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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Is a Lie
Non classifié
402
Piano & claviers
Piano seul
161
Piano Facile
73
Piano, Voix
68
Piano, Voix et Guitare
35
Instruments en Do
20
Orgue
13
Accompagnement Piano
11
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Accordéons
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
25
Guitare
11
Ukulele
10
3 Guitares (trio)
4
2 Guitares (duo)
4
Basse electrique
4
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
Dulcimer
1
Banjo
1
Ukulele Baryton
1
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Chorale SATB
135
Chorale 3 parties
56
Chorale TTBB
40
Chorale 2 parties
32
Chorale SSAA
28
Chorale Unison
9
Voix duo
6
Voix duo, Piano
3
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Voix haute
1
Chorale SSATTB
1
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Vents
Quatuor de Saxophones: 4 saxophones
75
Flûte, Hautbois, Clarinette, Basson
45
Flûte traversière et Piano
37
Clarinette et Piano
33
Hautbois, Piano (duo)
27
Quatuor de Clarinettes: 4 clarinettes
25
Flûte traversière
23
Clarinette
23
2 Saxophones (duo)
22
Saxophone Alto et Piano
21
Saxophone Tenor et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Alto
15
Quintette de Saxophone: 5 saxophones
14
2 Clarinettes (duo)
14
Ocarina
13
3 Saxophones (trio)
12
Hautbois (partie séparée)
12
Saxophone Baryton, Piano
12
Saxophone Soprano et Piano
12
Saxophone (partie séparée)
10
2 Flûtes traversières (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Tenor
9
Flûte à bec Soprano
9
Flûte à bec Alto
9
Harmonica
8
Trio de Flûtes: 3 flûtes
7
2 Flûte à bec (duo)
7
Cor anglais, Piano
7
Hautbois, Basson (duo)
7
Flûte, Clarinette (duo)
6
Hautbois
6
Flûte à Bec
6
Flûte et Guitare
6
2 Hautbois (duo)
5
Clarinette Basse, Piano
5
Clarinette, Basson (duo)
5
Piccolo
4
Saxophone Soprano
4
Flûte, Hautbois (duo)
4
3 Clarinettes (trio)
4
Saxophone Baryton
4
Flûte, Hautbois, Clarinette (trio)
3
Ensemble de Clarinettes
3
Cor Anglais
2
Flûte, Hautbois, Piano (trio)
2
Quatuor de Flûtes à bec
2
Ensemble de saxophones
2
Flûte, Violoncelle
2
Hautbois, Guitare (duo)
2
Hautbois, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle (duo)
1
Saxophone
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Flûte irlandaise
1
Piccolo, Piano
1
Flûte à Bec, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais et Harpe (duo)
1
Quintette de Flûte : 5 flûtes
1
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Trompette, Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
23
Trombone et Piano
20
Cor et Piano
18
Trombone
12
Cor
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
9
Trompette, Trombone (duo)
8
2 Trompettes (duo)
8
Cor anglais, Piano
7
Tuba
6
Euphonium, Piano (duo)
5
2 Trombones (duo)
5
Trompette, Cor (duo)
4
2 Cors (duo)
3
Trio de Cuivres
3
Cor Anglais
2
Trombone basse et Piano
2
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium
2
Trombone basse
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
1
Trompette et Guitare
1
Ensemble de Trompettes
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
34
Violoncelle, Piano
23
Alto, Piano
22
Violon
22
Violoncelle
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Violons (duo)
13
Violon, Violoncelle (duo)
11
Alto seul
11
Harpe
11
Contre Basse
7
Contrebasse, Piano (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violoncelles (duo)
6
Violon, Alto (duo)
6
4 Violoncelles
5
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
3
Quatuor à cordes: 4 violons
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Voix
2
Violon, Guitare (duo)
2
2 Harpes (duo)
1
Violon, Basson (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
+ 29 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
38
Cloches
15
Orchestre à Cordes
14
Ensemble Jazz
9
Ensemble de cuivres
7
Orchestre
6
Ensemble de Percussions
4
Orchestre de chambre
3
Batterie
3
Jazz combo
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Fanfare
2
Xylophone, Piano
1
Vibraphone
1
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CONTREBASSE
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COR ANGLAIS
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNET
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FLUTE TRAVERSI…
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
#
J
#
James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
#
J
#
James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Comptine D'un Autre Été: L'après-Midi
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Euphonium, Piano (duo)
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FACILE
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Yann Tiersen
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Harry Walker
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Comptine D'un Autre Ét&
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1473938 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,We...
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Euphonium,Piano - Level 2 - SKU: A0.1473938 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,Wedding. Score and part. 9 pages. SCORE EDITIONS #1051636. Published by SCORE EDITIONS (A0.1473938). Comptine d'un autre été: L'après-midi is one of the most iconic pieces by French composer Yann Tiersen known for its poetic simplicity and melancholic melody. This piece was originally composed for the film Amélie (2001), a work that received worldwide acclaim for both its cinematography and soundtrack. In this version, the composition was arranged for Euphonium B.C. and Piano by Harry Walker.
$5.99
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
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