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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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MANDOLINE
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PARTITIONS …
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
58918
PIANO & CLAVIERS
Piano seul
46205
Piano Facile
22070
Piano, Voix
17583
Piano, Voix et Guitare
9948
Orgue
3494
Piano grosses notes
1507
1 Piano, 4 mains
1320
Accompagnement Piano
1270
2 Pianos, 4 mains
962
Piano (partie séparée)
779
Accordéon
709
Piano Quintette: piano, 2 violons, alto, violoncelle
478
Piano Quatuor: piano, 2 violons, violoncelle
460
Piano Trio: piano, violon, violoncelle
398
Instruments en Do
218
Piano Quatuor: piano, violon, alto, violoncelle
130
Ligne De Mélodie, Piano
102
Clavecin
83
2 Pianos, 8 mains
81
Orgue, Trompette (duo)
79
Orgue, Piano (duo)
73
2 Accordéons
73
Accordéon, Voix
49
1 Piano, 6 mains
34
Clavier
34
2 Orgues (duo)
29
Instrument seul et Orgue
18
Ensemble d'Accordéons
14
Orgue, Voix
12
Accordéon, Piano
6
Orgue et Orchestre
3
Accordéon, Corde(s)
3
Piano Trio: Instruments de chambre mixtes
1
Accordéon - Piano, Voix, Guitare
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
14920
Paroles et Accords
6278
Ligne De Mélodie, (Paroles) et Accords
5510
Guitare
4704
Ukulele
4469
2 Guitares (duo)
1925
Guitare (partie séparée)
1458
Basse electrique
1176
Banjo
471
4 Guitares (Quatuor)
222
Piano, Guitare (duo)
178
Basse électrique (partie séparée)
163
Mandoline
151
Dulcimer
139
Ensemble de guitares
128
3 Guitares (trio)
113
2 Dulcimers (duo)
82
Ensemble de Ukulélés
66
Dobro
36
Ukulele Baryton
25
2 Ukuleles
25
Mandoline, Piano (duo)
18
Mandoline, Guitare (duo)
14
2 Mandolines (duo)
6
Partitions De Groupes
6
Guitare, Violon, Violoncelle (trio)
5
2 Guitares et Orchestre
4
Bouzouki
4
Guitare, Orchestre
3
Guitare Pedal Steel
3
Cithare
2
3 Dulcimers (trio)
2
2 Guitares, Clarinette (trio)
1
Guitare, Quatuor à cordes
1
Instrumentations suivantes
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VOIX
Chorale 2 parties
14992
Chorale SATB
11566
Chorale 3 parties
5979
Chorale TTBB
2757
Chorale Unison
2475
Voix duo, Piano
2240
Chorale SSAA
1130
Chorale
954
Voix duo
922
Voix seule
859
Voix haute
160
Voix basse, Piano
127
Voix Moyenne
97
Voix, Guitare
97
Voix Soprano, Piano
92
Voix moyenne, Piano
63
Chorale SSATBB
44
Voix Alto, Piano
39
Voix Tenor
33
Voix Tenor, Piano
32
Chorale SATTB
28
Chorale SSATB
24
Chorale SSAATTBB
21
Voix Mezzo-Soprano, Piano
19
Voix Baryton, Piano
18
Voix et basse continue
17
Soli, choeur mixte et accompagnement
15
Voix basse
14
Voix haute, Piano
14
Chorale SSATTB
13
Voix Soprano
10
Voix d'Enfants
8
Chorale SAATB A Cappella
6
Voix duo, Orgue
6
Chorale SSAB, Piano
6
Male Voice
5
Chorale SATTBB, Clavier
4
Voix Baryton
4
Chorale SSAB a cappella
3
Chorale, Orgue
2
Chorale SSAATB
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
17032
Clarinette (partie séparée)
7881
2 Saxophones (duo)
6388
2 Flûtes traversières (duo)
5545
Flûte traversière
5306
Clarinette
4937
2 Clarinettes (duo)
4785
Saxophone Alto
3801
Flute (partie séparée)
3230
Flûte traversière et Piano
3097
Hautbois (partie séparée)
3042
Quatuor de Saxophones: 4 saxophones
2493
Saxophone Alto et Piano
2463
Clarinette et Piano
2351
Hautbois, Piano (duo)
2263
Saxophone Tenor et Piano
2164
Flûte, Hautbois, Clarinette, Basson
1995
Quatuor de Clarinettes: 4 clarinettes
1689
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1582
Saxophone Soprano et Piano
1405
Saxophone Tenor
1073
2 Flûte à bec (duo)
1043
3 Clarinettes (trio)
1003
2 Hautbois (duo)
988
Quatuor de Flûtes : 4 flûtes
927
Quintette de Saxophone: 5 saxophones
846
Hautbois
844
3 Saxophones (trio)
811
Saxophone
801
Flûte, Clarinette (duo)
684
Flûte et Guitare
611
Trio de Flûtes: 3 flûtes
577
Saxophone Baryton, Piano
568
Cor anglais, Piano
523
Ensemble de Clarinettes
423
Quintette de Clarinettes: 5 clarinettes
333
Flûte à Bec
309
Ensemble de saxophones
305
Saxophone Soprano
286
Ensemble de Flûtes
282
Hautbois, Basson (duo)
264
Flûte, Violon
253
2 Saxophones, Piano
234
Clarinette Basse, Piano
218
Instruments en Mib
217
2 Flûtes traversières, Piano
204
Flûte à bec Soprano
196
Clarinette, Basson (duo)
190
Quatuor de Flûtes à bec
185
Piccolo
183
3 Flûtes à bec (trio)
169
Flûte, Violoncelle
166
Flûte, Clarinette et Basson
165
Hautbois, Clarinette (duo)
158
Flûte à bec Soprano, Piano
154
2 Clarinettes, Piano
153
Flûte, Hautbois, Basson
150
Clarinette Basse
141
Flûte à bec Tenor
140
Saxophone Baryton
139
Cor Anglais
138
Piccolo, Piano
138
Clarinette, Violon (duo)
126
Flûte à bec Alto, Piano
126
Flûte à Bec, Piano
123
Flûte, Hautbois, Clarinette (trio)
118
Flûte à bec Alto
114
Hautbois, Clarinette, Basson (trio d'anches)
104
Harmonica
104
Clarinette, Guitare (duo)
104
Saxophone et Guitare
101
Quintette de Flûte : 5 flûtes
101
2 Clarinettes, Basson
98
Saxophone, Clarinette (duo)
91
Hautbois, Flûte
89
Clarinette, Violoncelle (duo)
88
Ensemble De Flûte à bec
85
Flûte, Hautbois (duo)
82
Flûte, Alto (duo)
78
Clarinette et Alto
76
Clarinette, Trompette (duo)
75
Flûte, Violon et Violoncelle
65
Flûte, Saxophone (duo)
61
Hautbois, Violoncelle
59
Flûte, Violon, Piano
58
3 Hautbois
58
Flûte, Basson et Piano
49
Flûte, Trompette (duo)
42
Flûte, Trombone (duo)
41
5 Flûtes à bec
38
Saxophone et Orgue
37
Ocarina
36
Cor anglais, Guitare (duo)
32
Flûte, Clarinette, Cor, Basson (Quartet)
31
Harmonica, Piano
31
2 Cors Anglais Et Pianoforte
28
4 Hautbois
27
2 Flûtes à bec, Piano
27
Flûte, Violoncelle, Piano (trio)
27
Flûte, Clarinette, Piano (trio)
26
Clarinette, Basson, Piano (trio)
24
Clarinette, Trombone (duo)
23
2 Hautbois, Piano
21
Hautbois, violon (duo)
21
Ensemble à vent
19
Flûte à bec, Guitare (duo)
18
Hautbois et alto (duo)
18
Flûte et Trio à cordes
17
Hautbois, Guitare (duo)
15
Saxophone et Orchestre
15
Flûte, Clarinette, Violon (trio)
15
2 Flûtes traversières, Guitare
14
Flûte traversière, Orgue (duo)
14
Cornemuse
13
Flûte, Tuba (duo)
13
Flûte, Violon, Violoncelle et Piano
12
Flûte, Hautbois, Piano (trio)
12
Hautbois, trombone (duo)
11
Clarinette, Harpe (duo)
11
Saxophone, Basson (duo)
10
2 Hautbois et Cor anglais
10
Flûte traversière, Basse continue
10
Saxophone et Piano
10
Clarinette, Alto et Piano (trio)
10
Flute, harpe et violon
10
Flûte, Harpe et Violoncelle
9
2 Hautbois et Basson
9
Clarinette, Tuba
9
2 Flûtes traversières, Harpe
9
Clarinette, Orgue
8
Hautbois, Violon, Piano
8
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
2 Flûtes, 2 Clarinettes (Quatuor)
7
Hautbois, Harpe
7
Flûte, Alto et Piano
6
Saxophone, Violon (duo)
6
Clarinette, Contrebasse (duo)
6
2 Flûtes, Basse continue
6
Clarinette, Orchestre
6
Flûte à bec Alto, Basse continue
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte et Quatuor à Cordes
5
Saxophone et violoncelle
5
Hautbois, Violin, Alto et Violoncelle (Quatuor)
5
Flute, Cor (duo)
5
Flûte, Violoncelle, Guitare
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Hautbois, Basson et Piano
4
2 Harmonicas
4
Hautbois, Violoncelle et Piano
3
Flûte à bec, Harpe
3
