English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
7
Partitions
Numériques
22
Librairie
Musicale
63
Matériel
de Musique
20 959
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
21379
PIANO & CLAVIERS
Piano, Voix et Guitare
20406
Piano, Voix
20006
Piano seul
16074
Piano Facile
7337
Instruments en Do
1538
Orgue
1103
1 Piano, 4 mains
633
Accompagnement Piano
619
Piano grosses notes
385
2 Pianos, 4 mains
183
Accordéon
150
Piano Trio: piano, violon, violoncelle
125
Piano (partie séparée)
81
1 Piano, 6 mains
36
Piano Quatuor: piano, 2 violons, violoncelle
35
Piano Quatuor: piano, violon, alto, violoncelle
32
Clavecin
28
Ligne De Mélodie, Piano
23
Orgue, Piano (duo)
22
Orgue, Trompette (duo)
21
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Accordéon, Voix
16
2 Pianos, 8 mains
13
Orgue, Voix
11
Clavier
8
Instrument seul et Orgue
5
Ensemble d'Accordéons
3
2 Accordéons
3
3 Pianos
2
Ensemble de Pianos
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
3646
Ligne De Mélodie, (Paroles) et Accords
1462
Guitare
1073
Ukulele
1065
Basse electrique
620
Paroles et Accords
337
2 Guitares (duo)
114
Piano, Guitare (duo)
90
Guitare Pedal Steel
77
Guitare (partie séparée)
74
Dulcimer
65
Mandoline
43
Banjo
37
4 Guitares (Quatuor)
35
Basse électrique (partie séparée)
17
Ensemble de guitares
17
3 Guitares (trio)
13
2 Ukuleles
7
Ukulele Baryton
6
Mandoline, Guitare (duo)
6
Bouzouki
4
Partitions De Groupes
4
Ensemble de Ukulélés
2
2 Dulcimers (duo)
2
Cithare
1
Luth
1
Dobro
1
Guitare, Orchestre
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
9444
Voix seule
6039
Chorale 3 parties
3934
Chorale 2 parties
2816
Chorale Unison
1795
Chorale TTBB
1751
Chorale SSAA
1143
Voix duo, Piano
861
Chorale
585
Voix Soprano, Piano
240
Voix duo
191
Voix Alto, Piano
109
Voix Tenor, Piano
103
Voix moyenne, Piano
71
Voix, Guitare
63
Voix haute
60
Voix basse, Piano
57
Voix Tenor
49
Voix Soprano
37
Chorale SSATB
32
Voix Baryton, Piano
23
Chorale SSAATTBB
22
Voix Mezzo-Soprano, Piano
17
Chorale SSATTB
16
Chorale, Orgue
14
Chorale SSAB a cappella
11
Voix basse
8
Chorale SSATBB
5
Chorale SSAB, Piano
4
Soli, choeur mixte et accompagnement
4
Chorale SAATB A Cappella
4
Chorale SSAATB
3
Voix haute, Piano
2
Chorale SATBB
2
Chorale SSAATB A Cappella
2
Voix duo, Orgue
2
Voix Moyenne
2
Chorale SATTBB A Cappella
2
Voix Soprano, Orchestre
1
Chorale SATTB
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
1277
Saxophone (partie séparée)
1086
Flûte traversière
963
Saxophone Alto
923
Quatuor de Saxophones: 4 saxophones
847
Clarinette et Piano
820
Saxophone Alto et Piano
796
Clarinette
784
Hautbois, Piano (duo)
716
Flûte, Hautbois, Clarinette, Basson
675
2 Saxophones (duo)
626
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
614
2 Flûtes traversières (duo)
525
Saxophone Tenor et Piano
510
2 Clarinettes (duo)
437
Quatuor de Clarinettes: 4 clarinettes
394
Hautbois (partie séparée)
375
Saxophone Tenor
290
Saxophone Soprano et Piano
284
Quintette de Saxophone: 5 saxophones
255
Clarinette (partie séparée)
240
Flûte, Clarinette (duo)
231
Flûte et Guitare
216
Quatuor de Flûtes : 4 flûtes
208
Saxophone Baryton, Piano
178
Trio de Flûtes: 3 flûtes
162
2 Hautbois (duo)
159
Saxophone, Clarinette (duo)
158
Hautbois
148
Clarinette, Violon (duo)
134
Saxophone Soprano
125
Flute (partie séparée)
124
Ensemble de Clarinettes
123
3 Clarinettes (trio)
122
3 Saxophones (trio)
110
Ensemble de Flûtes
105
Cor anglais, Piano
102
Flûte, Violon
100
Hautbois, Basson (duo)
100
Hautbois, Clarinette (duo)
97
Clarinette, Trompette (duo)
90
Flûte irlandaise
86
Ensemble de saxophones
86
Flûte à bec Soprano
85
Quintette de Clarinettes: 5 clarinettes
77
Saxophone
72
2 Flûte à bec (duo)
70
Flûte à Bec
69
Hautbois, Flûte
66
