English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
5
Partitions
Numériques
18
Librairie
Musicale
41
Matériel
de Musique
1 175
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
12336
PIANO & CLAVIERS
Piano, Voix et Guitare
86374
Piano seul
77391
Piano, Voix
34939
Piano Facile
14794
Piano grosses notes
5863
1 Piano, 4 mains
2830
Orgue
1514
Accompagnement Piano
441
2 Pianos, 4 mains
262
Piano (partie séparée)
223
Piano Trio: piano, violon, violoncelle
199
Instruments en Do
156
Piano Quatuor: piano, violon, alto, violoncelle
91
Piano Quatuor: piano, 2 violons, violoncelle
67
Clavier
65
Orgue, Piano (duo)
54
Piano Quintette: piano, 2 violons, alto, violoncelle
29
1 Piano, 6 mains
20
Accordéon
11
Ligne De Mélodie, Piano
10
2 Pianos, 8 mains
8
Clavecin
5
Accordéon, Voix
2
Orgue, Trompette (duo)
2
Accordéon, Piano
1
Instrument seul et Orgue
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
1010
Guitare notes et tablatures
305
Piano, Guitare (duo)
159
Guitare
149
Ukulele
71
2 Guitares (duo)
33
Basse electrique
30
Paroles et Accords
29
Mandoline, Piano (duo)
14
Guitare (partie séparée)
8
Guitare, Violon, Violoncelle (trio)
3
Banjo
3
Ensemble de guitares
2
Guitare Pedal Steel
2
Dulcimer
2
2 Ukuleles
1
3 Guitares (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
3818
Chorale 3 parties
1923
Chorale 2 parties
1332
Voix haute
1007
Chorale
968
Voix duo, Piano
886
Chorale Unison
410
Chorale TTBB
371
Voix Soprano, Piano
231
Voix basse, Piano
125
Voix Tenor, Piano
122
Voix Alto, Piano
105
Chorale SSAA
88
Voix duo
82
Voix Baryton, Piano
72
Voix Mezzo-Soprano, Piano
66
Voix moyenne, Piano
46
Voix seule
43
Voix Tenor
9
Chorale SSAB, Piano
8
Chorale SSATTB
6
Voix basse
5
Voix, Guitare
4
Chorale SSATBB
4
Chorale SSAATTBB
3
Voix Soprano
2
Voix haute, Piano
2
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
2327
Clarinette et Piano
1896
Saxophone Alto et Piano
1400
Hautbois, Piano (duo)
1003
Saxophone Tenor et Piano
892
Saxophone Soprano et Piano
602
2 Saxophones (duo)
274
Saxophone Baryton, Piano
260
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
238
Flûte, Hautbois, Clarinette, Basson
232
Quatuor de Saxophones: 4 saxophones
230
Clarinette
207
Cor anglais, Piano
192
Flûte, Clarinette (duo)
113
2 Flûtes traversières (duo)
110
Clarinette Basse, Piano
106
Flûte traversière
105
2 Clarinettes (duo)
103
Flûte irlandaise
78
Quintette de Saxophone: 5 saxophones
68
Saxophone Alto
64
Flûte à Bec, Piano
62
Quatuor de Clarinettes: 4 clarinettes
55
Saxophone (partie séparée)
54
Ensemble de Clarinettes
43
Saxophone Tenor
41
Flûte, Violon, Piano
38
3 Saxophones (trio)
34
Hautbois (partie séparée)
34
3 Clarinettes (trio)
33
Flûte à bec Soprano
32
2 Hautbois (duo)
32
2 Saxophones, Piano
32
2 Clarinettes, Piano
31
Flûte et Guitare
28
Ensemble de Flûtes
28
Quatuor de Flûtes : 4 flûtes
26
2 Flûtes traversières, Piano
26
Trio de Flûtes: 3 flûtes
22
Clarinette, Violon (duo)
21
Flûte à bec Soprano, Piano
20
Flûte, Violoncelle, Piano (trio)
20
Flûte à Bec
20
Flûte, Basson et Piano
19
Saxophone, Clarinette (duo)
17
Flûte, Clarinette, Piano (trio)
15
Clarinette, Guitare (duo)
15
Cor Anglais
15
Clarinette, Basson (duo)
14
2 Flûte à bec (duo)
14
Flûte, Violon
14
Flûte, Violon, Violoncelle et Piano
14
Ensemble De Flûte à bec
13
Hautbois, Clarinette (duo)
13
Hautbois, Basson (duo)
13
Hautbois, Guitare (duo)
12
Flûte à bec Alto, Piano
12
Flûte, Violoncelle
11
Clarinette et Alto
11
Quintette de Clarinettes: 5 clarinettes
11
Clarinette, Alto et Piano (trio)
11
Flûte, Hautbois, Clarinette (trio)
10
Clarinette, Violoncelle (duo)
10
Piccolo, Piano
10
Harmonica, Piano
9
Clarinette, Trompette (duo)
9
Clarinette, Basson, Piano (trio)
9
Hautbois
8
Flûte, Clarinette et Basson
8
Clarinette, Violoncelle, Piano (trio)
8
Quatuor de Flûtes à bec
8
Flûte à bec Alto
8
Clarinette, Trombone (duo)
7
Flûte, Trombone (duo)
7
Ensemble de saxophones
7
Flûte, Saxophone (duo)
7
Flûte, Hautbois (duo)
6
Hautbois, Flûte
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Alto (duo)
6
Hautbois, Violoncelle
6
Flûte, Trompette (duo)
6
Instruments en Mib
5
Flute (partie séparée)
5
Flûte, Hautbois, Piano (trio)
5
Saxophone Soprano
5
Flûte, Alto et Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette (partie séparée)
5
Saxophone et Orgue
4
Hautbois, Violon, Piano
4
Flûte, Clarinette, Violon (trio)
3
Flute, harpe et violon
3
Flûte à bec Tenor
3
Hautbois, violon (duo)
3
Saxophone et Piano
3
Harmonica
3
Quintette de Flûte : 5 flûtes
3
Saxophone Baryton
2
Piccolo
2
Hautbois, Basson et Piano
2
2 Clarinettes, Basson
2
Flûte, trombone et piano
2
2 Flûtes à bec, Piano
2
Hautbois, Harpe
2
Flûte, Hautbois, Basson
2
Hautbois et alto (duo)
2
Clarinette, Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ocarina
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Basse continue
1
3 Flûtes à bec (trio)
1
Clarinette, Tuba
1
Saxophone
1
Cornemuse
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone, Violon (duo)
1
Clarinette Basse
1
Clarinette, trompette et piano
1
2 Hautbois, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
1236
Trombone et Piano
826
Cor et Piano
671
Trompette
281
Tuba et Piano
216
Cor anglais, Piano
192
Euphonium, Piano (duo)
188
Quatuor de Cuivres: 2 trompettes, Cor, trombone
117
2 Trompettes (duo)
108
2 Trombones (duo)
105
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Trompette, Cor (duo)
80
Trombone
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Quatuor de Cuivres
48
2 Cors (duo)
45
Trompette (partie séparée)
43
Cor
34
Tuba et Orgue
30
Trompette, Trombone (duo)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
25
Tuba
23
Trombone (partie séparée)
21
Cor Anglais
15
Trompette, Saxophone (duo)
10
Cor (partie séparée)
10
2 Trompettes, Clavier (piano ou orgue)
10
Euphonium
9
3 Trombones (trio)
8
Quatuor de cuivres: 4 cors
8
Trombone basse et Piano
7
Ensemble de Trombones
6
Trompette, Violoncelle et Piano
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 trompettes
5
Bass Clef Instruments
4
Trompette, Trombone, Piano
4
2 Tubas (duo)
4
Trombone, Violon (duo)
4
Cor, Violoncelle (duo)
3
Instruments en Sib
3
3 Trompettes (trio)
3
2 Cors, Piano
3
Trompette, violon (duo)
3
Trio de Cuivres
3
2 Euphoniums et 2 Tubas
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
Cornet et Piano
2
2 Euphoniums (duo)
2
Trombone, violoncelle (duo)
2
Tuba (partie séparée)
2
Trombone, Tuba (duo)
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
Trompette, Basson (duo)
1
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
4 Tubas
1
2 Trombones, Piano
1
Trombone, Orgue
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
3504
Violoncelle, Piano
2081
Alto, Piano
1673
Quatuor à cordes: 2 violons, alto, violoncelle
474
Contrebasse, Piano (duo)
207
Violon
185
Piano Trio: Violon, Alto, Piano
113
Violoncelle
109
2 Violoncelles (duo)
108
2 Violons (duo)
104
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
Violon, Violoncelle (duo)
79
Violon, Alto (duo)
65
Alto seul
57
Harpe
57
Trio à Cordes: violon, alto, violoncelle
52
2 Altos (duo)
49
Violon (partie séparée)
29
2 Violons, Piano
23
Alto (partie séparée)
23
Violoncelle (partie séparée)
18
2 Violoncelles, Piano
18
Trio à Cordes: 2 violons, violoncelle
17
Contre Basse
17
Violoncelle , Guitare (duo)
16
Alto, Violoncelle (duo)
15
Violoncelle, Contrebasse (duo)
9
Contrebasse (partie séparée)
8
Trio à cordes: 3 violins
7
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
6
Harpe, Flûte (duo)
6
2 Altos, Piano
6
Violon, Basson (duo)
5
Violon, Clarinette, Piano (trio)
5
Violon, Guitare (duo)
5
Quatuor à cordes: 4 violons
5
Trio à Cordes: 3 violoncelles
5
Alto et Basson
5
2 Contrebasses (duo)
4
4 Contrebasses
4
Flûte, Contrebasse (duo)
3
Alto, Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Violon, Tuba (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Violon, Violoncelle
2
Alto, Orgue
2
2 Harpes (duo)
2
Harpe, Violon (duo)
2
Violon, Trompette et Piano
2
Violoncelle, Orgue
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Alto et orchestre
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
432
Orchestre d'harmonie
293
Orchestre
281
Orchestre à Cordes
206
Orchestre de chambre
166
Jazz combo
159
Ensemble de cuivres
112
Cloches
69
Xylophone, Piano
23
Piano et Orchestre
18
Ensemble de Percussions
12
Marimba
10
Ensemble d'École
7
Batterie (partie séparée)
6
Xylophone
4
Batterie
3
Marimba, Piano (duo)
3
Fanfare
2
Percussion (partie séparée)
2
Big band
2
Percussion
1
Quintette à Vent
1
Instrumentation Flexible
1
Vibraphone
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
4
Vous avez sélectionné:
STan Piano
Piano et Orchestre
Partitions à imprimer
18 partitions trouvées
<
1
Kirculescu (Nicolae) - Moment muzical pt pian si orchestra (Musical moment for piano and orchestra)
Piano et Orchestre
Guitar,Harpsichord,Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.913067…
(+)
Guitar,Harpsichord,Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.913067 Composed by Nicolae Kirculescu. Arranged by Andrei Lucian Drăgoi. 20th Century,Contemporary,Standards. 3 pages. Andrei-Lucian Dragoi #6188049. Published by Andrei-Lucian Dragoi (A0.913067). Composed for piano and orchestra by: Nicolae Kirculescu (Romanian composer) (1903-1985)
$2.00
1.81 €
#
Piano et Orchestre
#
Nicolae Kirculescu
#
Andrei Lucian Drăgoi
#
Kirculescu
#
Andrei-Lucian Dragoi
#
SheetMusicPlus
VARIANTS (for piano and orchestra)
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone…
(+)
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057960 Composed by Jordan Grigg. Contemporary,Standards. Full Performance. Duration 413. Jordan Grigg #3628987. Published by Jordan Grigg (A0.1057960).
$1.99
1.8 €
#
Piano et Orchestre
#
Jordan Grigg
#
VARIANTS
#
Jordan Grigg
#
SheetMusicPlus
Passions (for piano and orchestra)
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,…
(+)
Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057446 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 222. Jordan Grigg #3464809. Published by Jordan Grigg (A0.1057446).
$2.99
2.71 €
#
Piano et Orchestre
#
Jordan Grigg
#
Passions
#
Jordan Grigg
#
SheetMusicPlus
Fantasy for Piano and Orchestra
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone…
(+)
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1058105 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Full Performance. Duration 376. Jordan Grigg #5360293. Published by Jordan Grigg (A0.1058105).
$2.99
2.71 €
#
Piano et Orchestre
#
Jordan Grigg
#
Fantasy for Piano and Orchestra
#
Jordan Grigg
#
SheetMusicPlus
Elegy for Piano and Orchestra MP3
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violi…
(+)
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1056809 Composed by Jordan Grigg. Concert,Contemporary,Standards. Full Performance. Duration 389. Jordan Grigg #3093137. Published by Jordan Grigg (A0.1056809).
$3.99
3.62 €
#
Piano et Orchestre
#
Jordan Grigg
#
Elegy for Piano and Orchestra MP3
#
Jordan Grigg
#
SheetMusicPlus
Passions (for piano and orchestra)
Piano et Orchestre
Large Ensemble Bassoon,Cello,Clarinet,Cymbals,Double Bass,Flute,Horn,Oboe,Piano,Timpani,Tr…
(+)
Large Ensemble Bassoon,Cello,Clarinet,Cymbals,Double Bass,Flute,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.863537 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 52 pages. Jordan Grigg #3388747. Published by Jordan Grigg (A0.863537).
$15.95
14.46 €
#
Piano et Orchestre
#
Jordan Grigg
#
Passions
#
Jordan Grigg
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.75 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Franz Joseph Haydn: Concerto in G major for piano & orchestra (two pianos)
Piano et Orchestre
Instantly downloadable sheet music by Franz Joseph Haydn for piano & orchestra (two pi…
(+)
Instantly downloadable sheet music by Franz Joseph Haydn for piano & orchestra (two pianos) of MEDIUM skill level. Contents: Hob.XVIII:4 / classical,concert
$7.99
7.24 €
#
Piano et Orchestre
#
Franz Joseph Haydn
#
Virtualsheetmusic
Peter Tchaikovsky: Concerto in Bb minor Op.23 No.1 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Pyotr Ilyich Tchaikovsky for piano & orchestra o…
(+)
Instantly downloadable sheet music by Pyotr Ilyich Tchaikovsky for piano & orchestra of HIGH skill level. Contents: opus 23, op. 23, no. 1, piano concerto / classical,concert
$6.75
6.12 €
#
Piano et Orchestre
#
Peter Tchaikovsky
#
Virtualsheetmusic
Wolfgang Amadeus Mozart: Concerto in D minor No.20 K466 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for piano & orchestra of…
(+)
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for piano & orchestra of MEDIUM skill level. Contents: K 466, number 20, n.20, piano concerto / classical,concert
$5.75
5.21 €
#
Piano et Orchestre
#
Wolfgang Amadeus Mozart
#
Virtualsheetmusic
Wolfgang Amadeus Mozart: Concerto in C major No.21 K467 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for piano & orchestra of…
(+)
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for piano & orchestra of MEDIUM skill level. Contents: K 467, number 21, n.21, piano concerto / classical,concert
$5.75
5.21 €
#
Piano et Orchestre
#
Wolfgang Amadeus Mozart
#
Virtualsheetmusic
Wolfgang Amadeus Mozart: Concerto in A major No.23 K488 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for piano & orchestra of…
(+)
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for piano & orchestra of MEDIUM skill level. Contents: K 488, number 23, n.23, piano concerto / classical,concert
$5.75
5.21 €
#
Piano et Orchestre
#
Wolfgang Amadeus Mozart
#
Virtualsheetmusic
Ludwig Van Beethoven: Concerto Op.73 No.5 "Emperor" for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Ludwig van Beethoven for piano & orchestra of HI…
(+)
Instantly downloadable sheet music by Ludwig van Beethoven for piano & orchestra of HIGH skill level. Contents: Imperatore, concerto op. 73, op.73, 73, emperor, piano concerto / classical,concert
$5.75
5.21 €
#
Piano et Orchestre
#
Ludwig Van Beethoven
#
Virtualsheetmusic
Edward Grieg: Concerto in A minor Op.16 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Edvard Grieg for piano & orchestra of HIGH skill…
(+)
Instantly downloadable sheet music by Edvard Grieg for piano & orchestra of HIGH skill level. Contents: op. 16, opus 16 / classical,concert
$6.75
6.12 €
#
Piano et Orchestre
#
Edward Grieg
#
Virtualsheetmusic
Frederic Chopin: Concerto in E minor Op.11 No.1 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Frederic Chopin for piano & orchestra of HIGH sk…
(+)
Instantly downloadable sheet music by Frederic Chopin for piano & orchestra of HIGH skill level. Contents: Op. 11, opus 11 / classical,concert
$6.99
6.34 €
#
Piano et Orchestre
#
Frederic Chopin
#
Virtualsheetmusic
Concerto No. 1 E minor
Piano et Orchestre
Piano and Orchestra - Digital Download SKU: S9.Q4621 Composed by Frederic Chopin. T…
(+)
Piano and Orchestra - Digital Download SKU: S9.Q4621 Composed by Frederic Chopin. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. New URTEXT Edition. Downloadable, Study score. Op. 11. Ernst Eulenburg & Co. GmbH - Digital #Q4621. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4621). Key: E minor.Klavierkonzert Nr. 1 e-Moll op. 11Seine unausgesprochenen Gefühle unerfüllter Liebe, die er für die Sängern Konstanze Gładkowska hegte, hatte Chopin bereits im f-Moll-Konzert zu verarbeiten versucht, doch die Sehnsucht scheint sich auch im zweiten Satz des e-Moll-Konzertes widerzuspiegeln: Die Romanze „… soll wie das milde Hinblicken auf eine Stätte wirken, die tausend süße Erinnerungen wachruft, wie eine Träumerei in einer schönen, mondbeglänzten Frühlingsnacht.
$15.99
14.5 €
#
Piano et Orchestre
#
Frederic Chopin
#
Concerto No. 1 E minor
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
The Queen Stands At Your Right Hand
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Octavo. Published by Exultet Music
$12.99
11.78 €
#
Piano et Orchestre
#
Stephen DeCesare
#
The Queen Stands At Your Right Hand
#
Exultet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale