English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
14
Partitions
Numériques
10
Librairie
Musicale
146
Matériel
de Musique
12 197
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
28950
PIANO & CLAVIERS
Piano seul
20580
Piano Facile
13853
Piano, Voix
7357
Piano grosses notes
6841
Piano, Voix et Guitare
4354
Orgue
3065
Instruments en Do
1309
1 Piano, 4 mains
811
Accompagnement Piano
688
Accordéon
405
Piano Trio: piano, violon, violoncelle
246
2 Pianos, 4 mains
164
Piano Quatuor: piano, violon, alto, violoncelle
125
Piano (partie séparée)
121
Clavier
72
Piano Quatuor: piano, 2 violons, violoncelle
54
1 Piano, 6 mains
44
Piano Quintette: piano, 2 violons, alto, violoncelle
43
Orgue, Trompette (duo)
39
Orgue, Piano (duo)
39
Clavecin
31
2 Accordéons
16
2 Pianos, 8 mains
7
Ensemble d'Accordéons
4
Orgue, Voix
4
Tous Les Instruments
4
Accordéon, Voix
3
Ligne De Mélodie, Piano
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accordéon, Piano
1
Ensemble de Pianos
1
Orgue et Orchestre
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
2619
Guitare notes et tablatures
2552
Guitare
2434
Ligne De Mélodie, (Paroles) et Accords
784
Ukulele
756
2 Guitares (duo)
253
Paroles et Accords
206
Guitare (partie séparée)
198
Dulcimer
84
Banjo
77
Mandoline
73
Piano, Guitare (duo)
72
4 Guitares (Quatuor)
65
Guitare Pedal Steel
44
Ensemble de guitares
41
3 Guitares (trio)
29
Basse électrique (partie séparée)
16
Ukulele Baryton
10
2 Ukuleles
7
Dobro
3
Ensemble de Ukulélés
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Partitions De Groupes
2
Guitare, Quatuor à cordes
1
Cithare
1
Luth
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
8083
Chorale 3 parties
3140
Chorale 2 parties
2026
Chorale Unison
1786
Chorale TTBB
1716
Chorale SSAA
1087
Voix duo, Piano
419
Voix seule
377
Voix Soprano, Piano
234
Voix duo
227
Chorale
224
Voix haute
104
Voix moyenne, Piano
67
Voix Alto, Piano
64
Voix Tenor, Piano
38
Voix basse, Piano
38
Chorale SSAATTBB
33
Voix Tenor
33
Chorale SSATB
19
Voix Baryton, Piano
17
Voix, Guitare
17
Voix Soprano
16
Voix basse
16
Voix Mezzo-Soprano, Piano
12
Chorale SSAB a cappella
7
Chorale SSATTB
6
Soli, choeur mixte et accompagnement
6
Chorale SSATBB
5
Chorale SSAB, Piano
5
Chorale, Orgue
4
Chorale SSAATB
4
Voix Moyenne
2
Chorale SATBB
2
Voix Baryton
1
Voix Soprano, Orchestre
1
Voix duo, Orgue
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière
2722
Saxophone
2717
Saxophone (partie séparée)
2573
Quatuor de Saxophones: 4 saxophones
2538
Clarinette
2532
Flûte traversière et Piano
2481
Flûte, Hautbois, Clarinette, Basson
1992
2 Saxophones (duo)
1696
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1585
Saxophone Alto
1468
2 Flûtes traversières (duo)
1419
Hautbois, Piano (duo)
1413
Clarinette et Piano
1397
Saxophone Alto et Piano
1229
2 Clarinettes (duo)
917
Quatuor de Clarinettes: 4 clarinettes
889
Hautbois (partie séparée)
778
Saxophone Tenor et Piano
773
Quintette de Saxophone: 5 saxophones
734
Saxophone Soprano et Piano
568
Quatuor de Flûtes : 4 flûtes
552
Saxophone Tenor
491
3 Saxophones (trio)
486
3 Clarinettes (trio)
482
2 Hautbois (duo)
396
Clarinette (partie séparée)
385
Flûte, Clarinette (duo)
376
Saxophone Baryton, Piano
358
Ensemble de Clarinettes
334
Trio de Flûtes: 3 flûtes
333
Quatuor de Flûtes à bec
