Partitions Numériques de Rent a cop pour Trio à Cordes: 3 violoncelles

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Trio à Cordes: 3 violoncelles

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Appalachia Waltz (cello part - vln, vla, cel) #Trio à Cordes: 3 violoncelles #INTERMÉDIAIRE/AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #Appalachia Waltz #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio Cello - Level 4 - SKU: A0.861759 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O...(+)

String Ensemble,String Trio Cello - Level 4 - SKU: A0.861759 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200491. Published by Mark O'Connor Musik International (A0.861759). Appalachia Waltz MO101DAppalachia Waltz adapted for Violin, Viola and Cello by Mark Oâ€™ConnorCello Part (score and parts available)Music by Mark Oâ€™Connor2 pages - 7:20 minutes in length Appalachia Waltz by Mark Oâ€™Connor is the title track from the album featuring Oâ€™Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazineâ€™s Classical music chart. Oâ€™Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, Oâ€™Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, Oâ€™Connor adapts the instrumentation for violin, viola and cello for improved playability. Appalachia Waltz might well be one of Mark Oâ€™Connorâ€™s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1993 Composed By Mark Oâ€™ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCan be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie Oâ€™Connor OMAC Records and The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO101DCopyright Â© 1993 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Pachelbel: Canon in D for Piano Trio #Trio à Cordes: 3 violoncelles #INTERMÉDIAIRE #Classique #Johann Pachelbel #James M #Pachelbel: Canon in D for Pian #jmsgu3 #SheetMusicPlus

String Ensemble,String Trio Cello - Level 3 - SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards...(+)

String Ensemble,String Trio Cello - Level 3 - SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 16 pages. Jmsgu3 #6105689. Published by jmsgu3 (A0.552065). Score: 9 pagesDuration: 2:40. The famous Pachelbel Canon arranged for Piano Trio. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

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