Saxophone et Piano
65
Clarinette et Alto
62
Clarinette, Basson (duo)
59
Clarinette Basse, Piano
59
Saxophone Baryton
59
Cor Anglais
58
Flûte à bec Alto
56
Flûte, Hautbois, Clarinette (trio)
55
Flûte, Alto (duo)
54
Flûte, Saxophone (duo)
48
Flûte, Trompette (duo)
46
Flûte, Violoncelle
45
Piccolo
43
Clarinette, Harpe (duo)
41
Flûte, Violon, Piano
40
Quatuor de Flûtes à bec
38
Quintette de Flûte : 5 flûtes
38
Clarinette, Guitare (duo)
37
Ensemble De Flûte à bec
36
2 Flûtes traversières, Piano
31
Flûte, Clarinette, Piano (trio)
31
Flûte, Violoncelle, Piano (trio)
31
Clarinette, Violoncelle (duo)
30
Flûte, Clarinette et Basson
29
Flûte, Hautbois (duo)
28
Flûte à bec Tenor
26
Hautbois, Clarinette, Basson (trio d'anches)
25
Hautbois, Violoncelle
24
Instruments en Mib
22
Flûte, Hautbois, Violon
18
Harmonica
18
Flûte à Bec, Piano
17
Flûte à bec Soprano, Piano
16
Flûte, Basson et Piano
14
Clarinette, Violoncelle, Piano (trio)
14
Hautbois, Guitare (duo)
13
3 Flûtes à bec (trio)
12
2 Clarinettes, Piano
12
Flûte, Harpe et Violoncelle
11
5 Flûtes à bec
11
Hautbois et alto (duo)
11
Hautbois, violon (duo)
11
Saxophone et Guitare
10
Flûte, Trombone (duo)
10
2 Saxophones, Piano
10
Flûte, Hautbois, Basson
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Guitare, Piano
7
Flûte et Quatuor à Cordes
7
Cor anglais, Guitare (duo)
7
Flûte à bec Alto, Piano
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violon et Violoncelle
6
Saxophone et Orgue
6
Flûte à bec, Guitare (duo)
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, Clarinette, Violon (trio)
5
Piccolo, Piano
5
Clarinette, Basson, Piano (trio)
5
Clarinette Basse
5
Flûte, Alto et Piano
5
Hautbois, Harpe
5
Ensemble à vent
4
Flûte, Hautbois, Piano (trio)
4
Flute, harpe et violon
4
Hautbois, Violon, Piano
3
Clarinette, Orgue
3
Saxophone et Harpe
3
2 Clarinettes, Basson
3
Flûte, alto et harpe
3
3 Hautbois
3
Flûte traversière, Orgue (duo)
3
Clarinette, Trombone (duo)
3
Flûte, trombone et piano
2
Flûte et Trio à cordes
2
Clarinette, Alto et Piano (trio)
2
Flute, Cor (duo)
2
4 Hautbois
2
Flûte de Pan
2
Flûte, Violon, Guitare
2
2 Flûtes à bec, Piano
2
Ocarina
2
Clarinette, Tuba
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
2 Flûtes traversières, Harpe
2
Clarinette, Contrebasse (duo)
2
Hautbois, trombone (duo)
2
Flûte traversière, Orchestre
2
Clarinette, Orchestre
2
Clarinette, trompette et piano
2
Hautbois, Violoncelle et Piano
2
2 Flûtes traversières, Guitare
1
Saxophone, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes à bec, Guitare
1
Flûte, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Basson et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
808
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
743
Trompette, Piano
700
Trombone et Piano
587
Trombone
581
Quatuor de Cuivres : 2 trompettes, trombone, tuba
518
Trompette (partie séparée)
486
Cor et Piano
477
Trombone (partie séparée)
387
Cor
387
Tuba et Piano
242
Quatuor de Cuivres
232
Tuba
223
2 Trompettes (duo)
219
2 Trombones (duo)
178
Quatuor de Cuivres: 2 trompettes, Cor, trombone
159
Cor (partie séparée)
139
2 Cors (duo)
131
Trompette, Trombone (duo)
114
Trompette, Saxophone (duo)
109
Cor anglais, Piano
102
Quatuor de cuivres: 4 trombones
97
Euphonium, Piano (duo)
96
Tuba (partie séparée)
84
Euphonium
77
Cor Anglais
58
Trio de Cuivres
55
Quatuor de cuivres: 4 cors
51
2 Tubas (duo)
39
2 Euphoniums et 2 Tubas
36
Trompette, Cor (duo)
34
Bass Clef Instruments
33
Ensemble de Trombones
32
Instruments en Sib
27
Ensemble de Trompettes
25
3 Trombones (trio)
16
Ensemble de Cors
15
4 Tubas
12
3 Trompettes (trio)
12
Trompette, Tuba (duo)
12
2 Trompettes, Clavier (piano ou orgue)
11
Trombone, Tuba (duo)
11
Quatuor de cuivres: 4 trompettes
11
Tuba et Orgue
10