310
Saxophone Soprano
298
Saxophone, Clarinette (duo)
297
Quintette de Clarinettes: 5 clarinettes
274
Clarinette, Violon (duo)
273
Hautbois
261
Hautbois, Basson (duo)
251
Ensemble de saxophones
249
2 Flûte à bec (duo)
246
Hautbois, Clarinette (duo)
213
Flûte et Guitare
212
Ensemble de Flûtes
208
3 Flûtes à bec (trio)
204
Flûte à Bec
199
Cor anglais, Piano
187
Flûte, Violon
175
Clarinette, Trompette (duo)
174
Flûte à bec Soprano
172
Flute (partie séparée)
171
Clarinette et Alto
138
5 Flûtes à bec
137
Quintette de Flûte : 5 flûtes
135
Flûte, Alto (duo)
133
Clarinette, Basson (duo)
130
Flûte, Hautbois, Basson
125
Flûte, Violoncelle
123
Flûte, Clarinette et Basson
113
Flûte à bec Alto
112
Hautbois, Flûte
111
Saxophone Baryton
106
Flûte, Saxophone (duo)
104
Flûte, Hautbois, Clarinette (trio)
98
Ensemble De Flûte à bec
92
Harmonica
89
Clarinette Basse, Piano
87
Clarinette, Guitare (duo)
84
Flûte, Trompette (duo)
78
Hautbois, Clarinette, Basson (trio d'anches)
77
Clarinette, Violoncelle (duo)
77
Hautbois, Violoncelle
73
Flûte, Hautbois (duo)
66
Flûte, Violon, Piano
64
Clarinette, Harpe (duo)
60
Cor Anglais
55
Flûte, Violoncelle, Piano (trio)
49
Flûte à bec Alto, Piano
47
3 Hautbois
47
Hautbois, violon (duo)
46
4 Hautbois
44
Flûte à bec Tenor
41
Hautbois et alto (duo)
39
Piccolo
36
Flûte à bec Soprano, Piano
36
Saxophone et Piano
33
Flûte, Clarinette, Piano (trio)
30
Flûte à bec Alto, Basse continue
29
Piccolo, Piano
28
Flûte, Basson et Piano
26
Flûte, Violon et Violoncelle
25
2 Flûtes traversières, Piano
24
2 Clarinettes, Piano
22
Instruments en Mib
21
Flûte, Clarinette, Cor, Basson (Quartet)
19
2 Saxophones, Piano
19
Flûte à Bec, Piano
18
Clarinette, Violoncelle, Piano (trio)
18
2 Clarinettes, Basson
17
Flûte, Harpe et Violoncelle
17
Cor anglais, Guitare (duo)
17
Clarinette, Trombone (duo)
16
Saxophone et Guitare
16
Hautbois, Guitare (duo)
14
Hautbois, trombone (duo)
14
Clarinette, Basson, Piano (trio)
14
Clarinette, Tuba
13
Flûte, Trombone (duo)
13
Flûte, Alto et Piano
12
Saxophone et Orgue
12
Flûte, Hautbois, Piano (trio)
12
Clarinette, Alto et Piano (trio)
11
Hautbois, Clarinette et Piano (Trio)
9
Clarinette, Contrebasse (duo)
9
Flûte traversière, Orgue (duo)
9
Flute, harpe et violon
9
Hautbois, Basson et Piano
9
Flûte, Tuba (duo)
8
Clarinette Basse
8
Flûte irlandaise
8
Ocarina
7
Ensemble à vent
7
Hautbois, Violoncelle et Piano
6
Ensemble de Hautbois
6
Flûte et Trio à cordes
5
Flûte, Violon, Violoncelle et Piano
5
Hautbois, Violon, Piano
5
2 Cors Anglais Et Pianoforte
4
Flûte traversière, Basse continue
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte, trombone et piano
4
Flûte, Hautbois, Violon
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Flûte à bec Soprano, Basse continue
3
2 Hautbois, Piano
3
Saxophone, Violon (duo)
2
Flûte de Pan
2
2 Flûtes traversières, Harpe
2
Cornemuse
2
Flute, Cor (duo)
2
2 Flûtes, Basse continue
2
Clarinette, Orgue
2
Hautbois, Harpe
2
Flûte à bec, Guitare (duo)
2
2 Flûtes à bec, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone, Basson (duo)
1
Flûte traversière, Orchestre
1
2 Flûtes à bec, Guitare
1
Flûte, Alto et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Clarinette, trompette et piano
1
Flûte, Clarinette, Violon (trio)
1
2 clarinettes, 2 bassons
1
Melodica
1
