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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Teri: String Bass
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195
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano, Voix et Guitare
1
Piano seul
1
Guitares
Guitare
5
Basse electrique
4
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1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
5
Chorale Unison
2
Chorale 2 parties
2
Voix Baryton, Piano
1
Vents
Ensemble de saxophones
10
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10
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8
3 Saxophones (trio)
5
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4
Flûte, Clarinette et Basson
4
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4
3 Clarinettes (trio)
3
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3
Trio de Flûtes: 3 flûtes
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
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1
Ensemble de Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 15 instrumentations
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Cuivres
Quatuor de cuivres: 4 trombones
12
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8
Ensemble de Trombones
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Ensemble de Trompettes
2
Ensemble de Cors
1
+ 1 instrumentations
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Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
69
Contre Basse
58
Contrebasse, Piano (duo)
46
Quatuor à cordes: 2 violons, alto, violoncelle
25
Trio à Cordes: violon, alto, violoncelle
14
Contrebasse (partie séparée)
14
Violoncelle, Contrebasse (duo)
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
4 Contrebasses
3
Ensemble de Violons
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
1
Violon
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon (partie séparée)
1
Harpe
1
+ 16 instrumentations
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Orchestre à Cordes
33
Orchestre de chambre
15
Orchestre d'harmonie
14
Orchestre
14
Batterie
8
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble Jazz
1
Piano et Orchestre
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Teri: String Bass
Trio à Cordes: 3 violoncelles
Partitions à imprimer
2 partitions trouvées
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Mozart: Romanze from K. 525 for Piano Trio
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 23 pages. Jmsgu3 #3536083. Published by jmsgu3 (A0.549785). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Trio (Violin, Cello and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Pachelbel: Canon in D for Piano Trio
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 16 pages. Jmsgu3 #6105689. Published by jmsgu3 (A0.552065). Score: 9 pagesDuration: 2:40. The famous Pachelbel Canon arranged for Piano Trio. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$36.95
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