Clarinette, Quatuor à cordes et Piano
3
Flûte, Violon, Guitare
3
Flûte traversière, Orchestre
3
Flûte, Hautbois, Violon
2
Cor anglais et Harpe (duo)
2
Melodica
2
Flûte à bec Soprano, Basse continue
2
2 clarinettes, 2 bassons
2
Saxophone et Harpe
2
2 Flûtes à bec, Guitare
2
Flûte irlandaise
1
Hautbois, Quatuor à cordes
1
Saxophone, Tuba (duo)
1
Flûte, alto et harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
11254
Trombone (partie séparée)
10684
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7904
Trompette
4066
Cor (partie séparée)
3907
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3337
Trombone
3211
2 Trompettes (duo)
2775
Cor
2429
2 Trombones (duo)
2394
Trompette, Piano
2118
Trombone et Piano
2006
Tuba (partie séparée)
1685
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1666
Cor et Piano
1370
Tuba
1178
2 Cors (duo)
995
2 Euphoniums et 2 Tubas
953
Quatuor de Cuivres
705
Tuba et Piano
656
Trompette, Trombone (duo)
538
Cor anglais, Piano
523
Euphonium
429
Euphonium, Piano (duo)
403
2 Tubas (duo)
339
Bass Clef Instruments
298
Trompette, Cor (duo)
282
Quatuor de cuivres: 4 trombones
231
Instruments en Sib
220
Trio de Cuivres
219
Tuba ou Euphonium ou Saxhorn
206
Quatuor de cuivres: 4 cors
192
Trompette, Saxophone (duo)
155
2 Trompettes, Clavier (piano ou orgue)
139
Cor Anglais
138
3 Trombones (trio)
118
Trombone basse et Piano
104
Quatuor de cuivres: 2 trompettes, 2 trombones
96
Ensemble de Trombones
88
Cornet A Pistons
83
3 Trompettes (trio)
77
2 Euphoniums (duo)
71
4 Tubas
66
Euphonium, Tuba (duo)
62
Quatuor de cuivres: 4 trompettes
58
Trompette, Tuba (duo)
53
Trombone, Tuba (duo)
43
Ensemble de Cors
36
Trombone, Orgue
36
Trombone, Cor (duo)
35
Trompette, Violoncelle (duo)
34
Cor anglais, Guitare (duo)
32
Cor, Tuba (duo)
28
2 Cors Anglais Et Pianoforte
28
Trombone basse
27
Trombone, Violon (duo)
22
Trompette, Basson (duo)
22
3 Cors (trio)
20
Tuba et Orgue
19
Ensemble de Trompettes
19
Cor, Trompette, Trombone (trio)
18
3 Tubas (trio)
18
Cor, Violoncelle (duo)
18
Trompette et Guitare
17
2 Cors, Piano
16
Cor et Basson (duo)
16
Trompette, violon (duo)
16
Cor et Orgue
13
Ensemble de Tubas
12
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
11
2 Trombones, Piano
10
Trompette, Trombone, Piano
9
Clarinette, Cor (duo)
8
Trompette, Euphonium (duo)
7
Euphonium (partie séparée)
5
Trombone, Alto (duo)
5
Cor et Harpe
5
Trombone et orchestre
5
3 Euphoniums
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Trompette, Harpe
3
Cor anglais et Harpe (duo)
2
4 Euphoniums
2
G Instruments
2
Cornet et Piano
1
Cornet et orchestre
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cor, Orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
26779
Violon
7493
Violon (partie séparée)
5969
2 Violons (duo)
5444
Violoncelle (partie séparée)
4580
Violon et Piano
4364
2 Violoncelles (duo)
3850
Alto seul
3573
Contrebasse (partie séparée)
3467
Violoncelle, Piano
3030
Alto, Piano
2606
Violoncelle
2161
Alto (partie séparée)
1890
2 Altos (duo)
1824
Harpe
1803
Violon, Violoncelle (duo)
1778
Quintette à cordes: 2 violons, alto, violoncelle, basse
1615
Trio à Cordes: 2 violons, violoncelle
1371
Trio à Cordes: violon, alto, violoncelle
1234
Contre Basse
1080
Violon, Alto (duo)
813
Contrebasse, Piano (duo)
530
2 Harpes (duo)
516
Piano Trio: Violon, Alto, Piano
399
Alto, Violoncelle (duo)
354
2 Contrebasses (duo)
325
2 Violons, Piano
323
Trio à Cordes: 2 violons, alto
256
4 Violoncelles
235
Violon, Guitare (duo)
233
Trio à cordes: 3 violins
197
Trio à Cordes: 3 violoncelles
196
Harpe (partie séparée)
168
Violoncelle , Guitare (duo)
133
Quintette à cordes: 2 violons, 2 altos, violoncelle
113
Trio à cordes
111
2 Violoncelles, Piano
110
Violoncelle, Contrebasse (duo)
94
Quatuor à cordes: 4 violons
92
Alto, Guitare (duo)
76
Trio à cordes: 3 altos
76
2 Altos, Piano
67
Violon, Basson (duo)
63
Quatuor à cordes : 4 altos
61
Harpe, Flûte (duo)
58
Alto et Basson
40
2 Violons et Basse continue
39
Harpe, Violon (duo)
34
Quintette à cordes : 2 violons, alto et 2 violoncelles
30
Violoncelle, Orgue
21
Harpe, Violoncelle (duo)
21
Flûte, Contrebasse (duo)
16
4 Contrebasses
16
Violoncelle et Marimba
15
Alto et Harpe
14
Harpe, Voix
14
3 Contrebasses
13
Violoncelle, Orchestre
13
Violon, Tuba (duo)
11
Violon, Orgue
10
Violon, Basse continue
9
Harpe et Piano
9
Violoncelle, Basse continue
7
Violon, Violoncelle, Clarinette
7
Ensemble de Violoncelles
7
Harpe, Violon, Violoncelle
6
Violon, Clarinette, Piano (trio)
6
Alto, Orgue
5
3 Harpes
4
Ensemble de Violons
3
5 Harpes
2
Violon, Clarinette et Guitare
1
Harpe et Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
27853
Percussion (partie séparée)
5465
Orchestre à Cordes
3611
Orchestre
3523
Cloches
2719
Ensemble Jazz
2614
Batterie
1947
Batterie (partie séparée)
1847
Ensemble de cuivres
1773
Orchestre de chambre
1013
Percussion
802
Jazz combo
675
Timbales (partie séparée)
587
Fanfare
560
Ensemble de Percussions
452
Timbales
213
Marimba
204
Vibraphone
189
Xylophone
156
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
46
Vibraphone (partie séparée)
38
Xylophone, Piano
37
Vibraphone, Piano
27
2 Marimbas
23
Piano et Orchestre
21
Caisse Claire
17
Instrumentation Flexible
11
Quintette de Cuivres: autres combinaisons
9
Xylophone ou Marimba ou Vibraphone
8
Vibraphone et Marimba
8
Orchestre, Violon
8
Ensemble d'École
7
2 Caisses Claires (duo)
6
Trio à Vent: 3 instruments à vents
4
Mariachi
4
Batterie-Fanfare
3
3 Percussions
3
Big band
3
2 Percussions
3
Bongos
2
Quintette à Vent
2
Quatuor à Vent : 4 instruments à vents
2
Marimba, Piano (duo)
2
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
53
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Piano et Orchestre
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Piano Concerto ... Mozartiana (2007) for piano solo and chamber orchestra
Piano et Orchestre
By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Perio…
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By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. 2 Flute (2. also piccolo) 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Tromb
$9.99
9.22 €
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Piano et Orchestre
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Thomas Oboe Lee
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Piano Concerto ... Mozartiana
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and Orchestra - Digital Download SKU: S9.Q23932 For Piano and Orchestra
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Piano and Orchestra - Digital Download SKU: S9.Q23932 For Piano and Orchestra. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 24 minutes. Schott Music - Digital #Q23932. Published by Schott Music - Digital (S9.Q23932). 1 (auch Picc.) * 1 * 1 (auch Alt-Okarina in G) * 1 - 1 * 1 * 1 * 0 - S. (Trgl. * 2 Crot. * 2 hg. Beck., klein u. normal gross * 4 Woodbl. * 5 Tempelbl. * Schellentr. * kl. Tr. * 3 Rototoms * 4 Tomt. * gr. Tr. * Guero * Kast. * Peitsche * Sirenenpfeife * Trillerpfeife * Lotosfl. * Flexaton * Chromonica in C 270 [Hohner] * Glspl. * Xyl.) (1-2 Spieler) - Str. (8 * 7 * 6 * 5 * 4; auch solistische Streicherbesetzung 1 * 1 * 1 * 1 * 1 moglich)1 (auch Picc.) · 1 · 1 (auch Alt-Okarina in G) · 1 – 1 · 1 · 1 · 0 – S. (Trgl. · 2 Crot. · 2 hg. Beck., klein u. normal groß · 4 Woodbl. · 5 Tempelbl. · Schellentr. · kl. Tr. · 3 Rototoms · 4 Tomt. · gr. Tr. · Guero · Kast. · Peitsche · Sirenenpfeife · Trillerpfeife · Lotosfl. · Flexaton · Chromonica in C 270 [Hohner] · Glspl. · Xyl.) (1–2 Spieler) – Str. (8 · 7 · 6 · 5 · 4; auch solistische Streicherbesetzung 1 · 1 · 1 · 1 · 1 möglich).
$51.99
48.01 €
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Piano et Orchestre
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano Concerto No. 2
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4499 Bb major. Composed by J…
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Piano and orchestra - Digital Download SKU: S9.Q4499 Bb major. Composed by Johannes Brahms. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 83. Ernst Eulenburg & Co. GmbH - Digital #Q4499. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4499). Key: B flat major. German • English • French.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
12.92 €
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Piano et Orchestre
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Johannes Brahms
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Piano Concerto No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Piano Concerto No. 2 A major
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4502 Composed by Franz Liszt. This …
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Piano and orchestra - Digital Download SKU: S9.Q4502 Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4502. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4502). Key: A major. German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$15.99
14.76 €
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Piano et Orchestre
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Franz Liszt
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Piano Concerto No. 2 A major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto D Major
Piano et Orchestre
Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 …
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Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 Composed by Johann Wenzel Anton Stamitz. Arranged by Karlheinz Schultz-Hauser. This edition: piano reduction for 2 pianos. Schott Archive. Downloadable, vocal/piano score. Op. 10/1. Duration 14 minutes. Schott Music - Digital #Q47513. Published by Schott Music - Digital (S9.Q47513). Key: D major.
$23.99
22.15 €
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Piano et Orchestre
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Johann Wenzel Anton Stamitz
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Karlheinz Schultz-Hauser
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Concerto D Major
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Schott Music - Digital
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SheetMusicPlus
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
Piano et Orchestre
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - L…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.981569 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical,Contemporary,Instructional. Score and parts. 12 pages. D'Andrea Helios #6735431. Published by D'Andrea Helios (A0.981569). Only variations on an original theme by Mozart.
$5.00
4.62 €
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Piano et Orchestre
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Wolfgang Amadeus Mozart
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Helios D'Andrea
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H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
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D'Andrea Helios
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SheetMusicPlus
Tribute to Chopin (Omaggio a Chopin) for piano and orchestra
Piano et Orchestre
Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508…
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Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508 Composed by Helios D'Andrea. 20th Century,Contemporary. Score and parts. 5 pages. D'Andrea Helios #4846343. Published by D'Andrea Helios (A0.981508). Nice music composed for piano and orchestra
$15.00
13.85 €
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Piano et Orchestre
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Helios D'Andrea
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Tribute to Chopin
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D'Andrea Helios
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SheetMusicPlus
Ballade for Piano and Orchestra No.1
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
$3.99
3.68 €
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Piano et Orchestre
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Joseph Hull
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Ballade for Piano and Orchestra No.1
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Genesis
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SheetMusicPlus
Concerto No. 2 D minor
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q21394 Composed by Felix Bartholdy M…
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Piano and orchestra - Digital Download SKU: S9.Q21394 Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Op. 40. Ernst Eulenburg & Co. GmbH - Digital #Q21394. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21394). Key: D minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
11.07 €
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Piano et Orchestre
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Felix Bartholdy Mendelssohn
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Concerto No. 2 D minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 B-flat major
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4505 Composed by Ludwig van Beethov…
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Piano and orchestra - Digital Download SKU: S9.Q4505 Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 19. Ernst Eulenburg & Co. GmbH - Digital #Q4505. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4505). Key: B flat major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$12.99
11.99 €
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Piano et Orchestre
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Ludwig van Beethoven
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Concerto No. 2 B-flat major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 G major
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4626 Composed by Peter Ilyich Tchai…
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Piano and orchestra - Digital Download SKU: S9.Q4626 Composed by Peter Ilyich Tchaikovsky. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 44. Duration 44' 0. Ernst Eulenburg & Co. GmbH - Digital #Q4626. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4626). Key: G major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$18.99
17.53 €
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Piano et Orchestre
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Peter Ilyich Tchaikovsky
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Concerto No. 2 G major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
God Bless America ®
Piano et Orchestre
By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score …
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By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score (Chords/Lyrics). 2 pages. Alex Rodrigues #835237. Published by Alex Rodrigues
$1.99
1.84 €
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Piano et Orchestre
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Celine Dion
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Alex Nunes Rodrigues
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God Bless America ®
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SheetMusicPlus
Concerto No. 2 F minor
Piano et Orchestre
Composed by Frederic Chopin (1810-1849). This edition: study score. Ernst Eulenburg - …
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Composed by Frederic Chopin (1810-1849). This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 21. Schott Music - Digital #Q12492. Published by Schott Music - Digital
$15.99
14.76 €
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Piano et Orchestre
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Frederic Chopin (1810-1849)
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Concerto No. 2 F minor
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2 G minor
Piano et Orchestre
Composed by Camille Saint- Saens (1835-1921). This edition: study score. Ernst Eulenb…
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Composed by Camille Saint- Saens (1835-1921). This edition: study score. Ernst Eulenburg, Orchester, Partitur, Konzert. Eulenburg Miniature Scores. Downloadable. Op. 22. Duration 25 minutes. Schott Music - Digital #Q48708. Published by Schott Music - Digital
$15.99
14.76 €
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Piano et Orchestre
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Camille Saint- Saens
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Concerto No. 2 G minor
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Piano et Orchestre
For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study …
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For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 28 minutes. Schott Music - Digital #Q7222. Published by Schott Music - Digital
$49.99
46.16 €
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Piano et Orchestre
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Mikis Theodorakis (1925-)
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
Hatikvah. The national anthem of Israel. Easy piano.
Piano et Orchestre
Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #573316…
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Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #5733163. Published by Rivka Sloboder
$5.99
5.53 €
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Piano et Orchestre
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R
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Hatikvah. The national anthem of Israel. Easy piano.
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Rivka Sloboder
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SheetMusicPlus
Concerto para piano e orquestra n.2 em formas brasileiras
Piano et Orchestre
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part…
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Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part. 34 pages. Published by Musica Brasilis (S0.240407). - Solo Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
$17.50
16.16 €
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Piano et Orchestre
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Hekel Tavares
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Concerto para piano e orquestra n.2 em formas brasileiras
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Musica Brasilis
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SheetMusicPlus
Concerto No. 2 (Ukrainian Concerto) for Piano and Orchestra
Piano et Orchestre
By Alexander Peskanov. For Piano, Orchestra. Romantic Period. Advanced Intermediate. Piano…
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By Alexander Peskanov. For Piano, Orchestra. Romantic Period. Advanced Intermediate. Piano Reduction. Classical Video Concepts, Inc #M-YC2. Published by Classical Video Concepts, Inc
$20.00
18.47 €
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Piano et Orchestre
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Alexander Peskanov
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Concerto No. 2
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Classical Video Concepts, Inc
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.15 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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