Flûte, alto et harpe
1
Clarinette, Saxophone, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
2397
Trombone
1932
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1604
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1359
Trompette, Piano
1060
Trombone et Piano
949
Cor
849
Cor et Piano
828
Trombone (partie séparée)
803
Trompette (partie séparée)
758
Tuba
639
2 Trompettes (duo)
576
Quatuor de Cuivres
523
2 Trombones (duo)
511
Tuba et Piano
473
Quatuor de Cuivres: 2 trompettes, Cor, trombone
450
Trompette, Trombone (duo)
307
Cor (partie séparée)
273
2 Cors (duo)
245
Euphonium
244
Euphonium, Piano (duo)
220
Trompette, Saxophone (duo)
213
Cor anglais, Piano
187
Tuba (partie séparée)
185
Quatuor de cuivres: 4 trombones
160
Trompette, Cor (duo)
128
Quatuor de cuivres: 4 cors
116
2 Tubas (duo)
113
Ensemble de Trombones
105
Trio de Cuivres
89
Ensemble de Trompettes
84
Tuba et Orgue
61
2 Euphoniums et 2 Tubas
57
Quatuor de cuivres: 4 trompettes
56
Cor Anglais
55
Ensemble de Cors
51
4 Tubas
40
3 Trompettes (trio)
39
Trombone, Tuba (duo)
30
3 Trombones (trio)
30
Trompette, Tuba (duo)
28
Cor, Violoncelle (duo)
27
Trombone, Cor (duo)
26
2 Euphoniums (duo)
24
Instruments en Sib
23
Euphonium, Tuba (duo)
20
Trompette, Basson (duo)
20
Bass Clef Instruments
19
Trombone basse
18
Trombone, Violon (duo)
17
Cor anglais, Guitare (duo)
17
Cor, Tuba (duo)
15
Trompette, Violoncelle (duo)
15
3 Cors (trio)
14
3 Tubas (trio)
14
Trombone basse et Piano
13
Trombone, Orgue
13
Cor et Basson (duo)
12
Trompette, violon (duo)
10
Trompette et Guitare
10
Trompette, Trombone, Piano
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Cor et Orgue
5
2 Cors, Piano
5
2 Trompettes, Clavier (piano ou orgue)
5
2 Cors Anglais Et Pianoforte
4
Instruments en Fa
4
Cor et Harpe
4
3 Euphoniums
3
Trombone et orchestre
3
2 Trombones, Piano
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trompette, Harpe
2
Clarinette, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Cor, Violoncelle et Piano
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
4 Euphoniums
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
5387
Violon et Piano
2916
Violon
2803
Harpe
2730
Violoncelle, Piano
1632
Alto, Piano
1418
Alto seul
1253
Violoncelle (partie séparée)
1227
Violon, Violoncelle (duo)
1096
2 Violons (duo)
915
Trio à Cordes: violon, alto, violoncelle
786
2 Violoncelles (duo)
757
Violoncelle
741
Violon, Alto (duo)
549
2 Altos (duo)
537
Contre Basse
529
Quintette à cordes: 2 violons, alto, violoncelle, basse
464
Contrebasse, Piano (duo)
432
Alto (partie séparée)
406
Violon (partie séparée)
378
Contrebasse (partie séparée)
283
Trio à Cordes: 2 violons, violoncelle
276
4 Violoncelles
211
Harpe, Flûte (duo)
187
Alto, Violoncelle (duo)
169
2 Harpes (duo)
152
Trio à Cordes: 3 violoncelles
142
Violon, Guitare (duo)
115
Trio à cordes
95
2 Contrebasses (duo)
90
Piano Trio: Violon, Alto, Piano
84
Harpe, Violon (duo)
76
Trio à cordes: 3 violins
72
Quatuor à cordes: 4 violons
68
Violoncelle , Guitare (duo)
67
Violon, Basson (duo)
65
Violoncelle, Contrebasse (duo)
59
Quatuor à cordes : 4 altos
52
Trio à Cordes: 2 violons, alto
38
Trio à cordes: 3 altos
36
Alto et Basson
25
Ensemble de Violons
24
Alto, Guitare (duo)
22
Flûte, Contrebasse (duo)
20
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Ensemble d'Altos
