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Piano, Voix
411
Piano Quatuor: piano, violon, alto, violoncelle
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121
Piano seul
104
Piano, Voix et Guitare
100
Accompagnement Piano
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Instruments en Do
34
Orgue
11
Piano Facile
7
1 Piano, 4 mains
4
2 Pianos, 4 mains
2
Clavecin
1
Accordéon
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1
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1
Piano Trio: piano, violon, violoncelle
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
15
Guitare
7
Paroles et Accords
3
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
7522
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4712
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1063
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420
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129
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94
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94
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92
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58
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17
Chorale TTBB
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15
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10
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9
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6
Chorale SSAB, Piano
6
Voix Tenor
5
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3
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1
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1
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VENTS
Saxophone Alto
3561
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2320
Saxophone Alto et Piano
2312
2 Saxophones (duo)
1609
Saxophone
1127
Quintette de Saxophone: 5 saxophones
684
Saxophone (partie séparée)
660
3 Saxophones (trio)
590
Quatuor de Flûtes : 4 flûtes
416
Ensemble de saxophones
356
Ensemble de Flûtes
325
Quatuor de Clarinettes: 4 clarinettes
317
Flûte traversière et Piano
234
2 Flûtes traversières (duo)
228
Flûte à Bec
223
Saxophone Tenor et Piano
207
Flûte à bec Alto
169
Saxophone, Clarinette (duo)
158
Clarinette et Alto
153
Ensemble de Clarinettes
151
Flûte, Saxophone (duo)
148
2 Flûte à bec (duo)
139
2 Clarinettes (duo)
133
Flûte, Alto (duo)
125
Quintette de Flûte : 5 flûtes
110
Quintette de Clarinettes: 5 clarinettes
109
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93
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93
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90
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82
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74
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74
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64
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52
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44
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43
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31
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26
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23
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22
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21
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19
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19
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18
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17
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14
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13
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13
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13
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12
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11
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11
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8
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7
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7
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7
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6
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5
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5
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3
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3
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Flute (partie séparée)
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1
2 Cors Anglais Et Pianoforte
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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Trompette, Saxophone (duo)
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27
2 Trombones (duo)
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Trompette
19
2 Cors (duo)
17
Trombone
16
2 Tubas (duo)
13
Tuba et Piano
13
Cor anglais, Guitare (duo)
11
Cor
9
Trompette, Trombone (duo)
8
Euphonium
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Tuba
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 trombones
4
Euphonium, Piano (duo)
4
Cor et Harpe
3
Trombone (partie séparée)
3
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2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors Anglais Et Pianoforte
1
Ensemble de Trombones
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Trombone, Alto (duo)
1
Cor Anglais
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4 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
9975
Alto seul
2940
Alto, Piano
2403
Trio à Cordes: violon, alto, violoncelle
1657
Violon, Alto (duo)
779
2 Altos (duo)
609
Quintette à cordes: 2 violons, alto, violoncelle, basse
558
Alto (partie séparée)
504
Alto, Violoncelle (duo)
291
Alto, Guitare (duo)
152
Piano Trio: Violon, Alto, Piano
148
Trio à Cordes: 2 violons, alto
98
Violon et Piano
66
Quintette à cordes: 2 violons, 2 altos, violoncelle
56
Quatuor à cordes : 4 altos
48
Alto et Harpe
47
Violoncelle, Piano
39
Trio à cordes: 3 altos
31
Harpe
28
2 Violons (duo)
22
2 Violoncelles (duo)
21
Alto et Basson
19
Violon
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Ensemble d'Altos
14
Harpe, Flûte (duo)
14
Contrebasse, Piano (duo)
13
2 Contrebasses (duo)
13
2 Harpes (duo)
10
Violoncelle (partie séparée)
8
Harpe, Voix
8
Alto, Orgue
6
Violoncelle , Guitare (duo)
6
Harpe, Violon (duo)
5
Contre Basse
5
Trio à Cordes: 3 violoncelles
5
Violon, Violoncelle (duo)
5
Violon, Guitare (duo)
5
Violoncelle
5
2 Altos, Piano
4
Harpe, Violoncelle (duo)
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1073
Ensemble Jazz
578
Jazz combo
176
Orchestre
118
Fanfare
107
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48
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40
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22
Orchestre à Cordes
20
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
17
Xylophone, Piano
8
Cloches
7
Batterie
7
Vibraphone
2
Quintette à Vent
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Marimba
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AUTRES
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Euphonium, Piano (duo)
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How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.26 €
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Euphonium, Piano (duo)
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Stacy's Mom
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1091239 By Fountains Of Wayne.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contemporary,Pop,Rock. Score and part. 11 pages. Lawrence H Underwood #695404. Published by Lawrence H Underwood (A0.1091239). “Stacy’s mom has got it goin’ on. . .†This 2003 hit from Fountains of Wayne has it all: It’s clever, distinctive, and incredibly catchy. And now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.55 €
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Euphonium, Piano (duo)
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Fountains Of Wayne
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Lawrence H Underwood
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Stacy's Mom
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Lawrence H Underwood
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.47 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.47 €
#
Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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