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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Baroque
Non classifié
1 151
Piano & claviers
Piano seul
616
Piano Facile
501
Orgue
107
Piano, Voix
97
Instruments en Do
41
1 Piano, 4 mains
23
2 Pianos, 4 mains
22
Piano Trio: piano, violon, violoncelle
17
Piano, Voix et Guitare
13
Clavecin
12
Accompagnement Piano
12
Orgue, Piano (duo)
10
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Accordéons
2
Accordéon
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
268
Guitare
111
Mandoline
103
Ukulele
44
2 Guitares (duo)
38
Ligne De Mélodie, (Paroles) et Accords
12
4 Guitares (Quatuor)
11
3 Guitares (trio)
8
Ukulele Baryton
6
Basse electrique
4
Ensemble de guitares
4
Piano, Guitare (duo)
3
3 Dulcimers (trio)
2
Mandoline, Piano (duo)
1
Cithare
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Banjo
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
90
Chorale 3 parties
36
Voix haute
30
Chorale 2 parties
25
Chorale TTBB
13
Voix duo, Piano
8
Voix moyenne, Piano
7
Chorale
4
Chorale Unison
4
Chorale SSAA
3
Voix Soprano, Piano
3
Voix duo
3
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
157
2 Saxophones (duo)
153
Flûte, Hautbois, Clarinette, Basson
138
2 Flûtes traversières (duo)
137
Clarinette et Piano
132
Quatuor de Saxophones: 4 saxophones
129
2 Clarinettes (duo)
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Hautbois, Piano (duo)
105
Flûte traversière
90
Quatuor de Clarinettes: 4 clarinettes
88
Saxophone Alto et Piano
82
Clarinette
71
Saxophone Tenor et Piano
68
Quintette de Saxophone: 5 saxophones
49
Saxophone Alto
44
2 Hautbois (duo)
41
Saxophone Soprano et Piano
40
Quatuor de Flûtes : 4 flûtes
38
3 Clarinettes (trio)
37
3 Saxophones (trio)
36
Flûte, Clarinette (duo)
34
Saxophone Tenor
33
Hautbois, Basson (duo)
33
Quatuor de Flûtes à bec
32
Flûte et Guitare
30
Flûte, Violoncelle
30
Clarinette, Basson (duo)
29
Hautbois
29
Hautbois (partie séparée)
27
Cor anglais, Piano
24
Flûte à bec Soprano
24
2 Flûte à bec (duo)
24
Saxophone Baryton, Piano
24
Trio de Flûtes: 3 flûtes
23
Hautbois, Violoncelle
23
Clarinette, Violoncelle (duo)
23
Hautbois, Clarinette (duo)
20
Flûte à Bec
20
Flûte, Clarinette et Basson
17
Flûte à bec Alto
16
Flûte, Violon
16
Flûte, Hautbois, Clarinette (trio)
16
3 Flûtes à bec (trio)
16
Saxophone Soprano
15
Clarinette, Violon (duo)
15
Ensemble De Flûte à bec
14
Flûte, Hautbois, Basson
14
Ensemble de Clarinettes
13
Ensemble de Flûtes
12
Saxophone (partie séparée)
12
Clarinette Basse, Piano
10
Saxophone Baryton
10
Flûte, Trompette (duo)
8
Flûte, Hautbois (duo)
8
Saxophone, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
8
Flûte, Violoncelle, Piano (trio)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, violon (duo)
7
2 Cors Anglais Et Pianoforte
7
Hautbois, Trompette (duo)
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Saxophone, Violon (duo)
6
Clarinette, Guitare (duo)
5
Flûte, Alto (duo)
5
Saxophone et Piano
5
Saxophone
5
Cor Anglais
5
Flûte, Violon et Violoncelle
5
Flûte, Trombone (duo)
5
Cor anglais, Guitare (duo)
4
2 Saxophones, Piano
4
Flûte, Violon, Piano
4
Flûte, Clarinette, Piano (trio)
4
Ensemble de saxophones
3
Flûte et Trio à cordes
3
2 Flûtes traversières, Piano
3
5 Flûtes à bec
3
3 Hautbois
3
Flûte à bec Tenor
3
Hautbois, Flûte
3
Saxophone et Guitare
3
Clarinette, Harpe (duo)
3
Flûte, Basson et Piano
3
Flûte à bec, Guitare (duo)
2
Flûte, Tuba (duo)
2
2 Clarinettes, Basson
2
Clarinette et Alto
2
Clarinette, Basson, Piano (trio)
2
Clarinette Basse
2
Flûte à bec Soprano, Piano
2
Piccolo
2
Clarinette, Trombone (duo)
2
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
Melodica
1
Flûte, Alto et Piano
1
2 Clarinettes, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte et Quatuor à Cordes
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Basse continue
1
Flûte, Alto et Violoncelle
1
Flûte, Harpe et Violoncelle
1
2 Flûtes à bec, Guitare
1
Flute (partie séparée)
1
Hautbois, Harpe
1
+ 108 instrumentations
Retracter
Cuivres
Trompette, Piano
99
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trombone et Piano
79
Trompette
74
2 Trompettes (duo)
65
Cor et Piano
63
Tuba et Piano
53
Quatuor de cuivres: 4 cors
50
Trombone
48
Tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Cor
37
2 Trombones (duo)
35
2 Cors (duo)
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Cor anglais, Piano
24
Trompette, Trombone (duo)
23
Quatuor de Cuivres
20
2 Tubas (duo)
17
Trompette, Basson (duo)
15
Quatuor de cuivres: 4 trombones
11
2 Euphoniums (duo)
11
3 Trombones (trio)
10
Cor, Violoncelle (duo)
10
Trompette, Violoncelle (duo)
10
Trompette, violon (duo)
9
3 Trompettes (trio)
9
Quatuor de cuivres: 4 trompettes
9
4 Tubas
8
Trompette, Saxophone (duo)
7
Euphonium, Piano (duo)
7
2 Cors Anglais Et Pianoforte
7
Trombone, violoncelle (duo)
6
3 Tubas (trio)
6
2 Trompettes, Clavier (piano ou orgue)
5
Cor Anglais
5
3 Cors (trio)
5
Trio de Cuivres
5
Cor anglais, Guitare (duo)
4
Euphonium, Tuba (duo)
4
Cor et Basson (duo)
4
Trompette (partie séparée)
3
Trompette, Cor (duo)
3
Ensemble de Cors
3
Trombone, Cor (duo)
2
Euphonium
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Euphonium Ou Saxhorn Et Piano
1
Trombone, Orgue
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
283
Violon et Piano
165
Alto, Piano
121
Violoncelle, Piano
109
Violon
98
Violon, Violoncelle (duo)
94
2 Violons (duo)
91
Trio à Cordes: violon, alto, violoncelle
83
Violoncelle
75
Alto seul
54
Trio à Cordes: 2 violons, violoncelle
52
2 Violoncelles (duo)
50
2 Altos (duo)
48
Violon, Alto (duo)
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
43
Contrebasse, Piano (duo)
42
Contre Basse
38
Harpe
38
Alto, Violoncelle (duo)
37
Trio à cordes: 3 violins
21
Violon, Basson (duo)
18
Violoncelle, Contrebasse (duo)
17
2 Contrebasses (duo)
17
Trio à Cordes: 2 violons, alto
14
Alto et Basson
12
Violon (partie séparée)
11
4 Violoncelles
11
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes : 4 altos
9
Alto (partie séparée)
8
Violon, Guitare (duo)
8
Piano Trio: Violon, Alto, Piano
8
Trio à cordes: 3 altos
7
Violoncelle , Guitare (duo)
5
2 Violons, Piano
4
Flûte, Contrebasse (duo)
4
Harpe, Flûte (duo)
4
3 Contrebasses
3
4 Contrebasses
3
Quatuor à cordes: 4 violons
3
Violoncelle, Basse continue
2
2 Harpes (duo)
1
Trio à cordes
1
Ensemble de Violoncelles
1
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
139
Orchestre d'harmonie
61
Ensemble de cuivres
48
Orchestre
23
Orchestre de chambre
20
Cloches
10
Ensemble Jazz
6
Xylophone, Piano
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble de Percussions
4
Marimba
3
Jazz combo
2
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
Batterie
1
Timbales (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Baroque
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Euphonium, Piano (duo)
Partitions à imprimer
7 partitions trouvées
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1
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Albinoni's Adagio for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Tomaso Giovanni Albinoni
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Diego Marani
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Albinoni's Adagio for Euphoniu
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1177431 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film/TV,Instructional,Wedd...
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Euphonium,Piano - Level 2 - SKU: A0.1177431 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film/TV,Instructional,Wedding. Score and part. 6 pages. Diego Marani #777442. Published by Diego Marani (A0.1177431). Adagio in G minor for strings and organ is a Baroque composition commonly attributed to the 18th-century Venetian master Tomaso Albinoni. It is considered the most famous and most played slow movement in the history of music. The Adagio has been used in many films, television programmes, advertisements, recordings, and books.This easy arrangement for euphonium (C and Bb treble clef) with piano accompaniment is suitable for any occasion: from concerts to weddings.
$8.99
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Handel Rocks! for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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George Frideric Handel
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David Burndrett
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Handel Rocks! for Euphonium an
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David Burndrett
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1373524 Composed by George Frideric Handel. Arranged by David Burndrett. Baroque,Rock. Score and part. 5 pages. Davi...
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Euphonium,Piano - Level 2 - SKU: A0.1373524 Composed by George Frideric Handel. Arranged by David Burndrett. Baroque,Rock. Score and part. 5 pages. David Burndrett #957891. Published by David Burndrett (A0.1373524). This is a fun piece for euphonium and piano and it is about grade 2-3 standard upwards!
$3.99
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Lascia ch'io pianga
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Euphonium, Piano (duo)
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FACILE
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Classique
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George Frideric Handel
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John Nicolaus
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Lascia ch'io pianga
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John Nicolaus
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1269198 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 5 pages. John ...
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Euphonium,Piano - Level 2 - SKU: A0.1269198 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 5 pages. John Nicolaus #861734. Published by John Nicolaus (A0.1269198). Lascia ch'io piangafrom the opera RinaldoMusic by Georg Friedrich Händelarranged by John NicolausEuphonium (in C or Bb) and pianoduration: 3:45 min.
$7.99
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