20
Violon, Tuba (duo)
19
Violon, Clarinette, Piano (trio)
19
Harpe, Violoncelle (duo)
17
Violon, Orgue
15
2 Violons, Piano
14
Ensemble de Violoncelles
13
Harpe, Voix
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Harpe et Piano
8
Harpe, Violon, Violoncelle
8
4 Contrebasses
8
Violoncelle, Orgue
8
2 Violoncelles, Piano
7
Autoharp
7
3 Contrebasses
7
Alto et Harpe
7
3 Harpes
7
4 Harpes
6
Harpe (partie séparée)
6
Violoncelle, Basse continue
4
Violoncelle, Orchestre
4
2 Altos, Piano
4
Harpe, Quatuor à cordes
4
Alto, Orgue
4
Violon, Violoncelle, Clarinette
4
Violon, Basse continue
3
5 Harpes
3
Harpe et mandoline
2
Harpe et Orgue
1
2 Violons et Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
8442
Batterie
2582
Orchestre à Cordes
2423
Orchestre
1775
Cloches
1601
Ensemble Jazz
1148
Ensemble de cuivres
1039
Orchestre de chambre
549
Jazz combo
361
Fanfare
314
Percussion (partie séparée)
281
Ensemble de Percussions
192
Batterie (partie séparée)
192
Marimba
106
Percussion
47
Xylophone
45
Vibraphone
45
Xylophone, Piano
40
Timbales (partie séparée)
28
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
2 Xylophones
13
Piano et Orchestre
10
Quintette à Vent
10
Big band
9
Caisse Claire
8
Xylophone ou Marimba ou Vibraphone
6
Ensemble d'École
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
4
Timbales
3
Instrumentation Flexible
3
Quatuor à Vent : 4 instruments à vents
2
Marimba, Piano (duo)
2
Orchestre, Violon
2
Cajon
2
Bongos
1
Marimba ou Xylophone et Piano
1
3 Marimbas
1
2 Marimbas
1
Conga
1
Marimba, Saxophone (duo)
1
Bodhran
1
2 Caisses Claires (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
11
Théorie de la musique
5
Papeterie
1
Vous avez sélectionné:
Gin
Piano et Orchestre
Partitions à imprimer
10 partitions trouvées
<
1
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.94 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Spanish Dance for Piano and Orchestra
Piano et Orchestre
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,T…
(+)
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.983241 Composed by Joseph Hull. Contemporary. Score and parts. 20 pages. Genesis #3017725. Published by Genesis (A0.983241). This piece for Piano and orchestra captures the rhythms and flavors of Spain. It is 3 min. 52 secondsin length. The piece was originally written for piano solo. .
$7.73
7.07 €
#
Piano et Orchestre
#
Joseph Hull
#
Spanish Dance for Piano and Orchestra
#
Genesis
#
SheetMusicPlus
Totentanz
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4503 (original version). Com…
(+)
Piano and orchestra - Digital Download SKU: S9.Q4503 (original version). Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4503. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4503). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
10.97 €
#
Piano et Orchestre
#
Franz Liszt
#
Totentanz
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
Piano et Orchestre
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - L…
(+)
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.981569 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical,Contemporary,Instructional. Score and parts. 12 pages. D'Andrea Helios #6735431. Published by D'Andrea Helios (A0.981569). Only variations on an original theme by Mozart.