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Trombone basse
8
Cor anglais, Guitare (duo)
7
Trombone, Orgue
7
Euphonium, Tuba (duo)
6
3 Cors (trio)
6
Trombone basse et Piano
6
Trombone, Cor (duo)
6
Cor, Violoncelle (duo)
5
2 Euphoniums (duo)
5
Trompette, Trombone, Piano
5
Cor, Tuba (duo)
4
G Instruments
4
Trompette, violon (duo)
4
Trompette, Violoncelle et Piano
3
Trompette, Basson (duo)
2
Clarinette, Cor (duo)
2
Trompette et Guitare
2
Trompette, Harpe
2
3 Tubas (trio)
2
Trombone et orchestre
2
3 Euphoniums
2
Trombone, Violon (duo)
2
Trompette, Violoncelle (duo)
2
2 Cors, Piano
2
Cor et Harpe
2
Ensemble de Tubas
1
Cor, Trompette, Trombone (trio)
1
Instruments en Fa
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Orgue
1
Tuba ou Euphonium ou Saxhorn
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2440
Violon et Piano
1654
Violon
1382
Harpe
1005
Violoncelle, Piano
930
Alto, Piano
798
Violoncelle (partie séparée)
617
Alto seul
595
2 Violons (duo)
456
Violon, Violoncelle (duo)
427
Violoncelle
422
Trio à Cordes: violon, alto, violoncelle
316
2 Violoncelles (duo)
291
Violon (partie séparée)
273
Contre Basse
254
Alto (partie séparée)
231
2 Altos (duo)
224
Violon, Alto (duo)
217
Contrebasse, Piano (duo)
198
Quintette à cordes: 2 violons, alto, violoncelle, basse
197
Contrebasse (partie séparée)
193
Trio à Cordes: 2 violons, violoncelle
168
Harpe, Flûte (duo)
120
2 Harpes (duo)
117
Alto, Violoncelle (duo)
70
Piano Trio: Violon, Alto, Piano
64
Violon, Guitare (duo)
50
Trio à cordes: 3 violins
41
2 Contrebasses (duo)
40
Trio à Cordes: 3 violoncelles
37
4 Violoncelles
37
Quatuor à cordes: 4 violons
32
Violoncelle , Guitare (duo)
32
Harpe, Violon (duo)
29
Harpe, Voix
24
Violoncelle, Contrebasse (duo)
23
Trio à cordes
19
2 Violons, Piano
18
Violon, Basson (duo)
17
Trio à Cordes: 2 violons, alto
16
Harpe (partie séparée)
16
3 Harpes
15
Alto, Guitare (duo)
14
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Ensemble de Violons
12
Violon, Clarinette, Piano (trio)
11
Trio à cordes: 3 altos
11
Quatuor à cordes : 4 altos
11
2 Violoncelles, Piano
9
Ensemble d'Altos
9
Flûte, Contrebasse (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Harpe, Violoncelle (duo)
6
4 Contrebasses
5
Harpe, Quatuor à cordes
4
Violon, Tuba (duo)
4
Alto et Basson
4
Alto et Harpe
3
Violoncelle, Orgue
3
Autoharp
3
Violon, Orgue
3
Harpe et Piano
2
Harpe et mandoline
2
2 Altos, Piano
2
Ensemble de Violoncelles
2
Violoncelle, Basse continue
1
Alto, Orgue
1
Violoncelle, Orchestre
1
3 Contrebasses
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4254
Cloches
1293
Orchestre
1149
Orchestre à Cordes
888
Ensemble de cuivres
548
Ensemble Jazz
502
Orchestre de chambre
294
Batterie
260
Fanfare
240
Percussion (partie séparée)
209
Jazz combo
202
Batterie (partie séparée)
118
Ensemble de Percussions
77
Marimba
49
Percussion
26
Vibraphone
25
Piano et Orchestre
22
Xylophone, Piano
21
Timbales (partie séparée)
18
Xylophone
13
Quintette à Vent
8
Xylophone ou Marimba ou Vibraphone
8
Ensemble d'École
5
Timbales
5
2 Xylophones
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Instrumentation Flexible
4
Caisse Claire
4
Quintette de Cuivres: autres combinaisons
4
Quatuor à Vent : 4 instruments à vents
3
Orchestre, Violon
2
Big band
2
Vibraphone et Marimba
1
2 Marimbas
1
Marimba, Piano (duo)
1
Voix Mezzo-Soprano, Orchestre
1
Bodhran
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
Instrumentations suivantes
Retracter
AUTRES
Papeterie
15
Formation musicale - Solfège
14
Théorie de la musique
10
Vous avez sélectionné:
Sing Sing Sing
Piano et Orchestre
Partitions à imprimer
22 partitions trouvées
<
1
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
How Can I Keep From Singing?
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Pop, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
How Can I Keep From Singing?
#
Exultet Music
#
SheetMusicPlus
Peace I Leave With You
Piano et Orchestre
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
(+)
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Peace I Leave With You
#
Exultet Music
#
SheetMusicPlus
A Little Bit Of Love
Piano et Orchestre
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Mus…
(+)
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Christian, Contemporary Christian, Folk Music. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
A Little Bit Of Love
#
Exultet Music
#
SheetMusicPlus
You Are Mine
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
You Are Mine
#
Exultet Music
#
SheetMusicPlus
Good Friday
Piano et Orchestre
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
(+)
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Good Friday
#
Exultet Music
#
SheetMusicPlus
Softly And Tenderly
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Softly And Tenderly
#
Exultet Music
#
SheetMusicPlus
May The Angels
Piano et Orchestre
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
(+)
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
May The Angels
#
Exultet Music
#
SheetMusicPlus
The Lord's Prayer (for Children)
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Chris…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Christian, Contemporary Christian. Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
The Lord's Prayer
#
Exultet Music
#
SheetMusicPlus
Listen To The Mocking Bird
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Children's Music, Movies/TV, Ro…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Children's Music, Movies/TV, Romantic Period, Folk Music, World. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Listen To The Mocking Bird
#
Exultet Music
#
SheetMusicPlus
Those Who Sow In Tears
Piano et Orchestre
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
(+)
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Gospel, Spiritual. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Those Who Sow In Tears
#
Exultet Music
#
SheetMusicPlus
Cradled In A Lowly Manger
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Christmas. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Cradled In A Lowly Manger
#
Exultet Music
#
SheetMusicPlus
The "What's Your Answer?" Game Show (Fairy Tale Edition)
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Movies/TV, 21st Century. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
The "What's Your Answer?" Game Show
#
Exultet Music
#
SheetMusicPlus
The "What's Your Answer?" Game Show (School Edition)
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Movies/TV, 21st Century. Early Intermediate. Sheet Music Single. Published by Exultet Music
$4.95
4.55 €
#
Piano et Orchestre
#
Stephen DeCesare
#
The "What's Your Answer?" Game Show
#
Exultet Music
#
SheetMusicPlus
The "What's Your Answer?" Game Show (Religious Edition)
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Sacred, Secular, Chil…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Sacred, Secular, Children's Music, Movies/TV. Early Intermediate. Sheet Music Single. Published by Exultet Music
$4.95
4.55 €
#
Piano et Orchestre
#
Stephen DeCesare
#
The "What's Your Answer?" Game Show
#
Exultet Music
#
SheetMusicPlus
The True Bread Of My Soul
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
The True Bread Of My Soul
#
Exultet Music
#
SheetMusicPlus
Whatever You Do
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
#
Piano et Orchestre
#
Stephen DeCesare
#
Whatever You Do
#
Exultet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale