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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At Last: Cello
Non classifié
113
Piano & claviers
Piano Trio: piano, violon, violoncelle
11
Piano seul
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano, Voix
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Instruments en Do
1
Piano Facile
1
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
1
Guitare notes et tablatures
1
Voix
Chorale SATB
6
Voix Soprano, Piano
1
Vents
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto et Piano
4
Clarinette et Piano
3
Hautbois, Piano (duo)
3
Saxophone Tenor et Piano
3
Saxophone Soprano et Piano
3
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Flûte traversière et Piano
2
Saxophone Baryton, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Violon et Violoncelle
2
Ensemble de Flûtes
1
Hautbois, Violoncelle
1
Clarinette Basse
1
+ 11 instrumentations
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Cuivres
Cor et Piano
4
Trompette, Piano
2
Tuba et Piano
1
Trombone et Piano
1
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1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon, Violoncelle (duo)
36
Violoncelle, Piano
33
Violoncelle
33
Trio à Cordes: violon, alto, violoncelle
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Trio à Cordes: 2 violons, violoncelle
16
2 Violoncelles (duo)
16
Alto, Piano
6
Violon
6
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Violon et Piano
3
Violoncelle (partie séparée)
2
Violon, Alto (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violon, Violoncelle
1
2 Violons (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes
1
+ 16 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
12
Orchestre
9
Orchestre de chambre
2
Piano et Orchestre
1
Vibraphone
1
Marimba
1
Orchestre d'harmonie
1
Batterie
1
Ensemble de cuivres
1
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FLUTE A DIX…
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FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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POP ROCK - ROCK CLAS…
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Crtitères actifs :
At Last: Cello
Trio à Cordes: 3 violoncelles
Partitions à imprimer
5 partitions trouvées
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1
Ode to Joy by Beethoven for Cello Trio
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Trio à Cordes: 3 violoncelles
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ce
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Woods Only, Arrangements
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SheetMusicPlus
String Trio Cello - Level 2 - SKU: A0.1185236 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. ...
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String Trio Cello - Level 2 - SKU: A0.1185236 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #784925. Published by Woods Only, Arrangements (A0.1185236). This arrangement adapted for violoncello trio was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$5.99
Turning Page
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Sleeping At Last
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Fabio Britto
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Turning Page
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Minhas Partituras
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - SKU: A0.688206 By Sleeping At Last. By Ryan Curtis O'neal. Arranged by Fabio Britto. Contemporary,Film/TV,...
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String Ensemble,String Trio Cello - Level 4 - SKU: A0.688206 By Sleeping At Last. By Ryan Curtis O'neal. Arranged by Fabio Britto. Contemporary,Film/TV,Pop,Wedding. Score and parts. 5 pages. Minhas Partituras #6602123. Published by Minhas Partituras (A0.688206). Arrangement of the song Turning Page (from Twilight) for Cello Trio.
$12.99
Never give up
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Trio à Cordes: 3 violoncelles
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AVANCÉ
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Contemporain
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Ciro Hernández
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Never give up
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Ciro Hernández
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SheetMusicPlus
String Trio Cello - Level 5 - SKU: A0.1408625 Composed by Ciro Hernández. 21st Century,Chamber,Folk,Multicultural,Traditional,World. 24 pages. Ciro H...
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String Trio Cello - Level 5 - SKU: A0.1408625 Composed by Ciro Hernández. 21st Century,Chamber,Folk,Multicultural,Traditional,World. 24 pages. Ciro Hernández #991222. Published by Ciro Hernández (A0.1408625). This work for cello trio is inspired by earlier works with a clear influence to the last movement of my trio for piano, clarinet and cello TERRA NOVA. This piece with a clear modal air, with the Phrygian or Spanish scale at all times present, tries to create different sound spaces where the energy of the marked rhythm is a constant. The use of palmas for the central part is a resource to create a clear environment for the written improvisation. The cellos struggle to impose themselves and at the same time to unify. With a duration of 6 minutes, the music tries to move the listener and never cease to surprise them.Â
$12.50
Mozart: Romanze from K. 525 for Piano Trio
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 23 pages. Jmsgu3 #3536083. Published by jmsgu3 (A0.549785). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Trio (Violin, Cello and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Six Thinking Hats [3 celli]
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Six Thinking Hats [3 celli]
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Juan Maria Solare
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score ...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = Enfática insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
$11.00
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At Last: Cello