$5.00
4.57 €
#
Piano et Orchestre
#
Wolfgang Amadeus Mozart
#
Helios D'Andrea
#
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
#
D'Andrea Helios
#
SheetMusicPlus
Klavierkonzert in C-Dur, Opus 7
Piano et Orchestre
Piano and orchestra - Digital Download SKU: BQ.979-0-50179-055-5 Composed by Friedr…
(+)
Piano and orchestra - Digital Download SKU: BQ.979-0-50179-055-5 Composed by Friedrich Kuhlau. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Orchestral score. With Text Language: English / German. Opus 7. 191 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-055-5). ISBN 9790501790555.Exhibiting a natural talent for pastiche and an almost overwhelming abundance of original musical thought the Piano Concerto in C opus 7 took Beethoven's famous Piano Concerto in C opus 15 as its inspiration. Premiere performances of the concerto in Copenhagen 1811, secured a future for the German born composer as a Danish Romantic icon for future generations and this concerto is part of his legacy: as fresh and serene today as the day of its first performance.
$26.95
24.65 €
#
Piano et Orchestre
#
Friedrich Kuhlau
#
Klavierkonzert in C-Dur, Opus 7
#
Bisel Classics - Digital
#
SheetMusicPlus
How Can I Keep From Singing?
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Pop, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.65 €
#
Piano et Orchestre
#
Stephen DeCesare
#
How Can I Keep From Singing?
#
Exultet Music
#
SheetMusicPlus
Concerto No. 6 for Piano and Orchestra
Piano et Orchestre
By Alexander Peskanov. For Piano, Orchestra. Classical Period, 20th Century. Easy/Beginner…
(+)
By Alexander Peskanov. For Piano, Orchestra. Classical Period, 20th Century. Easy/Beginner. Piano Reduction. Classical Video Concepts, Inc #M-YC6. Published by Classical Video Concepts, Inc
$20.00
18.29 €
#
Piano et Orchestre
#
Alexander Peskanov
#
Concerto No. 6 for Piano and Orchestra
#
Classical Video Concepts, Inc
#
SheetMusicPlus
Concerto No. 9 (Boston Concerto) for Piano and Orchestra
Piano et Orchestre
By Alexander Peskanov. For Piano, Orchestra. Romantic Period, 20th Century. Easy/Beginner.…
(+)
By Alexander Peskanov. For Piano, Orchestra. Romantic Period, 20th Century. Easy/Beginner. Piano Reduction. Classical Video Concepts, Inc #M-YC9. Published by Classical Video Concepts, Inc
$20.00
18.29 €
#
Piano et Orchestre
#
Alexander Peskanov
#
Concerto No. 9
#
Classical Video Concepts, Inc
#
SheetMusicPlus
Concerto No. 4 for Piano and Orchestra
Piano et Orchestre
By Alexander Peskanov. For Piano, Orchestra. Classical Period. Easy/Beginner. Piano Reduct…
(+)
By Alexander Peskanov. For Piano, Orchestra. Classical Period. Easy/Beginner. Piano Reduction. Classical Video Concepts, Inc #M-YC4. Published by Classical Video Concepts, Inc
$20.00
18.29 €
#
Piano et Orchestre
#
Alexander Peskanov
#
Concerto No. 4 for Piano and Orchestra
#
Classical Video Concepts, Inc
#
SheetMusicPlus
Concerto No. 9 (Boston Concerto) - Orchestra Score
Piano et Orchestre
By Alexander Peskanov. For Piano, Orchestra. Romantic Period, 20th Century. Easy/Beginner.…
(+)
By Alexander Peskanov. For Piano, Orchestra. Romantic Period, 20th Century. Easy/Beginner. Score. Classical Video Concepts, Inc #M-YC9-SCORE. Published by Classical Video Concepts, Inc
$50.00
45.73 €
#
Piano et Orchestre
#
Alexander Peskanov
#
Concerto No. 9
#
Classical Video Concepts, Inc
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale