988156. Published by SAXpress.com (A0.1405116). Divertimento in B Flat (1783) K439b no 2 W. A. Mozart ((1756 – 1791)) Saxophone Trio, flexible instrumentation Divertimento in B Flat K.439b by Mozart, arranged for sax trio, flexible instrumentation. This is number two of a set of five divertimentos written around 1783. Originally, the works were written for 3 basset horns but were also performed by other wind and string ensembles. They are commonly performed by two clarinets and a bassoon today. This arrangement is for saxophone trio with flexible scoring.Divertimento in B Flat has five movements: Allegro (Common time, tempo around 124 bpm, B-flat major throughout, about 2.25 minutes) Minuetto 1 (3/4 time, tempo around 124-136 bpm, ABA form, B-flat major to E-flat major to B-flat, about 3.75 minutes) Larghetto (3/4 time, tempo around 60 bpm, B flat major throughout, about 4 minutes) Minuetto 2 (3/4 time, tempo around 136 – 144 bpm, ABA form, B-flat major to F to B-flat major, about 3.5 minutes) Rondo (2/4 time, tempo around 144 – 152 bpm, ABACA form, B-flat major except when the C section wanders to F minor, about 3.25 minutes) The first movement features a lively main theme and a carefree, somewhat mellow alternate theme. Minuet 1 has a graceful main theme and relaxed, somewhat playful trio section. The movement three Larghetto is slow and dreamy. It even seems to yawn when the music several times indulges in long pauses. The second Minuet movement is livelier and a bit more colorful and playful than the first with a lively trio section. The concluding Rondo (Allegro) is energetic and colorful, with syncopations and interesting key shifts to add interest.This version of Divertimento in B-flat includes the following parts: Full trio score (C score), 20pp Part 1 – soprano saxophone, 8pp Part 2 – soprano saxophone 2, 8pp Part 2 – alto saxophone, 8pp Part 3 – tenor saxophone, 8pp Part 3 – baritone saxophone, 8pp The printed score and parts are 9″x 12″. The alternate parts included with this arrangement allow a great deal of flexibility in your ensemble. The parts can be played in any combination as long as part one, two, and three are covered. Probably Soprano-Alto-Tenor or Soprano-Alto-Baritone would be the most common grouping. However, even though it is not specified on the parts, there is no reason the piece could not be played by a Tenor/Tenor/Baritone ensemble. Also if a bass sax is available it could certainly cover the part 3 tenor sax part.
$24.95
La Paloma - Spanish Habanera - Saxophone Trio
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3 Saxophones (trio)
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FACILE
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Sebastina de Yvradier
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568484 Composed b...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.
$9.49
5 Famous Songs by Bach for Alto Sax Trio
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3 Saxophones (trio)
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arr...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738855. Published by Woods Only, Arrangements (A0.1138515). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
5 Famous Songs by Bach for Baritone Sax Trio
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3 Saxophones (trio)
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1138517 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Trio,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1138517 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738858. Published by Woods Only, Arrangements (A0.1138517). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
5 Famous Songs by Bach for Tenor Sax Trio
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3 Saxophones (trio)
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1138516 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Ar...
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Saxophone Trio,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1138516 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738857. Published by Woods Only, Arrangements (A0.1138516). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
5 Famous Songs by Bach for Saxophone Trio
#
3 Saxophones (trio)
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1138518 Composed by Christian Petzold, Johann Seb...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1138518 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738859. Published by Woods Only, Arrangements (A0.1138518). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
At Long Last Love from You Never Know - Alto Saxophone Solo
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3 Saxophones (trio)
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At Long Last Love from You Nev
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Musicnotes
Cole Porter - At Long Last Love Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Ins...
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Cole Porter - At Long Last Love Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Duet;Instrumental Trio, instruments: Alto Saxophone 1;Alto Saxophone 2;Alto Saxophone 3; 3 pages -- Jazz~~Jazz Standards~~Swing~~Show/Broadway
$3.99
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